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UNSPECIFIED (2015) Musikalisches Denken im Labyrinth der Aufklarung: Wilhelm Heinses Hildegard von Hohenthal (Thinking Musically in the Labyrinth of Enlightenment: Wilhelm Heinse's Hildegard von Hohenthal). In: Irvine, T. and Thormählen, W. and Wiener, O., (eds.) UNSPECIFIED Southampton-Würzburg Studies in Eighteenth Century Musical Culture, 3 . Are Musik Verlag, Mainz. ISBN 978-3-924522-50-6

Aiello, R. and Williamon, A. (2002) Memory. In: The Science and Psychology of Music Performance: Creative Strategies for Teaching and Learning. Oxford University Press, Oxford, pp. 167-181. ISBN 9780195138108

Aufegger, L. and Wasley, D. and Williamon, A. (2016) Facing the music: investigating the psychophysiology of musical performance. In: Art in Motion III: Performing Under Pressure. Peter Lang, Frankfurt, pp. 77-92. ISBN 978-3-631-67172-6

Barry, A. M. (2019) Lady sings the blues? Tragedy, autobiography and reassessment. In: Billie Holiday: essays on the artistry and legacy. McFarland, Jefferson, North Carolina, pp. 38-53. ISBN 978-1-4766-7469-8 (paperback) 978-1-4766-3708-2 (e-book)

Camlin, D. A. (2017) Dave Camlin: case study. In: Engaging in Community Music: An Introduction. Routledge, Abingdon. ISBN 9781138638167 (hardback) 9781138638174 (paperback) 9781315637952 (e-book)

Camlin, D. A. (2017) Wir singen von Rechten, die wir nicht haben Dissens und Dialog in der Community Music [Singing the rights we do not possess: the rights of community music]. In: Community Music: Beiträge zur Theorie und Praxis aus internationaler und deutscher Perspektive. Waxmann, Münster, Germany, pp. 137-147. ISBN 978-3-8309-3456-1 (paperback) 9783830984566 (e-book)

Camlin, D. A. and Zeserson, K. (2018) Becoming a community musician: a situated approach to curriculum, content, and assessment. In: The Oxford Handbook of Community Music. Oxford Handbooks . Oxford University Press, Oxford, pp. 711-733. ISBN 9780190219505 (hardback) 9780190861483 (e-book)

Charlston, T. (2013) A discourse of styles: contrasting gigue types in the A Minor Jig from the Purcell Partial Autograph, GB-Lbl, MS Mus. 1. In: Interpreting historical keyboard music: sources, contexts and performance. Ashgate Historical Keyboard Series . Routledge, London. ISBN 9781409464266 (hardback) 9781138271944 (paperback) 9781315589596 (e-book)

Clark, T. and Lisboa, T. and Williamon, A. (2014) Learning to be an instrumental musician. In: Advanced Musical Performance: Investigations in Higher Education Learning. SEMPRE Studies in the Psychology of Music . Ashgate, London, pp. 287-300. ISBN 9781409436898

Clark, T. and Williamon, A. (2015) Applications within performance psychology. In: Performance Psychology: A Scientific Guide across Perception, Action, Cognition, and Emotion. Academic Press, London, pp. 45-63. ISBN 9780128033777 (hardcover) 9780128033913 (e-book)

Clark, T. and Williamon, A. and Aksentijevic, A. (2011) Musical imagery and imagination: the function, measurement and application of imagery skills for performance. In: Musical Imaginations: Multidisciplinary Perspectives on Creativity, Performance and Perception. Oxford University Press, Oxford, pp. 351-365. ISBN 9780199568086

Cohen, M. L. and Henley, J. (2018) Music-making behind bars: the many dimensions of community music in prisons. In: The Oxford Handbook of Community Music. Oxford University Press, Oxford, pp. 153-176. ISBN 9780190219505

Dudgeon, R. T. and Eastop, P. and Herbert, T. and Wallace, J. (1997) Playing, learning and teaching brass. In: The Cambridge Companion to Brass Instruments. Cambridge Companions to Music . Cambridge University Press, Cambridge, pp. 193-206. ISBN 9780521565226 (paperback) 9781139002035 (e-book)

Fancourt, D. (2017) Arts in Health: Designing and Researching Interventions. In: Arts in Health: Designing and Researching Interventions. Oxford University Press, Oxford, UK. ISBN 9780198792079

Fenlon, I. and Wistreich, R. (2019) Introduction. In: The Cambridge History of Sixteenth-Century Music. The Cambridge History of Music . Cambridge University Press, Cambridge, pp. 1-23. ISBN 9780511675874

Ginsborg, J. and Spahn, C. and Williamon, A. (2012) Health promotion in higher music education. In: Music, Health, and Wellbeing. Oxford University Press, Oxford, pp. 356-366. ISBN 9780199686827

Gooderson, M. C. and Henley, J. (2017) Professional song-writing: creativity, collaboration, and tensions between higher education song-writing and industry practice. In: Routledge Research Companion to Popular Music Education. Routledge, Abingdon, pp. 257-271. ISBN 9781472464989

Guillaumier, C. and Slater, R. and Argondizza, P. (2016) Recontextualised learning through embedded creativity: developing a module that applies historically informed performance practice to Baroque music. In: Creative teaching for creative learning in higher music education. SEMPRE studies in the psychology of music . Routledge, Abingdon, pp. 186-197. ISBN 9781472455918 (hardback) 9781138504998 (paperback) 9781315574714 (e-book)

Hamilton, K. and Loges, N. (2014) Brahms in the home: an introduction. In: Brahms in the Home and the Concert Hall: Between Private and Public Performance. Cambridge University Press, Cambridge, pp. 1-22. ISBN 9781107042704 (hardback) 9781108458085 (paperback) 9781316056585 (e-book)

Henley, J. (2018) Music, emotion and learning. In: The Routledge Companion to Music, Mind, and Wellbeing. Routledge Music Companions . Routledge, Abingdon, pp. 277-290. ISBN 9781138057760

Henley, J. (2015) Music: naturally inclusive, potentially exclusive? In: Inclusive Pedagogy Across the Curriculum. International Perspectives on Inclusive Education (7). Emerald, Bingley, UK, pp. 161-186. ISBN ISSN: 1479-3636

Henley, J. (2016) Young offenders. In: The Routledge Companion to Music, Technology, and Education. Routledge, Farnham, pp. 192-207. ISBN 9781138921382

Henley, J. (2017) The musical lives of self-confessed non-musicians. In: The Oxford Handbook of Music Making and Leisure. Oxford University Press, Oxford, pp. 203-222. ISBN 9780190244705

Henley, J. and Cohen, M. L. and Mota, G. (2013) Musical development and positive identity change within criminal justice settings. In: Rethinking Education: Empowering individuals with the appropriate educational tools, skills and competencies, for their active cultural, political and economic participation in society in Europe and beyond. ACP, Brussels, pp. 129-149. ISBN 978-90-90-28437-8

Herbert, T. (2013) Brass and military bands in Britain - performance domains, the factors that construct them and their influence. In: Brass Bands of the World: Militarism, Colonial Legacies, and Local Music Making. SOAS Studies in Music Series . Ashgate, Farnham, UK. ISBN 9781409444220 (hardback) 9781138251212 (paperback) 9781315569895 (e-book)

Herbert, T. (1997) Brass bands and other vernacular brass traditions. In: The Cambridge Companion to Brass Instruments. Cambridge Companions to Music . Cambridge University Press, Cambridge, pp. 177-192. ISBN 9780521565226 (paperback) 9781139002035 (e-book)

Herbert, T. (2016) Carl Florian Mandel and the production, consumption and status of "military" brass-wind instruments in the nineteenth century. In: Instrumental Odyssey: A Tribute to Herbert Heyde. Bucina: The Historic Brass Society Series (9). Pendragon Press, New York. ISBN 978-1-57647-252-1

Herbert, T. (1999) Farmer's contribution to the study of military music. In: Henry George Farmer: a bibliography. Glasgow University Library Studies . Glasgow University Library, Glasgow. ISBN 978-0852616901

Herbert, T. (2018) Foreword: amateur bands, their localities, and their challenges – the lessons of history. In: The Routledge Companion to the Study of Local Musicking. Routledge Music Companions . Routledge, Abingdon, UK. ISBN 9781138920118 (hardback) 9781315687353 (e-book)

Herbert, T. (2000) God's perfect minstrels: the bands of the Salvation Army. In: The British Brass Band: A Musical and Social History. Oxford University Press, Oxford. ISBN 9780198166986

Herbert, T. (2000) Nineteenth-century bands: making a movement. In: The British Brass Band: A Musical and Social History. Oxford University Press, Oxford. ISBN 9780198166986

Herbert, T. (2000) Popular nationalism: Griffith Rhys Jones ('Caradog') and the Welsh choral tradition. In: Music and British culture, 1785-1914: essays in honor of Cyril Ehrlich. Oxford University Press, Oxford, pp. 255-274. ISBN 9780198167303 (hardback)

Herbert, T. (1997) 'Sackbut': the early trombone. In: The Cambridge Companion to Brass Instruments. Cambridge Companions to Music . Cambridge University Press, Cambridge, pp. 68-83. ISBN 9780521565226 (paper back) 9781139002035 (e-book)

Herbert, T. (2011) Social history and music history. In: The cultural study of music: a critical introduction [2nd Edition]. Routledge, Abingdon. ISBN 9780415881906 (hardback) 9780415881913 (paperback) 9780203149454 (e-book)

Herbert, T. (2005) Susato's colleagues: the trombonists of the Tudor court. In: Tielman Susato and the music of his time: Print culture, compositional technique, and instrumental music in the Renaissance. Bucina: the historic brass society series (5). Pendragon Press, New York, pp. 117-132. ISBN 978-1576471067 (hardback)

Herbert, T. (2000) Trombones and the English court c.1480 – c.1680. In: Posaunen und Trompeten: Geschichte, Akustik, Spieltechnik. Michaelsteiner Konferenzberichte . Kloster Michaelstein Musikakademie, Blankenburg, Germany, pp. 51-58. ISBN 978-3895121166

Herbert, T. (1998) Victorian brass bands: class, taste, and space. In: The place of music. Guilford Press, New York, pp. 104-128. ISBN 9781572303140 (paperback)

Herbert, T. (2002) Wind instruments. In: A performer's guide to music of the Romantic period. Performer's guides . Associated Board of the Royal Schools of Music, London, pp. 57-69. ISBN 9781860961946

Herbert, T. (1999) The practice and context of a private Victorian brass band. In: Nineteenth-century British music studies. Music in nineteenth-century Britain, 1 . Ashgate, Farnham, Surrey, pp. 105-118. ISBN 9780367146221 (hardback) 9780429052774 (e-book)

Herbert, T. (1997) The reconstruction of nineteenth-century band repertory: towards a protocol. In: Perspectives in brass scholarship: proceedings of the International Historic Brass Society Symposium Amherst 1995. Bucina: the Historic Brass Society Series (2). Pendragon Press, New York, pp. 193-222. ISBN 978-0945193975 (hardback)

Herbert, T. and Barlow, H. (2012) The British military as a musical institution, c.1780-c.1860. In: Music and Institutions in Nineteenth-Century Britain. Music in Nineteenth-Century Britain . Ashgate, Farnham, UK, pp. 247-266. ISBN 9781409405832 (hardback) 9781138268234 (paperback) 9781315596624 (e-book)

Herbert, T. and Wallace, J. (2000) Aspects of performance techniques: the brass band and its influence on other brass-playing. In: The British Brass Band: A Musical and Social History. Oxford University Press, Oxford. ISBN 9780198166986

Hewett, I. (2015) Europe. In: The other classical musics: fifteen great traditions. Boydell & Brewer, Martlesham, Suffolk, pp. 216-245. ISBN 9781843837268 (hardback) 9781782045359 (e-book)

Hewett, I. (2019) Recordings. In: Brahms in context. Composers in context . Cambridge University Press, Cambridge, pp. 357-366. ISBN 9781107163416 (hardback) 9781316681374 (e-book)

Hexel, V. (2019) Johannes factotum: Jóhann Jóhannsson. In: Double Lives: Film Composers in the Concert Hall. Routledge, Abingdon. ISBN 9780367028879

Jónasson, P. and Lisboa, T. (2019) Professional musicians as researchers: leading changes through a study on memorisation. In: Leadership of Pedagogy and Curriculum in Higher Music Education. ISME Global Perspectives in Music Education (2). Routledge, Abingdon. ISBN 9780367077327

Kawabata, M. (2018) In search of ‘something-other-than-perfect’ violin virtuosity. In: Exploring virtuosities: Heinrich Wilhelm Ernst, nineteenth-century musical practices and beyond. Göttingen Studies in Musicology/Göttinger Studien zur Musikwissenschaft (10). Olms Weidmann, Hildesheim, pp. 241-262. ISBN 978-3-487-15662-0 (paperback)

Kawabata, M. (2010) Paganini’s legacy. In: Nicolò Paganini: diabolus in musica. Studies on Italian Music History (5). Brepols, Turnhout, pp. 353-358. ISBN 978-2-503-53533-3 (hardback)

Küssner, M. B. and Aufegger, L. and Eiholzer, H. and Williamon, A. (2015) Der Performance Simulator: Entwicklung und Evaluation eines Trainingsangebots für Musiker am Royal College of Music (The performance simulator: development and evaluation of a training facility for musicians at the Royal College of Music). In: Jahrbuch der Deutschen Gesellschaft für Musikpsychologie, Band 25 (Yearbook of the German Society for Music Psychology, Vol. 25). Hogrefe, Göttingen, pp. 159-169. ISBN 9783801727345

Lacombe, H. and Southon, N. and Smith, R. L. (2016) Poulenc et Edward Lockspeiser: une amitie professionelle. In: Fortune de Francis Poulenc. Presses Universitaires de Rennes, France, p. 197. ISBN 978-2-7535-5006-3

Lawson, C. (1994) Beethoven and the development of wind instruments. In: Performing Beethoven. Cambridge Studies in Performance Practice (4). Cambridge University Press, Cambridge, pp. 70-88. ISBN 0521416442 (hardback) 9780521023740 (paperback)

Lawson, C. (2012) Case study: Mozart, Symphonies in E flat major K543, G minor K550 and C major K551. In: The Cambridge history of musical performance. The Cambridge history of music . Cambridge University Press, Cambridge, pp. 552-574. ISBN 9780521896115 (hardback) 9781316183229 (e-book)

Lawson, C. (2002) Performing through history. In: Musical Performance: A Guide to Understanding. Cambridge University Press, Cambridge, pp. 3-16. ISBN 9780521783002 (hardback) 9780521788625 (paperback) 9780511074691 (e-book)

Lawson, C. (1995) Playing historical clarinets. In: The Cambridge Companion to the Clarinet. Cambridge Companions to Music . Cambridge University Press, Cambridge, pp. 134-149. ISBN 9780521476683 (paperback) 9781139796620 (e-book)

Lawson, C. (2009) Recreating history: a clarinettist's retrospective. In: The Cambridge Companion to Recorded Music. Cambridge Companions to Music . Cambridge University Press, Cambridge, pp. 263-266. ISBN 9780521865821 (hardback) 9780521684613 (paperback) 9781139798372 (e-book)

Lawson, C. (1995) Single reeds before 1750. In: The Cambridge Companion to the Clarinet. Cambridge Companions to Music . Cambride University Press, Cambridge, pp. 1-15. ISBN 9780521476683 (paperback) 9781139796620 (e-book)

Lawson, C. (2002) Wind instruments. In: A performer's guide to music of the Classical period. Associated Board of the Royal Schools of Music, London, pp. 65-74. ISBN 978-1860961939 (paperback)

Lawson, C. (1992) The chalumeau in the works of Fux. In: Johann Joseph Fux and the Music of the Austro-Italian Baroque. Routledge, London, pp. 78-94. ISBN 9780859678322 (hardback) 9781138260498 (paperback) 9781315092287 (e-book)

Lawson, C. (1995) The clarinet family: introduction - clarinets in B♭ and A. In: The Cambridge Companion to the Clarinet. Cambridge Companions to Music . Cambridge University Press, Cambridge, pp. 33-38. ISBN 9780521476683 (paperback) 9781139796620 (e-book)

Lawson, C. (1995) The clarinet family: the C clarinet. In: The Cambridge Companion to the Clarinet. Cambridge Companions to Music . Cambridge University Press, Cambridge, pp. 40-42. ISBN 9780521476683 (paperback) 9781139796620 (e-book)

Lawson, C. (2005) The early clarinet: historical icon or postmodern invention? In: The versatile clarinet. Routledge, Abingdon, pp. 5-14. ISBN 9780415973175 (hardback) 9781138986701 (paperback) 9780203958728 (e-book)

Lawson, C. (2003) The revival of historical instruments. In: The Cambridge companion to the orchestra. Cambridge companions to music . Cambridge University Press, Cambridge, pp. 155-168. ISBN 9780521806589 (hardback) 9780521001328 (paperback) 9781139002066 (e-book)

Lawson, C. (2003) The string quartet as a foundation for larger ensembles. In: The Cambridge Companion to the String Quartet. Cambridge Companions to Music . Cambridge University Press, Cambridge, pp. 310-327. ISBN 9780521801942 (hardback) 9780521000420 (paperback) 9780511074790 (e-book)

Lawson, C. (2012) A winning strike: the miracle of Mozart's 'Kegelstatt'. In: Mozart's Chamber Music with Keyboard. Cambridge University Press, Cambridge, pp. 123-137. ISBN 9781107002487 (hardback) 9781107534285 (paperback) 9781139368582 (e-book)

Lawson, C. and Stowell, R. (2012) The future? In: The Cambridge history of musical performance. The Cambridge history of music . Cambridge University Press, Cambridge, pp. 815-833. ISBN 9780521896115 (hardback) 9781316183229 (e-book)

Loges, N. (2019) Literature. In: Brahms in Context. Composers in Context . Cambridge University Press, Cambridge, pp. 269-276. ISBN 9781107163416 (print) 9781316681374 (online)

Loges, N. (2019) Reading, singing, becoming: the Mädchenlieder of Paul Heyse and Johannes Brahms. In: Musical Salon Culture in the Long Nineteenth Century. Boydell & Brewer, Martlesham, Suffolk. ISBN 9781783273904 (print) 9781787445345 (e-book)

Loges, N. (2019) Singers. In: Brahms in Context. Composers in Context . Cambridge University Press, Cambridge, pp. 187-195. ISBN 9781107163416 (print) 9781316681374 (online)

Loges, N. (2014) The limits of the Lied: Brahms’s Magelone-Romanzen Op. 33. In: Brahms in the Home and the Concert Hall: Between Private and Public Performance. Cambridge University Press, Cambridge, pp. 300-323. ISBN 9781107042704 (hardback) 9781108458085 (paperback) 9781316056585 (e-book)

Loges, N. (2004) The notion of personae in Brahms's "Bitteres zu sagen denkst du": op. 32, no. 7: a literary key to musical performance? In: Music and Literature in German Romanticism. Studies in German Literature, Linguistics, and Culture (85). Camden House, Rochester, NY, pp. 183-202. ISBN 9781571132581 (hardback) 9781571136459 (e-book)

Loges, N. and Hamilton, K. (2019) Mythmaking. In: Brahms in Context. Composers in Context . Cambridge University Press, Cambridge, pp. 384-392. ISBN 9781107163416 (print) 9781316681374 (online)

Loges, N. and Hamilton, K. (2016) Singer-songwriters of the German Lied. In: The Cambridge Companion to the Singer-Songwriter. Cambridge Companions to Music . Cambridge University Press, Cambridge, pp. 21-42. ISBN 9781107063648 (hardback) 9781107680913 (paperback) 9781316496664 (e-book)

Loges, N. and Lawson, C. (2012) The teaching of performance. In: The Cambridge history of musical performance. The Cambridge History of Music . Cambridge University Press, Cambridge, pp. 135-168. ISBN 9780521896115 (hardback) 9781316183229 (e-book)

McPherson, G. E. and Williamon, A. (2015) Building gifts into musical talents. In: The Child as Musician: A Handbook of Musical Development (second edition). Oxford University Press, Oxford, pp. 340-360. ISBN 9780198744443

McPherson, G. E. and Williamon, A. (2006) Giftedness and talent. In: The Child as Musician: A Handbook of Musical Development. Oxford University Press, Oxford, pp. 239-256. ISBN 978-0198530329

Paskins, H. and Hamilton, K. and Loges, N. (2014) Brahms and his arrangers. In: Brahms in the Home and the Concert Hall: Between Private and Public Performance. Cambridge University Press, Cambridge, pp. 178-220. ISBN 9781107042704 (hardback) 9781108458085 (paperback) 9781316056585 (e-book)

Pearson, I. E. (2006) 18、19世纪美术作品中黑管哨片的位置 [18th- and 19th-century iconographical representations of clarinet reed position]. In: Music in Art: International Journal for Music Iconography: special Chinese edition. Changjiang Wenyi Chubanshe, Wuhan, pp. 143-154. ISBN 7-5354-3155-0

Pearson, I. E. (2018) Articulation. In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge, pp. 28-33. ISBN 9781107108080 (hardback) 9781316257678 (e-book)

Pearson, I. E. (2018) Iconography. In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge, pp. 317-319. ISBN 9781107108080 (hardback) 9781316257678 (e-book)

Pearson, I. E. (2012) In contemplation of the clarinets at the Royal College of Music, London. In: Proceedings of the Clarinet and Woodwind Colloquium 2007. Edinburgh University Collection of Historic Musical Instruments, Edinburgh, pp. 141-150. ISBN 978 0 907635 59 8

Pearson, I. E. (2018) Oral tradition. In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge, pp. 448-451. ISBN 9781107108080 (hardback) 9781316257678 (e-book)

Pearson, I. E. (2000) Playing historical clarinets. In: The early clarinet: a practical guide. Cambridge handbooks to the historical performance of music . Cambridge University Press, Cambridge, pp. 41-62. ISBN 9780521624596 (hardback) 9780521624664 (paperback) e-book (9780511059780)

Pearson, I. E. (2014) Research degrees in the conservatoire context: reconciling practice and theory. In: Research and Research Education in Music Performance and Pedagogy. Landscapes: the Arts, Aesthetics, and Education, 11 . Springer, Switzerland, pp. 65-76. ISBN 9789400774353

Pearson, I. E. (2018) Übersichblasen-Untersichblasen [reed above/below]. In: Lexikon der Holzblasinstrumente: Oboe, Klarinette, Saxophon und Fagott – Baugeschichte und Spielpraxis – Komponisten und ihre Werke – Interpreten. Laaber, Laaber, Germany, pp. 747-748. ISBN 978-3-89007-866-3

Rossi Rognoni, G. (2017) The descent of organology: cultural and methodological influences in the definition of organology in the 19th century. In: Vom Sammeln, Klassifizieren und Interpretieren: Die zerstörte Vielfalt des Curt Sachs. Sound and Idea . Schott Music, Mainz, pp. 199-208. ISBN 978-3-7957-1284-6

Smith, R. L. (2018) Bordes, Charles. In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge, p. 80. ISBN 9781107108080 (hardback) 9781108698573 (e-book)

Smith, R. L. (2018) Casadesus, Henri. In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge, pp. 114-115. ISBN 9781107108080 (hardback) 9781108698573 (e-book)

Smith, R. L. (2018) Choron, Alexandre (-Étienne). In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge, pp. 127-128. ISBN 9781107108080 (hardback) 9781108698573 (e-book)

Smith, R. L. (2018) Debussy fifty years later: has the barrel run dry? In: Debussy's resonance. Eastman studies in music . University of Rochester Press, Rochester, NY, pp. 19-37. ISBN 9781580465250 (hardback) 9781787442528 (e-book)

Smith, R. L. (2002) Francis Poulenc outre-Manche: séjours, concerts, réception [Francis Poulenc across the Channel: sojourns, concerts, and reception]. In: Francis Poulenc et la voix: texte et contexte. Université de Saint-Étienne, Saint-Étienne, pp. 11-21. ISBN 2-941373-02-3

Smith, R. L. (2006) French operatic spectacle in the twentieth century. In: French music since Berlioz. Routledge, Abingdon. ISBN 9780754602828 (hardback) 9781138273450 (paperback) 9781315093895 (e-book)

Smith, R. L. (2018) Gould, Glenn (Herbert). In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge, pp. 268-269. ISBN 9781107108080 (hardback) 9781108698573 (e-book)

Smith, R. L. (2018) Indy, (Paul-Marie-Théodore-) Vincent d’. In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge, p. 328. ISBN 9781107108080 (hardback) 9781108698573 (e-book)

Smith, R. L. (2013) L'art de préluder: quelques questions de taxonomie chez Debussy [The art of preluding: some questions of taxonomy in the works of Debussy]. In: Regards sur Debussy. Fayard, Paris, pp. 329-336. ISBN 9782213672588

Smith, R. L. (1997) 'La jeunesse du Cid': a mislaid act in Rodrigue et Chimène? In: Debussy studies. Cambridge composer studies . Cambridge University Press, Cambridge, pp. 201-228. ISBN 9780521460903 (hardback) 9780521121613 (paperback)

Smith, R. L. (2017) ‘Le Paradis deux fois perdu’: Debussy, Watteau and the fête galante. In: Historical Interplay in French Music and Culture, 1860–1960. Routledge, Abingdon, UK. ISBN 9781472474759 (hardback) 9781315586847 (e-book)

Smith, R. L. (2018) Paris Conservatoire (Conservatoire de Paris). In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge, pp. 470-472. ISBN 9781107108080 (hardback) 9781108698573 (e-book)

Smith, R. L. (2004) Quelques aspects du langage musical d'Alfred Bruneau [Some aspects of the musical language of Alfred Bruneau]. In: Le naturalisme sur la scène lyrique. Publications de l'université de Saint-Étienne, Saint-Étienne, pp. 80-93. ISBN 978-2-86272-344-0

Smith, R. L. (2018) Saint-Saëns, (Charles-) Camille. In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge, pp. 560-561. ISBN 9781107108080 (hardback) 9781108698573 (e-book)

Smith, R. L. (2007) Taming two Spanish women: reflections on editing opera. In: Berlioz and Debussy: sources, contexts and legacies: essays in honour of François Lesure. Ashgate, Farnham, Surrey. ISBN 9780754653929 (hardback) 9781138262980 (paperback) 9781315096469 (e-book)

Thormählen, W. (2019) Circulation. In: The Cambridge Haydn Encyclopedia. Cambridge University Press, Cambridge. ISBN 9781316422847

Thormählen, W. (2018) Framing emotional responses to music: music-making and social well-being in early nineteenth-century England. In: The Routledge companion to music, mind, and well-being. Routledge music companions . Routledge, Abingdon, pp. 93-105. ISBN 9781138057760 (hardback) 9781315164717 (e-book)

Thormählen, W. (2014) Lamenting at the piano: domestic music-making and well-being in eighteenth-century Britain. In: Göttinger Händelbeiträge: the power of musick: music and politics in Georgian Britain. Vandenhoeck & Ruprecht, Göttingen, Germany, pp. 144-160. ISBN 978-3-525-27832-1

Thormählen, W. (2019) London and England. In: The Cambridge Haydn Encyclopedia. Cambridge University Press, Cambridge. ISBN 9781316422847

Thormählen, W. (2019) Music and dance. In: A Cultural History of the Emotions in the Modern and Post-Modern Age (1920-2000+). A Cultural History of the Emotions, 6 . Bloomsbury, London. ISBN 9781472515063

Thormählen, W. (2019) Music and dance. In: A Cultural History of the Emotions in the Age of Romanticism, Revolution and Empire (1780-1920). A Cultural History of the Emotions, 5 . Bloomsbury, London. ISBN 9781472515063

Thormählen, W. (2014) Physical distortion, emotion and subjectivity: musical virtuosity and body anxiety. In: Music and the Nerves, 1700 – 1900. Palgrave Macmillan, Houndmills, Basingstoke, UK, pp. 191-217. ISBN 978-1-137-33950-8

Vaughan, W. and Loges, N. (2019) Visual arts. In: Brahms in Context. Composers in Context . Cambridge University Press, Cambridge, pp. 286-295. ISBN 9781107163416 (print) 9781316681374 (online)

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This list was generated on Fri Nov 22 03:05:02 2019 GMT.