Items where Subject is "Music History"

A

Adlington, R. (2001) Book review: Singing Archaeology: Philip Glass's 'Akhnaten' by J Richardson; Four Musical Minimalists: La Monte Young, Terry Riley, Steve Reich, Philip Glass by K Potter; Jonathan Harvey by A Whittall. Music & Letters, 82 (3) pp. 487-491. ISSN 0027-4224 (print) 1477-4631 (online)

Adlington, R. (2002) 'Good lodging': Harrison Birtwistle's reception of Sir Gawain and the Green Knight. In: King Arthur in Music. Arthurian Studies . Boydell & Brewer, Martlesham, pp. 127-143. ISBN 9780859917674 (hardback) 9781846150968 (e-book)

Adlington, R. (2019) Introduction: why ‘new music theatre’ now? In: New Music Theatre in Europe: Transformations between 1955-1975. Musical Cultures of the Twentieth Century . Routledge. ISBN 9781138323018 (hardback) 9780367730949 (paperback) 9780429451669 (e-book)

Adlington, R. (2004) Louis Andriessen: De Staat. Routledge. ISBN 9781138400566 (hardback) 9780754609254 (paperback) 9781351218863 (e-book)

Adlington, R. (2018) Modernism: the people’s music? In: The Routledge Research Companion to Modernism in Music. Routledge Music Companions . Routledge. ISBN 9781472470409 (hardback) 9780367733032 (paperback) 9781315613291 (e-book)

Adlington, R. (2023) Musical models of democracy. Oxford University Press, Oxford. ISBN 9780197658819 (hardback) 9780197658840 (online)

Adlington, R. (2018) Politics and the popular in British music theatre of the Vietnam era. Journal of the Royal Musical Association, 143 (2) pp. 433-471. ISSN 0269-0403 (print), 1471-6933 (online)

Adlington, R. and Johnson, J. (2014) Editorial: twentieth-century music – ten years on. Twentieth-Century Music, 11 (1) pp. 3-5. ISSN 1478-5722 (print) 1478-5730 (online)

B

Barlow, H. and Herbert, T. (2021) Introduction: listeners in music history: studying the evidence. Nineteenth-Century Music Review, 17 (3) pp. 343-357. ISSN 1479-4098 (print), 2044-8414 (online)

Barry, A. M. (2019) An opera singer’s Gothic fiction: the autobiographies of Sims Reeves. Journal of Musicological Research ISSN 0141-1896 (print) 1547-7304 (online)

Bohm-Duchen, M. and Meyn, N. (2020) RNCM Holocaust Memorial Lecture: belonging and not belonging. In: The Sir John Manduell Research Forum Series, 29 January 2020, Forman Lecture Theatre, Royal Northern College of Music. (Unpublished)

Bower, B. (2016) The Crystal Palace Saturday Concerts, 1865-1879: a case study of the nineteenth-century programme note. Doctoral thesis, Royal College of Music.

Bower, B. and Meyn, N. and Curran, T. (2016) The Peter Gellhorn Edition: General Statement and 16 associated scores. RCM Editions, London.

Brooks, J. and Thormählen, W. (2021) Introduction: making music matter in historic houses. In: Sound Heritage: Making Music Matter in Historic Houses. Routledge Research in Music . Routledge. ISBN 9780367237165 (hardback) 9780429281327 (e-book)

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Charlston, T. (2016) Adieu m'amour: music from the time of Agincourt. [Audio]

Charlston, T. (2018) Arpeggiando; Arpeggio; Birnbaum, Johann Abraham; Brunold, Paul; Chambonnières, Jacques Champion, Sieur de; Denis, Jean. In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge. ISBN 9781107108080 (hardback) 9781107518476 (paperback) 9781108698573 (e-book)

Charlston, T. (2011) The Barony Hall Organ and its wider context. The Organ, 90 (356) pp. 22-26. ISSN 0030-4883 (print)

Charlston, T. (2012) Book review: 'French organ music in the reign of Louis XIV' by David Ponsford. The Organ, 90 (359) pp. 55-56. ISSN 0030-4883 (print)

Charlston, T. (2009) Carlo Ignazio Monza: harpsichord music. [Audio]

Charlston, T. (2018) Clavichord. In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge, pp. 136-138. ISBN 9781107108080 (hardback) 9781107518476 (paperback) 9781108698573 (e-book)

Charlston, T. (2010) Concealed within? Liturgical organ music in the Selosse manuscript. The Organ, 89 (353) pp. 15-20. ISSN 0030-4883 (print)

Charlston, T. (2018) Curating counterpoint: the lyrical imagination and the performance of Johann Jacob Froberger's legacy. [Video]

Charlston, T. (2019) David Evans 1936–2018: an appreciation. Harpsichord and Fortepiano, 23 (2) pp. 13-18.

Charlston, T. (2003) Early keyboard instruments: the Benton Fletcher collection at Fenton House. [Audio]

Charlston, T. (2021) Edmund Hooper (c. 1553–1621): 5 Keyboard Pieces performed on clavichord, Flemish harpsichord and chamber organ by Terence Charlston with ‘Some notes on the clavichord and the virginalists’. [Website]

Charlston, T. (2018) Fingering (1) keyboard instruments. In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge, pp. 227-231. ISBN 9781107108080 (hardback) 9781107518476 (paperback) 9781108698573 (e-book)

Charlston, T. (2018) Frescobaldi, Girolamo Alessandro; Gasparini; Moscheles, Ignaz (Isaac); Neidhardt, Johann Georg; Suzuki, Masaaki. In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge. ISBN 9781107108080 (hardback) 9781107518476 (paperback) 9781108698573 (e-book)

Charlston, T. (2020) Froberger: complete Fantasias and Canzonas. [Audio]

Charlston, T. (2018) Harpsichord. In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge, pp. 287-292. ISBN 9781107108080 (hardback) 9781107518476 (paperback) 9781108698573 (e-book)

Charlston, T. (2010) La chasse royale: keyboard manuscript of Antoine Selosse. [Audio]

Charlston, T. (2003) Matthew Locke: complete keyboard works. [Audio]

Charlston, T. (2015) Mersenne’s clavichord: music from sixteenth- and seventeenth-century France. [Audio]

Charlston, T. (2012) 'Now swift, now hesitating': the stylus phantasticus and the art of fantasy. Musica Antiqua, 1 (2) pp. 30-35. ISSN 2049-1514

Charlston, T. (2019) Patterns of play: Orlando Gibbons, Simon Lohet and J. S. Bach’s Fugue in E major BWV 878/2. Part I. Clavichord International, 23 (2) pp. 39-48. ISSN 1387-0882

Charlston, T. (2020) Patterns of play: Orlando Gibbons, Simon Lohet, and J. S. Bach’s Fugue in E Major BWV 878/2. Part II. Clavichord International, 24 (1) pp. 7-14. ISSN 1387-0882

Charlston, T. (2020) Performing Bach's ‘Well-tempered Clavier’: structure, variation, motive and timbre. [Video]

Charlston, T. (2016) Playing from open score 1: Froberger’s Fantasia, FbWV 206. The British Clavichord Society Newsletter (66) pp. 3-9. ISSN 1359-5105 (print)

Charlston, T. (2017) Playing from open score 2: Kerll’s Ricercata for a barrel organ. The British Clavichord Society Newsletter (67) pp. 3-8. ISSN 1359-5105 (print)

Charlston, T. (2018) Preluding. In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge, pp. 509-510. ISBN 9781107108080 (hardback) 9781107518476 (paperback) 9781108698573 (e-book)

Charlston, T. (2022) Re-editing the English virginalists: The Fitzwilliam Virginal Book, edited by Jon Baxendale and Francis Knights. Lyrebird Music, 2020. 3 volumes. My Lady Nevells Booke, edited by Jon Baxendale and Francis Knights. Lyrebird Music, 2021. Parthenia and Parthenia In-Violata, edited by Jon Baxendale and Francis Knights. Lyrebird Music, 2021. Journal of the Royal College of Organists ISSN 0969-1642

Charlston, T. (2024) Review article: Anthology of Early Keyboard Methods: Revised, enlarged and translated by Barbara Sachs and Barry Ife. Peacock Press, 2023. Harpsichord & Fortepiano ISSN 0953-0797 (print) (In Press)

Charlston, T. (2016) Searching fantasy: Froberger’s fantasias and ricercars four centuries on. Journal of the Royal College of Organists, 10 pp. 5-27. ISSN 0969-1642

Charlston, T. (2018) Spinet. In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge, pp. 581-582. ISBN 9781107108080 (hardback) 9781107518476 (paperback) 9781108698573 (e-book)

Charlston, T. (2018) Temperament. In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge, pp. 603-605. ISBN 9781107108080 (hardback) 9781107518476 (paperback) 9781108698573 (e-book)

Charlston, T. (2018) Virginal. In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge, pp. 674-675. ISBN 9781107108080 (hardback) 9781107518476 (paperback) 9781108698573 (e-book)

Charlston, T. (2008) William Byrd: for my Ladye Nevell. [Audio]

Charlston, T. (2020) A complete recording of the contents of Royal College of Music, London, Manuscript 2093 with additional keyboard pieces by Gerhard Diesineer and John Moss. [Audio]

Charlston, T. (2013) A discourse of styles: contrasting gigue types in the A Minor Jig from the Purcell Partial Autograph, GB-Lbl, MS Mus. 1. In: Interpreting Historical Keyboard Music: Sources, Contexts and Performance. Ashgate Historical Keyboard Series . Routledge, London. ISBN 9781409464266 (hardback) 9781138271944 (paperback) 9781315589596 (e-book)

Charlston, T. (2016) A four-stave transcription of Froberger’s Ricercar, FbWV 412: why play contrapuntal music from open score notation? Clavichord International, 20 (2) p. 57. ISSN 1387-0882

Charlston, T. (2014) The harmonious Thuringian: music from the early years of Bach and Handel. [Audio]

Charlston, T. (2009) An instrument in search of its repertoire? The Theewes claviorgan and its use in the performance of sixteenth- and seventeenth-century keyboard music. Journal of the Royal College of Organists, 3 pp. 24-41. ISSN 0969-1642

Charlston, T. (2006) An introduction to Restoration keyboard music I: Matthew Locke. Harpsichord & Fortepiano, 10 (2) pp. 26-36. ISSN 0953-0797 (print)

Charlston, T. (2006) An introduction to Restoration keyboard music II: Bryne, Roberts and Moss. Harpsichord & Fortepiano, 11 (1) pp. 14-27. ISSN 0953-0797 (print)

Charlston, T. and Solomon, A. (2019) Bach: Cantatas 106 and 182, Amici Voices and Amici Baroque Players. [Audio]

Charlston, T. and Solomon, A. (2017) Handel: German Arias & Trio Sonatas. [Audio]

Charlston, T. and Solomon, A. (2019) Music for a king: chamber works from the court of Frederick the Great. [Audio]

Christensen, A. M. (2018) The solo for a violin: a new perspective on the Italian violinists in London in the eighteenth century. Doctoral thesis, Royal College of Music.

Curran, T. and Meyn, N. (2017) Peter Gellhorn (1912-2004): Biography. RCM Editions, London.

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Falconer, E. (2022) The case for Casella: towards new methods of understanding and interpreting the Italian Modernist pianist-composer. Doctoral thesis, Royal College of Music.

Fenlon, I. and Wistreich, R. (2019) Introduction. In: The Cambridge History of Sixteenth-Century Music. The Cambridge History of Music . Cambridge University Press, Cambridge, pp. 1-23. ISBN 9780511675874

Feshareki, S. (2019) A quest to find ‘real': September 2014 – February 2017. Doctoral thesis, Royal College of Music.

Fuchs, S. (2018) Animating antiquity in the Vision animée. Cambridge Opera Journal, 30 (2-3) pp. 115-137. ISSN 0954-5867 (print) 1474-0621 (online)

Fuchs, S. (2015) Book review: 'Body Knowledge: Performance, Intermediality, and American Entertainment at the Turn of the Twentieth Century' by Mary Simonson, Oxford University Press. Notes: Quarterly Journal of the Music Library Association, 71 (3) pp. 522-525. ISSN 0027-4380 (print) 1534-150X (online)

Fuchs, S. (2017) Book review: 'Giacomo Puccini and His World' eds. Arman Schwartz and Emanuele Senici, Princeton University Press. Music & Letters, 98 (4) pp. 683-685. ISSN 0027-4224 (print) 1477-4631 (online)

Fuchs, S. (2023) Emma Calvé: a diva’s campagne de propagande. In: Creative Women of the “Lost Generation”: Women in the Arts in the Wake of the Great War. Routledge, New York. ISBN 9781032387352 (hardback) 9781003346517 (e-book)

Fuchs, S. (2019) The castrato as creator: Velluti’s voice in the London sheet-music market. In: London Voices 1820–1840: Vocal Performers, Practices, Histories. University of Chicago Press, Chicago, pp. 71-91. ISBN 9780226670188

Fuchs, S. and Lacombe, H. (2022) Le tournant technologique de l’écoute: 1870–1914. In: Histoire de l’Opéra Française: De la Belle Epoque au Monde Globalisé. Fayard, Paris, pp. 62-69. ISBN 9782213709918

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Garnham, A. M. (2007) The BBC in possession, 1945-59. In: The Proms: A New History. Thames and Hudson, pp. 130-167. ISBN 9780500513521

Garnham, A. M. (1998) Book review: 'Hans Keller: Essays on Music' by C. Wintle. Music Analysis, 17 (1) pp. 79-91. ISSN 0262-5245 (print) 1468-2249 (online)

Garnham, A. M. (2013) Britten and Keller: letters and life. In: Britten: Essays, Letters and Opera Guides. Hans Keller Archive . Boydell & Brewer, Martlesham, pp. 224-316. ISBN 9780956600745 (hardback) 9780956600752 (paperback)

Garnham, A. M. (2022) Britten and the radio. In: Benjamin Britten in Context. Composers in Context . Cambridge University Press, Cambridge, pp. 78-85.

Garnham, A. M. (2024) The Dartington Summer School of Music. Music, Migration and Mobility Online Resource: Émigré Musicians from Nazi Europe

Garnham, A. M. (2011) Hans Keller and internment: the development of an emigré musician 1938-48. Hans Keller Archive . Boydell & Brewer, Martlesham. ISBN 9780955608773 (hardback) 9780955608780 (paperback)

Garnham, A. M. (2003) Hans Keller and the BBC: the musical conscience of British broadcasting 1959-1979 [reissued 2017]. Routledge. ISBN 9781138721838 (hardback) 9781138721814 (paperback) 9781315194042 (e-book)

Garnham, A. M. (2017) The first international concert season of the European Broadcasting Union. The Musical Times, 158 (1940) pp. 7-17. ISSN 0027-4666 (print) 2397-5318 (online)

Garnham, A. M. and Woodhouse, S. (2019) Hans Keller 1919-1985: a musician in dialogue with his times. Routledge. ISBN 9780754608981 (hardback) 9781138391048 (paperback) 9781315586175 (e-book)

Gentili, B. (2019) The invention of the ‘modern’ voice: changing aesthetics of vocal registration in Italian opera singing 1870-1925. Doctoral thesis, Royal College of Music.

Gibbs, F. J. (2018) The Royal Albert Hall: a case study of an evolving cultural venue. Doctoral thesis, Royal College of Music.

Griffiths, R. and Herbert, T. and Rees, S. P. (2022) Instrumental traditions after 1650. In: A History of Welsh Music. Cambridge University Press, Cambridge, pp. 144-170. ISBN 9781316511060 (hardback) 9781009036511 (e-book)

Guillaume-Castel, F. (2024) 'Noble throughout': the transformations of the pedal harp in Paris and London, between 1749 and 1811. Doctoral thesis, Royal College of Music.

Guillaumier, C. (2011) Ambiguous modernism: the early orchestral works of Sergei Prokofiev. Tempo, 65 (256) pp. 25-37. ISSN 0040-2982 (print) 1478-2286 (online)

Guillaumier, C. (2024) Chaliapine en Grande-Bretagne: contextes, nuances et perspectives. La Revue Russe, 62 ISSN 2496-7467

Guillaumier, C. (2020) Drama, theater, and gesture in the operas of Sergei Prokofiev. In: Rethinking Prokofiev. Oxford University Press, Oxford. ISBN 9780190670764 (hardback) 9780190670771 (paperback)

Guillaumier, C. (2010) The Giant and other creatures: Prokofiev's childhood compositions. Three Oranges Journal, 20 pp. 29-35. ISSN 1472-9946

Guillaumier, C. (2023) Le tsar en scène et hors scène. Avant Scène Opéra, 333

Guillaumier, C. (2020) Prokofiev operas (Music Matters, BBC Radio 3). [Broadcast]

Guillaumier, C. (2010) Prokofiev's The Gambler (Music Matters, BBC Radio 3). [Broadcast]

Guillaumier, C. (2010) Prokofiev, opera and theatre: a case study of The Gambler. Musicorum, 8 pp. 67-101.

Guillaumier, C. (2014) Review of 'Composing for the red screen: Prokofiev and Soviet film' by Kevin Bartig. Slavic and East European Journal, 58 (2) pp. 357-359. ISSN 0037-6752

Guillaumier, C. (2014) Review of 'Contemplating Shostakovich: life, music and film' edited by Alexander Ivashkin and Andrew Kirkman. Slavic and East European Journal, 58 (1) pp. 177-179. ISSN 0037-6752

Guillaumier, C. (2009) Review of 'Prokofiev's piano sonatas' by Boris Berman. Music & Letters, 90 (4) pp. 717-719. ISSN 0027-4224 (print) 1477-4631 (online)

Guillaumier, C. (2015) Review of ‘Multi-mediated Dostoevsky: transposing novels into opera, film, and drama' by Alexander Burry. Slavic and East European Journal, 59 (2) pp. 296-298. ISSN 0037-6752

Guillaumier, C. (2024) Sergei Prokofiev. Critical Lives . Reaktion Books, London. ISBN 9781789149517 (paperback) 9781789149890 (e-book)

Guillaumier, C. (2016) Stalin's music prize (Music Matters, BBC Radio 3). [Broadcast]

Guillaumier, C. (2011) War and Peace and Prokofiev's late operatic aesthetic. Three Oranges Journal, 21 pp. 20-25. ISSN 1472-9946

Guillaumier, C. (2020) A genealogy of Prokofiev’s musical gestures from the juvenilia to the later piano works. In: Rethinking Prokofiev. Oxford University Press, Oxford. ISBN 9780190670764 (hardback) 9780190670771 (paperback)

Guillaumier, C. (2020) The operas of Sergei Prokofiev. Boydell & Brewer, Martlesham, Suffolk. ISBN 9781783274482 (hardback) 9781787446236 (e-book)

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Hamilton, K. and Loges, N. (2014) Brahms in the home: an introduction. In: Brahms in the Home and the Concert Hall: Between Private and Public Performance. Cambridge University Press, Cambridge, pp. 1-22. ISBN 9781107042704 (hardback) 9781108458085 (paperback) 9781316056585 (e-book)

Herbert, T. (2016) Adolphe Sax, his saxhorns and their international influence. Revue Belge de Musicologie/Belgisch Tijdschrift voor Muziekwetenschap, 70 pp. 65-76. ISSN 0771-6788

Herbert, T. (2020) Bands as musical subcultures: cultures, practices, and influences. In: Practice in Context: Perspectives on Historically Informed Practices in Post-Classical Music. Oxford University Press, New York. (In Press)

Herbert, T. (2013) Brass and military bands in Britain - performance domains, the factors that construct them and their influence. In: Brass Bands of the World: Militarism, Colonial Legacies, and Local Music Making. SOAS Studies in Music Series . Ashgate, Farnham, UK. ISBN 9781409444220 (hardback) 9781138251212 (paperback) 9781315569895 (e-book)

Herbert, T. (1997) Brass bands and other vernacular brass traditions. In: The Cambridge Companion to Brass Instruments. Cambridge Companions to Music . Cambridge University Press, Cambridge, pp. 177-192. ISBN 9780521565226 (paperback) 9781139002035 (e-book)

Herbert, T. (2016) Carl Florian Mandel and the production, consumption and status of "military" brass-wind instruments in the nineteenth century. In: Instrumental Odyssey: A Tribute to Herbert Heyde. Bucina: The Historic Brass Society Series (9). Pendragon Press, New York. ISBN 978-1-57647-252-1

Herbert, T. (2018) Cornett. In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge, pp. 151-152. ISBN 9781107108080 (hardback) 9781107518476 (paperback) 9781108698573 (e-book)

Herbert, T. (2018) Cornetti e tromboni in the high Renaissance and Baroque. Early Music, 46 (2) pp. 343-345. ISSN 0306-1078 (print) 1741-7260 (online)

Herbert, T. (2024) The Cyfarthfa Band in its period of grace. In: Cyfarthfa Castle 1825-2025: A People's History. Merthyr and District Historical Society, Merthyr Tydfil. (In Press)

Herbert, T. (1999) Farmer's contribution to the study of military music. In: Henry George Farmer: A Bibliography. Glasgow University Library Studies . Glasgow University Library, Glasgow. ISBN 978-0852616901

Herbert, T. (2000) God's perfect minstrels: the bands of the Salvation Army. In: The British Brass Band: A Musical and Social History. Oxford University Press, Oxford. ISBN 9780198166986

Herbert, T. (1996) Late Victorian Welsh bands: taste, virtuosity and Cymmrodorion attitudes/Bandiau Cymreig y cyfnod Fictoraidd diweddar: Chwaeth, pencampwriaeth ac agweddau'r Cymmrodorion. Welsh Music History/Hanes cerddoriaeth Cymru, 1 pp. 92-113.

Herbert, T. (2018) Military music. In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge, pp. 409-411. ISBN 9781107108080 (hardback) 9781107518476 (paperback) 9781108698573 (e-book)

Herbert, T. (2023) Military musical instruments and the culture of perfection in the long nineteenth century. In: Shaping Sound and Society: The Cultural Study of Musical Instruments. Routledge Research in Music . Routledge, Abingdon. ISBN 9780367417550 (hardback) 9780367816070 (e-book)

Herbert, T. (2022) Music in Welsh history. In: A History of Welsh Music. Cambridge University Press, Cambridge, pp. 1-24. ISBN 9781316511060 (hardback) 9781009036511 (e-book)

Herbert, T. (2012) Music in words: a guide to researching and writing about music, 2nd edition. Associated Board of the Royal Schools of Music, London. ISBN 9781848491007

Herbert, T. (2018) Musica Reservata. In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge, p. 427. ISBN 9781107108080 (hardback) 9781107518476 (paperback) 9781108698573 (e-book)

Herbert, T. (2000) Nineteenth-century bands: making a movement. In: The British Brass Band: A Musical and Social History. Oxford University Press, Oxford. ISBN 9780198166986

Herbert, T. (2000) Popular nationalism: Griffith Rhys Jones ('Caradog') and the Welsh choral tradition. In: Music and British Culture, 1785-1914: Essays in Honor of Cyril Ehrlich. Oxford University Press, Oxford, pp. 255-274. ISBN 9780198167303 (hardback)

Herbert, T. (2021) Public military music and the promotion of patriotism in the British provinces c.1780-c.1850. Nineteenth-Century Music Review, 17 (3) pp. 427-444. ISSN 1479-4098 (print), 2044-8414 (online)

Herbert, T. (2001) Review of 'A biographical dictionary of English court musicians (1485–1714)' by Peter Holman, Fiona Kisby, Andrew Ashbee, and David Lasocki. Historic Brass Society Newsletter, 14 p. 57. ISSN 1045-4594

Herbert, T. (2011) Review of 'A history of the trombone' by David M. Guion. American Musical Instrument Society Newsletter, 40 (2) pp. 12-14. ISSN 0160-2365

Herbert, T. (2004) Review of 'Bands at the St. Louis World's Fair of 1904: information, photographs, and database' by Richard I. Schwartz and Iris J. Schwartz. Historic Brass Society Newsletter, 17 p. 25. ISSN 1045-4594

Herbert, T. (2005) Review of 'Berlioz's orchestration treatise: a translation and commentary' by Hugh MacDonald. Historic Brass Society Newsletter, 18 p. 23. ISSN 1045-4594

Herbert, T. (1997) Review of 'First philharmonic: a history of the Royal Philharmonic Society' by Cyril Erhlich. Historic Brass Society Newsletter, 10 pp. 34-35. ISSN 1045-4594

Herbert, T. (1995) Review of 'French music for low brass: an annotated bibliography' by J. Mark Thompson and Jeffrey Jon Lemke. Historic Brass Society Newsletter, 8 p. 86. ISSN 1045-4594

Herbert, T. (2005) Review of 'Jazz in print (1856–1929): An anthology of selected early readings in jazz history' by Karl Koenig. Historic Brass Society Newsletter, 18 p. 22. ISSN 1045-4594

Herbert, T. (2003) Review of 'Military music & bandsmen of Adolf Hitler's Third Reich, 1933–1945' by Brian Matthews. Historic Brass Society Newsletter, 16 p. 23. ISSN 1045-4594

Herbert, T. (2013) Review of 'Music and theology in nineteenth-century Britain' ed. Martin V. Clarke (Ashgate 2012). Nineteenth-Century Music Review, 10 (2) pp. 323-356. ISSN 1479-4098 (print), 2044-8414 (online)

Herbert, T. (1996) Review of 'Nicholas Lanier: Master of the King's Musick' by Michael I. Wilson. Historic Brass Society Journal, 8 p. 124. ISSN 1045-4616 (print) 1943-5215 (online)

Herbert, T. (1988) Review of 'Popular music in England 1840–1914: a social history' by Dave Russell, Manchester University Press, 1987. Popular Music, 7 (1) pp. 114-115. ISSN 0261-1430 (print) 1474-0095 (online)

Herbert, T. (1995) Review of 'Records of English court music volume VII (1485-1558)' by Andrew Ashbee. The Galpin Society Journal, 48 pp. 220-221. ISSN 0072-0127

Herbert, T. (1993) Review of 'Records of English court music: volumes III, IV and V' by Andrew Ashbee. The Galpin Society Journal, 46 pp. 175-177. ISSN 0072-0127

Herbert, T. (1997) Review of 'Records of English court music: volumes VIII (1485-1714), and IX (index)' by Andrew Ashbee. The Galpin Society Journal, 50 p. 244. ISSN 0072-0127

Herbert, T. (1997) Review of 'Talks with bandsmen: a popular handbook for brass instrumentalists' by Algernon S. Rose with a new introduction by Arnold Myers. Historic Brass Society Journal, 9 pp. 199-201. ISSN 1045-4616 (print) 1943-5215 (online)

Herbert, T. (1996) Review of 'Text and act: essays on music and performance' by Richard Taruskin. Historic Brass Society Newsletter, 9 pp. 64-65. ISSN 1045-4594

Herbert, T. (1995) Review of 'The Bassanos: Venetian musicians and instrument makers in England, 1531–1665' by David Lasocki and Roger Prior. Historic Brass Society Journal, 7 pp. 207-209. ISSN 1045-4616 (print) 1943-5215 (online)

Herbert, T. (2002) Review of 'The cheque books of the Chapel Royal' transcribed and edited by Andrew Ashbee and John Harley. Historic Brass Society Newsletter, 15 pp. 32-33. ISSN 1045-4594

Herbert, T. (1999) Review of 'The civic muse: music and musicians in Siena during the Middle Ages and the Renaissance' by Frank A. D'Accone. Historic Brass Society Journal, 11 pp. 195-196. ISSN 1045-4616 (print) 1943-5215 (online)

Herbert, T. (2000) Review of 'The early horn: a practical guide' by John Humphries. Consort: The Journal of The Dolmetsch Foundation, 56 pp. 70-71. ISSN 0268-9111 (print)

Herbert, T. (2003) Review of 'The musical society community bands of Valencia, Spain: A global study of their administration, instrumentation, repertoire, and performance activities' by Richard Scott Cohen. Historic Brass Society Newsletter, 16 pp. 23-24. ISSN 1045-4594

Herbert, T. (1997) Review of 'The wind ensemble and its repertoire: essays on the fortieth anniversary of the Eastman Wind Ensemble' edited by Frank J. Cipolla and Donald Hunsberger. Historic Brass Society Newsletter, 10 pp. 35-36. ISSN 1045-4594

Herbert, T. (2008) Reviews of 'Sigmund Romberg' by William A. Everett and 'Jerome Kern' by Stephen Banfield. Studies in Musical Theatre, 2 (3) pp. 295-297. ISSN 1750-3159 (print) 1750-3167 (online)

Herbert, T. (1997) 'Sackbut': the early trombone. In: The Cambridge Companion to Brass Instruments. Cambridge Companions to Music . Cambridge University Press, Cambridge, pp. 68-83. ISBN 9780521565226 (paper back) 9781139002035 (e-book)

Herbert, T. (2004) Selling brass instruments: the commercial imaging of brass instruments (1830-1930) and its cultural messages. Music in Art: International Journal for Music Iconography,, 29 (1-2) pp. 213-226. ISSN 1522-7464 (print) 2169-9488 (online)

Herbert, T. (2018) Serpent. In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge, pp. 572-573. ISBN 9781107108080 (hardback) 9781107518476 (paperback) 9781108698573 (e-book)

Herbert, T. (2011) Social history and music history. In: The Cultural Study of Music: A Critical Introduction [2nd Edition]. Routledge, Abingdon. ISBN 9780415881906 (hardback) 9780415881913 (paperback) 9780203149454 (e-book)

Herbert, T. (2005) Susato's colleagues: the trombonists of the Tudor court. In: Tielman Susato and the Music of his Time: Print Culture, Compositional Technique, and Instrumental Music in the Renaissance. Bucina: The Historic Brass Society Series (5). Pendragon Press, New York, pp. 117-132. ISBN 978-1576471067 (hardback)

Herbert, T. (2022) Traditions and interventions: popular music 1840–1940. In: A History of Welsh Music. Cambridge University Press, Cambridge, pp. 291-314. ISBN 9781316511060 (hardback) 9781009036511 (e-book)

Herbert, T. (2018) Trombone. In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge, pp. 630-632. ISBN 9781107108080 (hardback) 9781107518476 (paperback) 9781108698573 (e-book)

Herbert, T. (2010) Trombone glissando: a case study in continuity and change in brass instrument performance idioms. Historic Brass Society Journal, 22 pp. 1-18. ISSN 1045-4616 (print) 1943-5215 (online)

Herbert, T. (2000) Trombones and the English court c.1480 – c.1680. In: Posaunen und Trompeten: Geschichte, Akustik, Spieltechnik. Michaelsteiner Konferenzberichte . Kloster Michaelstein Musikakademie, Blankenburg, Germany, pp. 51-58. ISBN 978-3895121166

Herbert, T. (2016) Trumpets, drums and the sources for their symbolic authority in Britain. Music in Art: International Journal for Music Iconography,, 41 (1-2) pp. 65-81. ISSN 1522-7464 (print) 2169-9488 (online)

Herbert, T. (2018) Tuba and ophicleide. In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge, pp. 636-638. ISBN 9781107108080 (hardback) 9781107518476 (paperback) 9781108698573 (e-book)

Herbert, T. (2016) A Tudor manuscript granting livery to the King’s ‘Shakbots’. Historic Brass Society Journal, 28 pp. 191-198. ISSN 1045-4616 (print) 1943-5215 (online)

Herbert, T. (1998) Victorian brass bands: class, taste, and space. In: The Place of Music. Guilford Press, New York, pp. 104-128. ISBN 9781572303140 (paperback)

Herbert, T. (1992) Victorian brass bands: the establishment of a 'working class musical tradition'. Historic Brass Society Journal, 4 pp. 1-11. ISSN 1045-4616 (print) 1943-5215 (online)

Herbert, T. (2007) William Waterhouse 1931–2007. Historic Brass Society Journal, 19 pp. 4-5. ISSN 1045-4616 (print) 1943-5215 (online)

Herbert, T. (2002) Wind instruments. In: A Performer's Guide to Music of the Romantic Period. Performer's Guides . Associated Board of the Royal Schools of Music, London, pp. 57-69. ISBN 9781860961946

Herbert, T. (2024) The earliest source for the S-shaped trumpet – its provenance, material context and relevance. Historic Brass Society Journal ISSN 1045-4616 (print) 1943-5215 (online) (In Press)

Herbert, T. (1989) The history of the trombone [review article]. The Galpin Society Journal, 42 pp. 148-150.

Herbert, T. (2011) “…men of great perfection in their science…”: the trumpeter as musician and diplomat in England in the later fifteenth and sixteenth centuries. Historic Brass Society Journal, 23 pp. 1-23. ISSN 1045-4616 (print) 1943-5215 (online)

Herbert, T. (1997) The origin of the species/L'origine d'un genre/Ursprung einer Gattung. Brass Bulletin: Magazine International de Cuivres, 97 pp. 38-44. ISSN 0303-3848

Herbert, T. (1999) The practice and context of a private Victorian brass band. In: Nineteenth-Century British Music Studies. Music in Nineteenth-Century Britain, 1 . Ashgate, Farnham, Surrey, pp. 105-118. ISBN 9780367146221 (hardback) 9780429052774 (e-book)

Herbert, T. (1997) The reconstruction of nineteenth-century band repertory: towards a protocol. In: Perspectives in Brass Scholarship: Proceedings of the International Historic Brass Society Symposium Amherst 1995. Bucina: the Historic Brass Society Series (2). Pendragon Press, New York, pp. 193-222. ISBN 978-0945193975 (hardback)

Herbert, T. (1990) The repertory of a Victorian provincial brass band. Popular Music, 9 (1) pp. 117-132. ISSN 0261-1430 (print) 1474-0095 (online)

Herbert, T. (1993) The sackbut and pre-Reformation English church music. Historic Brass Society Journal, 5 pp. 146-158. ISSN 1045-4616 (print) 1943-5215 (online)

Herbert, T. (1990) The sackbut in England in the 17th and 18th centuries. Early Music, 18 (4) pp. 609-616. ISSN 0306-1078 (print) 1741-7260 (online)

Herbert, T. (2006) The trombone. The Yale Musical Instrument Series . Yale University Press, London. ISBN 9780300100952 (hardback) 9780300235753 (paperback)

Herbert, T. and Barlow, H. (2012) The British military as a musical institution, c.1780-c.1860. In: Music and Institutions in Nineteenth-Century Britain. Music in Nineteenth-Century Britain . Ashgate, Farnham, UK, pp. 247-266. ISBN 9781409405832 (hardback) 9781138268234 (paperback) 9781315596624 (e-book)

Herbert, T. and Barlow, H. (2013) Music and the British military in the long nineteenth century. Oxford University Press, New York. ISBN 978-0-19-989831-2

Herbert, T. and Harper, S. and Hill, S. (2022) Postscript: contemporary Wales, devolution and digitisation. In: A History of Welsh Music. Cambridge University Press, Cambridge, pp. 355-365. ISBN 9781316511060 (hardback) 9781009036511 (e-book)

Herbert, T. and Myers, A. (1988) Instruments of the Cyfarthfa band. The Galpin Society Journal, 41 pp. 2-10.

Herbert, T. and Myers, A. (2010) Music for the multitude: accounts of brass bands entering Enderby Jackson's Crystal Palace contests in the 1860s. Early Music, 38 (4) pp. 571-584. ISSN 0306-1078 (print) 1741-7260 (online)

Herbert, T. and Nussbaum, J. (1999) Public defender number one for the serpent: an interview with Douglas Yeo. Historic Brass Society Newsletter, 12 pp. 13-17. ISSN 1045-4594

Herbert, T. and Sarkissian, M. (1997) Victorian bands and their dissemination in the colonies. Popular Music, 16 (2) pp. 165-179. ISSN 0261-1430 (print) 1474-0095 (online)

Herbert, T. and Wallace, J. (2000) Aspects of performance techniques: the brass band and its influence on other brass-playing. In: The British Brass Band: A Musical and Social History. Oxford University Press, Oxford. ISBN 9780198166986

Hewett, I. (1999) Absent father (review article). The Musical Times, 140 (1868) pp. 63-65. ISSN 0027-4666 (print) 2397-5318 (online)

Hewett, I. (2017) All in a chord I: Beethoven: the Eroica Symphony. [Broadcast]

Hewett, I. (2017) All in a chord II: Wagner: Tristan und Isolde. [Broadcast]

Hewett, I. (2017) All in a chord III: Mahler: Symphony No. 10. [Broadcast]

Hewett, I. (2017) All in a chord IV: Stravinsky: The Rite of Spring. [Broadcast]

Hewett, I. (2017) All in a chord V: Terry Riley: In C. [Broadcast]

Hewett, I. (2000) Behind the beard (review article). The Musical Times, 141 (1870) pp. 61-63. ISSN 0027-4666 (print) 2397-5318 (online)

Hewett, I. (2020) Between Englishness and modernism: the critical reception of Tippett’s operas. Journal of Music Criticism, 4 pp. 1-28. ISSN 2532-9995 (online)

Hewett, I. (1996) Book review: 'American pioneers: Ives to Cage and beyond' by Alan Rich. TLS: Times Literary Supplement (4862) p. 19. ISSN 0307-661X (print) 2517-7729 (online)

Hewett, I. (1996) Book review: 'Anton von Webern' by Malcolm Hayes. TLS: Times Literary Supplement (4862) p. 19. ISSN 0307-661X (print) 2517-7729 (online)

Hewett, I. (1996) Book review: 'Béla Bartók' by Kenneth Chalmers. TLS: Times Literary Supplement (4862) p. 19. ISSN 0307-661X (print) 2517-7729 (online)

Hewett, I. (2001) Book review: 'Four musical minimalists: La Monte Young, Terry Riley, Steve Reich, Philip Glass' by Keith Potter. TLS: Times Literary Supplement (5104) p. 20. ISSN 0307-661X (print) 2517-7729 (online)

Hewett, I. (1996) Book review: 'Hindemith, Hartmann and Henze' by Guy Rickards. TLS: Times Literary Supplement (4862) p. 19. ISSN 0307-661X (print) 2517-7729 (online)

Hewett, I. (2020) Book review: 'Music: a subversive history' by Ted Gioia: when did we become slaves to Spotify smooth? Daily Telegraph ISSN 0307-1235 (print) 2059-7487 (online)

Hewett, I. (2020) Book review: 'Poulenc' by Roger Nichols: why it's time to start taking this composer seriously. Daily Telegraph ISSN 0307-1235 (print) 2059-7487 (online)

Hewett, I. (1996) Book review: 'Text and act: essays on music and performance' by Richard Taruskin. BBC Music Magazine, 4 (11) p. 21. ISSN 0966-7180 (print)

Hewett, I. (1997) Book review: 'The Rhine as musical metaphor: cultural identity in German Romantic music' by Cecelia Hopkins Porter. BBC Music Magazine, 6 (1) p. 18. ISSN 0966-7180 (print)

Hewett, I. (1997) Closer encounters. The Musical Times, 138 (1855) pp. 34-35. ISSN 0027-4666 (print) 2397-5318 (online)

Hewett, I. (1996) Crossing the bar. The Musical Times, 137 (1842) pp. 27-29. ISSN 0027-4666 (print) 2397-5318 (online)

Hewett, I. (2020) Davies, Sir Peter Maxwell (Max). In: Oxford Dictionary of National Biography. Oxford University Press, Oxford.

Hewett, I. (2015) Europe. In: The Other Classical Musics: Fifteen Great Traditions. Boydell & Brewer, Martlesham, Suffolk, pp. 216-245. ISBN 9781843837268 (hardback) 9781782045359 (e-book)

Hewett, I. (2007) Karlheinz Stockhausen (obituary). Guardian ISSN 0261-3077 (print) 1756-3224 (online)

Hewett, I. (2020) La Traviata was a 'fiasco' and Great Expectations flopped: the masterpieces that started as first-night disasters. Daily Telegraph ISSN 0307-1235 (print) 2059-7487 (online)

Hewett, I. (1998) Melodies for the lost domain. BBC Music Magazine pp. 54-57. ISSN 0966-7180 (print)

Hewett, I. (1994) Review of 'Music of the spheres: music, science and the natural order of the universe' by Jamie James. The Musical Times, 135 (1817) pp. 454-455. ISSN 0027-4666 (print) 2397-5318 (online)

Hewett, I. (1995) Review of 'Pyramids at the Louvre: music, culture, and collage from Stravinsky to the postmodernists' by Glenn Watkins. The Musical Times, 136 (1823) pp. 36-37. ISSN 0027-4666 (print) 2397-5318 (online)

Hewett, I. (2020) Sorry, Remainers – Ode To Joy is not, and has never been, an EU anthem. Daily Telegraph ISSN 0307-1235 (print) 2059-7487 (online)

Hewett, I. (2020) This classical masterpiece is like nothing else in music – why isn't it better known? Daily Telegraph ISSN 0307-1235 (print) 2059-7487 (online)

Hewett, I. (2018) What the classical devotees get wrong about modern music. Prospect Magazine, 270 ISSN 1359-5024

Hewett, I. (2020) Yodelling, jokes and thrilling energy: how Haydn transformed the symphony. Daily Telegraph ISSN 0307-1235 (print) 2059-7487 (online)

Hewett, I. (2016) The essay: Brian Eno's Music for Airports. [Broadcast]

Hewett, I. (1997) A musical bestiary. BBC Music Magazine, 6 (4) pp. 31-36. ISSN 0966-7180 (print)

Hexel, V. (2019) Johannes factotum: Jóhann Jóhannsson. In: Double Lives: Film Composers in the Concert Hall. Routledge, Abingdon. ISBN 9780367028879

Hickman, P. and Charlston, T. (2016) Interview with Terence Charlston. Harpsichord & Fortepiano Magazine, 21 (1) pp. 8-14.

Hlavacsek, T. (2024) The piano music of Carl Goldmark (1830–1915). Doctoral thesis, Royal College of Music.

Hoeprich, T. E. and Lawson, C. (1980) Chalumeau and clarinet. Early Music, 8 (3) pp. 366-368. ISSN 0306-1078 (print) 1741-7260 (online)

Holden, M. and Adey, P. and Snyder, B. and Meyn, N. and Grosch, N. (2024) Mapping musical mobilities: challenging musical nationalism through mobility and migration. GeoHumanities ISSN 2373-566X (print) 2373-5678 (online)

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Johnson Quinn, A. and Whitfield, S. K. (2024) Musical ghosts: re-instating Elsie April in historical narratives of the British musical. In: The Routledge Companion to Women and Musical Leadership: The Nineteenth Century and Beyond. Routledge Music Companions . Routledge, Abingdon. ISBN 9780367456764 (In Press)

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Kawabata, M. (2018) Book review: 'The music of Joseph Joachim' by Katharina Uhde. Studia Musicologica, 59 (3-4) pp. 453-459. ISSN 1788-6244

Kawabata, M. (2004) The Concerto that wasn't: Paganini, Urhan and Harold in Italy. Nineteenth-Century Music Review, 1 (1) pp. 67-114. ISSN 1479-4098 (print), 2044-8414 (online)

Kawabata, M. (2014) How Gilles Apap's new cadenza illuminates Mozart, via Bakhtin. ECHO: A Music-Centered Journal, 12 (1) ISSN 1535-1807 (online)

Kawabata, M. (2013) Paganini: the 'demonic' virtuoso. Boydell & Brewer, Martlesham, Suffolk. ISBN 9781843837565 (hardback)

Kawabata, M. (2010) Paganini’s legacy. In: Nicolò Paganini: Diabolus in Musica. Studies on Italian Music History (5). Brepols, Turnhout, pp. 353-358. ISBN 978-2-503-53533-3 (hardback)

Kawabata, M. (2015) Playing the “unplayable”: Schoenberg, Heifetz, and the Violin Concerto, Op. 36. Journal of Musicological Research, 34 (1) pp. 31-50. ISSN 0141-1896 (print) 1547-7304 (online)

Kawabata, M. (2013) Recording review: Pierre Rode (1774–1830): 12 Etudes for Violin Solo; Duos for 2 Violins, performed by Nicolas Koeckert, Rudolf Koeckert (violins). Eighteenth-Century Music, 10 (1) pp. 149-151. ISSN 1478-5706 (print) 1478-5714 (online)

Kawabata, M. (2000) Schoenberg at UCLA: reminiscences from Leonard Stein [interview]. ECHO: A Music-Centered Journal, 2 (2) ISSN 1535-1807 (online)

Kawabata, M. (2007) Violinists 'singing': Paganini, operatic voices, and virtuosity. Ad Parnassum: A Journal of Eighteenth- and Nineteenth-Century Instrumental Music, 5 (9) pp. 7-39. ISSN 1722-3954 (print) 2421-6933 (online)

Kawabata, M. (2006) Virtuosity transfigured: in the shadow of Paganini. Journal of the American Liszt Society, 57 pp. 31-34. ISSN 0147-4413

Kawabata, M. (2007) Virtuosity, the violin, the devil…what really made Paganini “demonic”? Current Musicology, 83 pp. 85-108. ISSN 0011-3735 (print) 2640-883X (online)

Kawabata, M. (2004) Virtuoso codes of violin performance: power, military heroism, and gender (1789-1830). 19th-Century Music, 28 (2) pp. 89-107. ISSN 0148-2076 (print) 1533-8606 (online)

Kawabata, M. (2018) What does Paganini mean to us today? 'Paganini Rockstar' Exhibition Catalogue

Kawabata, M. (2014) The aura of Stradivari's violins. Ad Parnassum: A Journal of Eighteenth- and Nineteenth-Century Instrumental Music, 12 (23) pp. 61-74. ISSN 1722-3954 (print) 2421-6933 (online)

Kawabata, M. (2000) The narrating voice in Rimsky-Korsakov's Shekherazade. Women and Music: A Journal of Gender and Culture, 4 pp. 18-39. ISSN 1090-7505 (print) 1553-0612 (online)

Kelly, J. and Meyn, N. (2010) History of vocal teaching I: an exploration of a vocal lineage: from the 19th century to today. [Video]

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Lacombe, H. and Southon, N. and Smith, R. L. (2016) Poulenc et Edward Lockspeiser: une amitie professionelle. In: Fortune de Francis Poulenc. Presses Universitaires de Rennes, France, p. 197. ISBN 978-2-7535-5006-3

Lawson, C. (2018) Albrechtsberger, Johann Georg; Backofen, Johann Georg Heinrich; Baines, Anthony (Cuthbert); Blasius, (Mathieu-) Frédéric; Devienne, François; Eisel, Johann Philipp; Fingering (3): wind instruments; Fröhlich, (Franz) Joseph; Grenser family. In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge. ISBN 9781107108080 (hardback) 9781107518476 (paperback) 9781108698573 (e-book)

Lawson, C. (2008) "Attractively packaged but unripe fruit": the UK's commercialization of musical history in the 1980s. Performance Practice Review, 13 (1) ISSN 1044-1638 (print) 2166-8205 (online)

Lawson, C. (1994) Beethoven and the development of wind instruments. In: Performing Beethoven. Cambridge Studies in Performance Practice (4). Cambridge University Press, Cambridge, pp. 70-88. ISBN 0521416442 (hardback) 9780521023740 (paperback)

Lawson, C. (2014) Book review: "The Notation Is Not the Music: Reflections on Early Music Practice and Performance" by Barthold Kuijken. Performance Practice Review, 18 (1) ISSN 2166-8205

Lawson, C. (2012) Book review: 'Classical and Romantic music: the library of essays on music performance practice' edited by David Milsom. Performance Practice Review, 17 (1) pp. 37-40. ISSN 1044-1638 (print) 2166-8205 (online)

Lawson, C. (2017) Book review: 'Composers' intentions?: lost traditions of musical performance' by Andrew Parrott. Performance Practice Review, 21 (1) ISSN 1044-1638 (print) 2166-8205 (online)

Lawson, C. (2020) Book review: 'In the footsteps of Mozart’s clarinettist: Anton Stadler and his basset clarinet' by Pamela L. Poulin. Music & Letters, 101 (2) pp. 367-369. ISSN 0027-4224 (print) 1477-4631 (online)

Lawson, C. (1993) Book review: 'The Baroque clarinet' by Albert Rice. Music & Letters, 74 (1) pp. 73-75. ISSN 0027-4224 (print) 1477-4631 (online)

Lawson, C. (2008) Book review: 'The Clarinet' by Eric Hoeprich. Performance Practice Review, 13 (1) pp. 1-5. ISSN 1044-1638 (print) 2166-8205 (online)

Lawson, C. (2005) Book review: 'The birth of the orchestra: history of an institution, 1650–1815' by John Spitzer and Neal Zaslaw. Music & Letters, 86 (4) pp. 629-633. ISSN 0027-4224 (print) 1477-4631 (online)

Lawson, C. (2005) Book review: 'The clarinet in the classical period' by Albert R. Rice. Music & Letters, 86 (2) pp. 290-293. ISSN 0027-4224 (print) 1477-4631 (online)

Lawson, C. (2009) Book review: the Cambridge Mozart encyclopaedia, edited by Cliff Eisen and Simon P. Keefe. Journal for Eighteenth-Century Studies, 32 (1) pp. 128-131. ISSN 1754-0194 (print) 1754-0208 (online)

Lawson, C. (1998) Brahms: Clarinet Quintet. Cambridge Music Handbooks . Cambridge University Press, Cambridge. ISBN 9780521581936 (hardback) 9780521588317 (paperback)

Lawson, C. (2011) The British clarinet school: legacy and legend. In: International Symposium on Performance Science 2011, 24-27 August 2011, Canada.

Lawson, C. (2012) Case study: Mozart, Symphonies in E flat major K543, G minor K550 and C major K551. In: The Cambridge History of Musical Performance. The Cambridge History of Music . Cambridge University Press, Cambridge, pp. 552-574. ISBN 9780521896115 (hardback) 9781316183229 (e-book)

Lawson, C. (1996) Chalumeau. In: Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik. Bärenreiter and Metzler, Kassel. ISBN 3761811101 and 3476410099

Lawson, C. (2001) Chalumeau. In: The New Grove Dictionary of Music and Musicians (2nd edition). Macmillan, London. ISBN 0333608003

Lawson, C. (1984) Chalumeau. In: The New Grove Dictionary of Musical Instruments. Macmillan, London. ISBN 0943818052

Lawson, C. (2018) Clarinet. In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge, pp. 130-133. ISBN 9781107108080 (hardback) 9781107518476 (paperback) 9781108698573 (e-book)

Lawson, C. (2017) Clarinet charms [review of Philipp Jakob Riotte, Clarinet Concerto in C minor, op.36, ed. Martin Harlow]. Early Music, 45 (3) pp. 480-481. ISSN 0306-1078 (print) 1741-7260 (online)

Lawson, C. (1980) Das Chalumeau-Repertoire: ein kurzer Uberblick [The chalumeau repertoire: a brief overview]. Tibia: Magazin für Freunde alter und neuer Bläsermusik, 5 (1) pp. 18-21.

Lawson, C. (2001) Die C-Klarinette [The clarinet in C]. Rohrblatt, 16 (3) pp. 116-118. ISSN 0944-0291

Lawson, C. (2015) Exploring Bach’s contemporaries: Fasch and Graupner [recording review]. Early Music, 43 (1) pp. 179-182. ISSN 0306-1078 (print) 1741-7260 (online)

Lawson, C. (1983) Graupner and the chalumeau. Early Music, 11 (2) pp. 209-216. ISSN 0306-1078 (print) 1741-7260 (online)

Lawson, C. (2013) Historical accuracy versus practical expediency: early instruments in the digital age. Early Music, 41 (1) pp. 27-29. ISSN 0306-1078 (print) 1741-7260 (online)

Lawson, C. (2018) Historically informed performance. In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge, pp. 305-308. ISBN 9781107108080 (hardback) 9781107518476 (paperback) 9781108698573 (e-book)

Lawson, C. (2018) Hogwood, Christopher (Jarvis Haley); Kenyon, Sir Nicholas Roger; Klosé, Hyacinthe-Eléonore; Lalandi, Lina; Lefèvre, Jean Xavier; Levin, Robert (David); Müller, Iwan; Norrington, Sir Roger (Arthur Carver); Ozi, Etienne. In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge. ISBN 9781107108080 (hardback) 9781107518476 (paperback) 9781108698573 (e-book)

Lawson, C. (1983) J.C. Graupner: Bach's rival for the Thomaskantorat. The Musical Times, 124 (1679) pp. 17-19. ISSN 0027-4666 (print) 2397-5318 (online)

Lawson, C. (1996) Mozart: Clarinet Concerto. Cambridge Music Handbooks . Cambridge University Press, Cambridge. ISBN 9780521473842 (hardback) 9780521479295 (paperback) 9781139166737 (e-book)

Lawson, C. (2012) Musical history: historical music. In: Proceedings of the Clarinet and Woodwind Colloquium 2007: Celebrating the Collection of Sir Nicholas Shackleton. Edinburgh University Collection of Historic Musical Instruments, Edinburgh, pp. 25-30. ISBN ISBN 978 0 907635 59 8

Lawson, C. (2018) Oboe. In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge, pp. 445-448. ISBN 9781107108080 (hardback) 9781107518476 (paperback) 9781108698573 (e-book)

Lawson, C. (2002) Performing through history. In: Musical Performance: A Guide to Understanding. Cambridge University Press, Cambridge, pp. 3-16. ISBN 9780521783002 (hardback) 9780521788625 (paperback) 9780511074691 (e-book)

Lawson, C. (2001) Playing early clarinets: the lure of history and the myth of authenticity. Musical Performance: An International Journal, 3 (1) pp. 23-29. ISSN 1026-2687

Lawson, C. (1995) Playing historical clarinets. In: The Cambridge Companion to the Clarinet. Cambridge Companions to Music . Cambridge University Press, Cambridge, pp. 134-149. ISBN 9780521476683 (paperback) 9781139796620 (e-book)

Lawson, C. (2007) Practising research – researching practice. Tijdschrift voor Muziektheorie/Dutch Journal of Music Theory, 12 (1) pp. 58-65. ISSN 1385-3066

Lawson, C. (2009) Recreating history: a clarinettist's retrospective. In: The Cambridge Companion to Recorded Music. Cambridge Companions to Music . Cambridge University Press, Cambridge, pp. 263-266. ISBN 9780521865821 (hardback) 9780521684613 (paperback) 9781139798372 (e-book)

Lawson, C. (2021) Recreating history? The early clarinet in theory and practice. In: The Clarinet. Eastman Studies in Music . University of Rochester Press, pp. 228-254. ISBN 9781648250170 (hardback) 9781800103498 (e-book) 9781800103504 (e-book), ISSN 1071-9989, v. 179

Lawson, C. (2018) Rehearsal. In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge, pp. 528-529. ISBN 9781107108080 (hardback) 9781107518476 (paperback) 9781108698573 (e-book)

Lawson, C. (2016) Reminiscences of Christopher Hogwood. Early Music, 44 (1) pp. 3-5. ISSN 0306-1078 (print) 1741-7260 (online)

Lawson, C. (2018) Riemann, (Karl Wilhelm Julius) Hugo; Royal Conservatory of The Hague; Sax, Adolphe (Antoine-Joseph); Stadler, Anton Paul; The Hanover Band; Vanderhagen, Amand (Jean François Joseph); Vogl, Johann Michael; Willman, Thomas Lindsay. In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge. ISBN 9781107108080 (hardback) 9781107518476 (paperback) 9781108698573 (e-book)

Lawson, C. (1995) Single reeds before 1750. In: The Cambridge Companion to the Clarinet. Cambridge Companions to Music . Cambride University Press, Cambridge, pp. 1-15. ISBN 9780521476683 (paperback) 9781139796620 (e-book)

Lawson, C. (1991) Single-reed instruments in the music of Vivaldi. Chigiana: Rassegna annuale di studi musicologici, 41 (21) pp. 185-196. ISSN 0069-3391 (print)

Lawson, C. (1981) Telemann and the chalumeau. Early Music, 9 (3) pp. 312-319. ISSN 0306-1078 (print) 1741-7260 (online)

Lawson, C. (2002) Wind instruments. In: A Performer's Guide to Music of the Classical Period. Associated Board of the Royal Schools of Music, London, pp. 65-74. ISBN 978-1860961939 (paperback)

Lawson, C. (1983) The authentic clarinet: tone and tonality. The Musical Times, 124 (1684) pp. 357-358. ISSN 0027-4666 (print) 2397-5318 (online)

Lawson, C. (1987) The basset clarinet revived. Early Music, 15 (4) pp. 487-502. ISSN 0306-1078 (print) 1741-7260 (online)

Lawson, C. (1992) The chalumeau in the works of Fux. In: Johann Joseph Fux and the Music of the Austro-Italian Baroque. Routledge, London, pp. 78-94. ISBN 9780859678322 (hardback) 9781138260498 (paperback) 9781315092287 (e-book)

Lawson, C. (1979) The chalumeau: independent voice or poor relation? Early Music, 7 (3) pp. 351-354. ISSN 0306-1078 (print) 1741-7260 (online)

Lawson, C. (1995) The clarinet family: introduction - clarinets in B♭ and A. In: The Cambridge Companion to the Clarinet. Cambridge Companions to Music . Cambridge University Press, Cambridge, pp. 33-38. ISBN 9780521476683 (paperback) 9781139796620 (e-book)

Lawson, C. (1995) The clarinet family: the C clarinet. In: The Cambridge Companion to the Clarinet. Cambridge Companions to Music . Cambridge University Press, Cambridge, pp. 40-42. ISBN 9780521476683 (paperback) 9781139796620 (e-book)

Lawson, C. (1974) The early chalumeau duets. The Galpin Society Journal, 27 pp. 125-129. ISSN 0072-0127

Lawson, C. (1995) The early clarinet in theory and practice. Leading Notes: Journal of the National Early Music Association, 10 pp. 6-9.

Lawson, C. (2000) The early clarinet: a practical guide. Cambridge Handbooks to the Historical Performance of Music . Cambridge University Press, Cambridge. ISBN 9780521624596 (hardback) 9780521624664 (paperback) 9780511059780 (e-book)

Lawson, C. (2005) The early clarinet: historical icon or postmodern invention? In: The Versatile Clarinet. Routledge, Abingdon, pp. 5-14. ISBN 9780415973175 (hardback) 9781138986701 (paperback) 9780203958728 (e-book)

Lawson, C. (1997) An indescribable sweetness of expression: Haydn and the clarinet. Haydn Society Journal of Great Britain, 17 pp. 2-10. ISSN 1350-1267 (print)

Lawson, C. (2003) The revival of historical instruments. In: The Cambridge Companion to the Orchestra. Cambridge Companions to Music . Cambridge University Press, Cambridge, pp. 155-168. ISBN 9780521806589 (hardback) 9780521001328 (paperback) 9781139002066 (e-book)

Lawson, C. (2003) The string quartet as a foundation for larger ensembles. In: The Cambridge Companion to the String Quartet. Cambridge Companions to Music . Cambridge University Press, Cambridge, pp. 310-327. ISBN 9780521801942 (hardback) 9780521000420 (paperback) 9780511074790 (e-book)

Lawson, C. (2012) A winning strike: the miracle of Mozart's 'Kegelstatt'. In: Mozart's Chamber Music with Keyboard. Cambridge University Press, Cambridge, pp. 123-137. ISBN 9781107002487 (hardback) 9781107534285 (paperback) 9781139368582 (e-book)

Lawson, C. and Pearson, I. E. (2012) Così fan tutte und der Charakter von E-Dur: Klangfarben der Klarinette. Acta Mozartiana, 59 (1) pp. 36-44. ISSN 0001-6233

Lawson, C. and Stowell, R. (2005) La interpretación histórica de la música [The historical performance of music]. Alianza música, 97 . Alianza Editorial, Madrid. ISBN 978-84-206-8207-5

Lawson, C. and Stowell, R. (1999) The historical performance of music: an introduction. Cambridge Handbooks to the Historical Performance of Music . Cambridge University Press, Cambridge. ISBN 9780521621939 (hardback) 9780521627382 (paperback) 9780511481710 (e-book)

Lawson, C. and Tibbles, J. (2009) The art and science of historical performance. In: International Symposium on Performance Science 2009, 15-18 December 2009, New Zealand.

Lisboa, T. (2003) An overview of Villa-Lobos’ compositions for the violoncello. Música Hodie, 3 pp. 44-51. ISSN 1676-3939 (print) 2317-6776 (online)

Loges, N. (2017) BBC Radio 3 record review: buiding a library: Schumann: Liederkreis Op.24. [Broadcast]

Loges, N. (2017) BBC Radio 3 record review: building a library: Richard Wagner: Wesendonck Lieder. [Broadcast]

Loges, N. (2019) BBC Radio 3 record review: building a library: Schubert: Schwanengesang. [Broadcast]

Loges, N. (2018) BBC Radio 3: Music Matters: Natasha Loges & Stephan Loges on 'Brahms and his Poets' book. [Broadcast]

Loges, N. (2017) Book review: 'The social worlds of nineteenth-century chamber music: composers, consumers, communities' by Marie Sumner Lott. Music & Letters, 98 (1) pp. 144-147. ISSN 0027-4224 (print) 1477-4631 (online)

Loges, N. (2017) Brahms and his poets: a handbook. Boydell & Brewer, Martlesham, Suffolk. ISBN 9781783272365 (hardback) 9781783275021 (paperback) 9781787441552 (e-book)

Loges, N. (2019) Buying and selling music in the (very) long nineteenth century [review article]. Journal of the Royal Musical Association, 144 (1) pp. 223-232. ISSN 0269-0403 (print) 1471-6933 (online)

Loges, N. (2018) Bülow, Hans von. In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge, p. 101. ISBN 9781107108080 (hardback) 9781107518476 (paperback) 9781108698573 (e-book)

Loges, N. (2021) Clara Schumann’s legacy as a teacher. In: Clara Schumann Studies. Cambridge Composer Studies . Cambridge University Press, Cambridge, pp. 271-291. ISBN 9781108489843 (hardback) 9781108779531 (e-book)

Loges, N. (2018) Davies, Fanny. In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge, p. 170. ISBN 9781107108080 (hardback) 9781107518476 (paperback) 9781108698573 (e-book)

Loges, N. (2018) Detours and dead ends on a Winter’s journey: Schubert’s Winterreise, D.911, in public performance. In: 20th Biennial International Conference on Nineteenth-Century Music, 2-4 July 2018, Huddersfield. (Unpublished)

Loges, N. (2021) Detours on a Winter’s Journey: Schubert’s Winterreise in nineteenth-century concerts. Journal of the American Musicological Society, 74 (1) pp. 1-42. ISSN 0003-0139 (print) 1547-3848 (online)

Loges, N. (2021) Epistemologische Zyklen durchbrechen: Geschichte, Theorie und Aufführung in Schuberts Winterreise [Breaking epistemological cycles: history, theory, and performance in Schubert’s Winterreise]. Zeitschrift der Gesellschaft für Musiktheorie, 18 pp. 309-326. ISSN 1862-6742 (online)

Loges, N. (2006) Exoticism, artifice and the supernatural in the Brahmsian Lied. Nineteenth-Century Music Review, 3 (2) pp. 137-168. ISSN 1479-4098 (print), 2044-8414 (online)

Loges, N. (2019) Femininity, fragments, and fingers: reconstructing Brahms's intellectual world. In: The Intellectual Worlds of Johannes Brahms, 1-3 February 2019, University of California, Irvine, USA.

Loges, N. (2020) From miscellanies to musical works: Julius Stockhausen, Clara Schumann and Dichterliebe. In: German Song Onstage: Lieder Performance in the Nineteenth and Early Twentieth Centuries. Indiana University Press, Bloomington. ISBN 9780253047007 (hardback) 9780253047014 (paperback) 9780253047021 (e-book)

Loges, N. (2021) Hafiz between nations: song settings by Daumer/Brahms and Peacock/Beamish. In: Song Beyond the Nation: Translation, Transnationalism, Performance. Proceedings of the British Academy . Oxford University Press, Oxford. ISBN 9780197267196 (hardback)

Loges, N. (2012) How to make a ‘Volkslied’: early models in the songs of Johannes Brahms. Music & Letters, 93 (3) pp. 316-349. ISSN 0027-4224 (print) 1477-4631 (online)

Loges, N. (2019) Händels Musik und Programmgestaltung in Londons Kristallpalast, 1859–1874 [Programming Handel’s music at the Crystal Palace, 1859–1874]. Göttinger Händel-Beiträge, 20 pp. 61-76. ISSN 0177-7319 (print) 2197-330X (online)

Loges, N. (2018) Julius Stockhausen’s early performances of Franz Schubert’s Die schöne Müllerin. 19th-Century Music, 41 (3) pp. 206-224. ISSN 0148-2076 (print) 1533-8606 (online)

Loges, N. (2019) Literature. In: Brahms in Context. Composers in Context . Cambridge University Press, Cambridge, pp. 269-276. ISBN 9781107163416 (hardback) 9781316730317 (e-book)

Loges, N. (2019) Reading, singing, becoming: the Mädchenlieder of Paul Heyse and Johannes Brahms. In: Musical Salon Culture in the Long Nineteenth Century. Boydell & Brewer, Martlesham, Suffolk. ISBN 9781783273904 (hardback) 9781787445345 (e-book)

Loges, N. (2016) Review of 'Brahms among friends: listening, performance and the rhetoric of allusion' by Paul Berry (OUP, 2014). Nineteenth-Century Music Review, 13 (2) pp. 316-320. ISSN 1479-4098 (print), 2044-8414 (online)

Loges, N. (2014) Review of 'Brahms beyond mastery: his Sarabande and Gavotte, and its recompositions' by Robert Pascall (Routledge, 2013). Ad Parnassum, 12 (23)

Loges, N. (2019) Singers. In: Brahms in Context. Composers in Context . Cambridge University Press, Cambridge, pp. 187-195. ISBN 9781107163416 (hardback) 9781316730317 (e-book)

Loges, N. (2005) Singing Lieder with a foreign accent: Brahms's Slavic Songs. Indiana Theory Review, 26 pp. 73-103.

Loges, N. (2014) The limits of the Lied: Brahms’s Magelone-Romanzen Op. 33. In: Brahms in the Home and the Concert Hall: Between Private and Public Performance. Cambridge University Press, Cambridge, pp. 300-323. ISBN 9781107042704 (hardback) 9781108458085 (paperback) 9781316056585 (e-book)

Loges, N. (2004) The notion of personae in Brahms's "Bitteres zu sagen denkst du": op. 32, no. 7: a literary key to musical performance? In: Music and Literature in German Romanticism. Studies in German Literature, Linguistics, and Culture (85). Camden House, Rochester, NY, pp. 183-202. ISBN 9781571132581 (hardback) 9781571136459 (e-book)

Loges, N. and Hamilton, K. (2019) Mythmaking. In: Brahms in Context. Composers in Context . Cambridge University Press, Cambridge, pp. 384-392. ISBN 9781107163416 (hardback) 9781316730317 (e-book)

Loges, N. and Hamilton, K. (2016) Singer-songwriters of the German Lied. In: The Cambridge Companion to the Singer-Songwriter. Cambridge Companions to Music . Cambridge University Press, Cambridge, pp. 21-42. ISBN 9781107063648 (hardback) 9781107680913 (paperback) 9781316496664 (e-book)

Loges, N. and Lawson, C. (2012) The teaching of performance. In: The Cambridge History of Musical Performance. The Cambridge History of Music . Cambridge University Press, Cambridge, pp. 135-168. ISBN 9780521896115 (hardback) 9781316183229 (e-book)

Loges, N. and Tunbridge, L. (2020) Performers' reflections. In: German Song Onstage: Lieder Performance in the Nineteenth and Early Twentieth Centuries. Indiana University Press, Bloomington. ISBN 9780253047007 (hardback) 9780253047014 (paperback) 9780253047021 (e-book)

M

Mannion, R. (2019) Mise en Abyme: immersive performance and composition practices through interdisciplinarity, collaboration and music technology. Doctoral thesis, Royal College of Music.

Mantovani, L. (2019) Ferdinand Rebay and the reinvention of guitar chamber music. Doctoral thesis, Royal College of Music.

Mayes, S. and Whitfield, S. K. (2021) An inconvenient Black history of British musical theatre 1900-1950. Methuen Drama, Bloomsbury. ISBN 9781350119635 (hardback) 9781350232686 (paperback) 9781350119642 (e-book)

McHugh, E. R. (2018) The vocality of the dramatic soprano voice in Richard Strauss's Salome and Elektra. Doctoral thesis, Royal College of Music.

Meyn, N. (2021) Between two worlds: discovering the music of Robert Kahn (1865-1951). Classical Music ISSN 0961-2696 (print) 2632-8208 (online)

Meyn, N. (2019) Discovering the music of Robert Kahn. Music, Migration and Mobility Online Resource: Émigré Musicians from Nazi Europe

Meyn, N. (2017) Emigrés from Nazi Europe in British opera. In: Operá Sans Frontières: Musicians and Migration in a Globalised World, 12 September 2017, Oxford Brookes University, Oxford. (Unpublished)

Meyn, N. (2023) Encounters with the émigré experience: discovering the chamber music and songs of Peter Gellhorn. 'Music and Exile: from 1933 to the Present Day' Yearbook of the Research Centre for German and Austrian Exile Studies, 22 pp. 217-236. ISSN 1388-3720 (print) 1875-8118 (online)

Meyn, N. (2020) Enemy aliens: music in internment. Music, Migration and Mobility Online Resource: Émigré Musicians from Nazi Europe

Meyn, N. (2018) Engaging with émigré music in Britain. Arts of the Working Class (3) p. 9. ISSN 2627-6984

Meyn, N. (2023) Eric Sanders. Music, Migration and Mobility Online Resource: Émigré Musicians from Nazi Europe

Meyn, N. (2015) Exile estates and music restitution. In: Symposium, 31 May 2015, Royal College of Music, London. (Unpublished)

Meyn, N. (2018) Love of song: from Mendelssohn to Brahms [study course]. Liberal Jewish Synagogue, London. (Unpublished)

Meyn, N. (2021) Marginalised in our cultural memory: migrant musicians from Nazi-occupied Europe in Britain. In: First Annual Midlands Music Research Network Conference, 19-20 April 2021, Online. (Unpublished)

Meyn, N. (2019) Mendelssohn, Albert and Anglo-German connections in 19th century music. In: Two Centuries of Anglo-German Correspondences, 26-28 June 2019, London. (Unpublished)

Meyn, N. (2018) Music for 'Through Lotte's Lens' directed by Tony Britten. Capriol Films.

Meyn, N. (2021) ‘Music, Migration and Mobility’: an ongoing research project at the Royal College of Music. Music & Practice, 9 ISSN 1893-9562 (online)

Meyn, N. (2023) Music, migration and mobility: émigré musicians from Nazi Europe. [Website]

Meyn, N. (2019) Musical migrants: refugee musicians from Nazi Germany and Austria in Britain. In: German Research Seminar, 6 February 2019, King's College London. (Unpublished)

Meyn, N. (2017) Researching forbidden music regained. In: Leo Smit Stichting, 2017, Amsterdam. (Unpublished)

Meyn, N. (2013) Singing a song in a foreign land. [Website]

Meyn, N. (2018) Singing a song in a foreign land. In: Association of Anglican Musicians Conference, 11-14 June 2018, San Antonio, Texas. (Unpublished)

Meyn, N. (2014) Singing a song in a foreign land: a celebration of music by émigré composers. In: Symposium, 21-23 February 2014, Royal College of Music, London. (Unpublished)

Meyn, N. (2019) Singing a song in a foreign land: related performances. Royal College of Music. (Unpublished)

Meyn, N. (2020) Trees have roots, humans have legs: foregrounding migration and mobility in performances. In: Symposium: The Legacy of Migrant Musicians from Nazi Europe in Britain, 3 December 2020, Online. (Unpublished)

Meyn, N. (2009) Uniting the true and the beautiful: music and text in the age of Goethe. In: Study Day, 13 November 2009, Guildhall School of Music and Drama, London. (Unpublished)

Meyn, N. (2019) The legacy of Jewish musicians who emigrated to the UK from Nazi-Europe. In: Musica Judaica Symposium: Jewish Music Between Oral and Written Traditions, 14-15 July 2019, Clarendon Institute, Oxford. (Unpublished)

Meyn, N. and Breinl, J. (2017) English songs by Karl Rankl. In: Workshop, 21-22 October 2017, Austrian Cultural Forum, London. (Unpublished)

Meyn, N. and Charlston, T. and Bavington, P. (2012) C.P.E. Bach songs with clavichord: a conversation with Norbert Meyn and Terence Charlston. The British Clavichord Society Newsletter (54) pp. 3-10. ISSN 1359-5105 (print)

Meyn, N. and Curran, T. and Levi, E. (2020) The legacy of Peter Gellhorn. Music, Migration and Mobility Online Resource: Émigré Musicians from Nazi Europe

Meyn, N. and Doutney, D. (2023) Eric Sanders: Songs. RCM Editions, London.

Meyn, N. and Grosch, N. and Adey, P. (2023) Foregrounding mobility rather than belonging: a conceptual framework for engaging with music shaped by transnational migration. Acta Musicologica, 95 (1) pp. 4-20. ISSN 0001-6241 (print) 2296-4339 (online)

Meyn, N. and Heher, H. (2020) Egon Wellesz: Drei Lieder Op. 24. RCM Editions, London.

Meyn, N. and Heller-Jones, C. (2018) Love of Lieder: tracing the Jewish journey through 19th and 20th century German song [study course]. Liberal Jewish Synagogue, London. (Unpublished)

Meyn, N. and Holden, M. (2023) Music, migration, and mobility: the story of émigré musicians from Nazi Europe in Britain. [Show/Exhibition]

Meyn, N. and Stanhope, L. and Bower, B. (2023) Karl Rankl: Songs Op. 5-10. Royal College of Music, London.

Mitchell, M. (2023) Russian music and Fabergé. East-West Review, 21 (3) pp. 7-8. ISSN 1759-863X

Mival, W. (2014) BBC Radio 3 opera guides: operas by Richard Strauss. [Broadcast]

N

Nardacci, F. (2024) New perspectives on the Italian instrumental music renaissance over the long nineteenth century. Doctoral thesis, Royal College of Music.

Neergaard, B. (2018) Schumann as aspiring pianist: technique, sonority, and composition. Doctoral thesis, Royal College of Music.

Nuti, G. and Solomon, A. and Williamon, A. (2009) The Listening Gallery: integrating music with exhibitions and gallery displays. In: International Symposium on Performance Science 2009, 15-18 December 2009, New Zealand.

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Paskins, H. and Hamilton, K. and Loges, N. (2014) Brahms and his arrangers. In: Brahms in the Home and the Concert Hall: Between Private and Public Performance. Cambridge University Press, Cambridge, pp. 178-220. ISBN 9781107042704 (hardback) 9781108458085 (paperback) 9781316056585 (e-book)

Pearson, I. E. (2006) 18、19世纪美术作品中黑管哨片的位置 [18th- and 19th-century iconographical representations of clarinet reed position]. In: Music in Art: International Journal for Music Iconography: special Chinese edition. Changjiang Wenyi Chubanshe, Wuhan, pp. 143-154. ISBN 7-5354-3155-0

Pearson, I. E. (2018) Academy of Ancient Music (twentieth century); Berr, Frédéric; English Baroque Soloists; Florilegium; Gardiner, John Eliot. In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge. ISBN 9781107108080 (hardback) 9781107518476 (paperback) 9781108698573 (e-book)

Pearson, I. E. (2018) Articulation. In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge, pp. 28-33. ISBN 9781107108080 (hardback) 9781107518476 (paperback) 9781316257678 (e-book)

Pearson, I. E. (2012) By word of mouth: historical performance comes of age. Performance Practice Review, 17 (1) pp. 21-36. ISSN 1044-1638 (print) 2166-8205 (online)

Pearson, I. E. (2018) CD review: Franz Danzi, Music for Piano and Winds. Nineteenth-Century Music Review, 15 (3) pp. 1-3. ISSN 1479-4098 (print), 2044-8414 (online)

Pearson, I. E. (2011) Celebrating the past: treasures from the RCM collections [Gresham College lecture]. [Video]

Pearson, I. E. (1998) Delicacy, sentimentality and intimacy: the chalumeau as 'signifier'. ClarinetFest 1998

Pearson, I. E. (2021) Discovering Robert Kahn. Clarinet & Saxophone, 46 (2) ISSN 0260-390X

Pearson, I. E. (2000) Eighteenth- and nineteenth-century iconographical representations of clarinet reed position. Music in Art: International Journal for Music Iconography,, 25 pp. 87-95. ISSN 1522-7464 (print) 2169-9488 (online)

Pearson, I. E. (2012) Engaging with the past: a practical manifesto. Musica Antiqua, 1 (1) pp. 34-38. ISSN 2049-1514

Pearson, I. E. (2007) Ferdinando Sebastiani, Gennaro Bosa and the clarinet in nineteenth-century Naples. The Galpin Society Journal, 60 pp. 203-214. ISSN 0072-0127

Pearson, I. E. (2018) Iconography. In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge, pp. 317-319. ISBN 9781107108080 (hardback) 9781107518476 (paperback) 9781316257678 (e-book)

Pearson, I. E. (2012) In contemplation of the clarinets at the Royal College of Music, London. In: Proceedings of the Clarinet and Woodwind Colloquium 2007: Celebrating the Collection of Sir Nicholas Shackleton. Edinburgh University Collection of Historic Musical Instruments, Edinburgh, pp. 141-150. ISBN 978 0 907635 59 8

Pearson, I. E. (1999) 'Interest, individuality and an endless pleasantness': the chalumeau in 18th-century Vienna. The Clarinet, 26 (3) pp. 56-59. ISSN 0361-5553

Pearson, I. E. (2018) Lawson, Colin; Orchestra of the Age of Enlightenment; Orchestra of the Eighteenth Century; Orchestre Révolutionnaire et Romantique; Stowell, Robin. In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge. ISBN 9781107108080 (hardback) 9781107518476 (paperback) 9781108698573 (e-book)

Pearson, I. E. (2002) Lefévre's sonatas for clarinet: a historical perspective. Clarinet & Saxophone, 27 (2) pp. 20-22. ISSN 0260-390X

Pearson, I. E. (2017) Listening and performing: experiences of twentieth-century British wind players. In: The Listening Experience Database Project Conference 2015 Listening to Music: People, Practices and Experiences, 24-25 October 2015, Royal College of Music.

Pearson, I. E. (2018) Oral tradition. In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge, pp. 448-451. ISBN 9781107108080 (hardback) 9781107518476 (paperback) 9781316257678 (e-book)

Pearson, I. E. (2000) Playing historical clarinets. In: The Early Clarinet: A Practical Guide. Cambridge Handbooks to the Historical Performance of Music . Cambridge University Press, Cambridge, pp. 41-62. ISBN 9780521624596 (hardback) 9780521624664 (paperback) e-book (9780511059780)

Pearson, I. E. (2009) Review of 'The Clarinet' by Eric Hoeprich. The Galpin Society Journal, 62 pp. 292-293. ISSN 0072-0127

Pearson, I. E. (2001) Thea King and Pamela Weston: a tribute, part I. The Clarinet, 28 (3) pp. 48-52. ISSN 0361-5553

Pearson, I. E. (2001) Thea King and Pamela Weston: a tribute, part II. The Clarinet, 28 (4) pp. 66-69. ISSN 0361-5553

Pearson, I. E. (1999) 'Verfolgt vom Klang der Klarinette seines Vaters': Über Blatt-Position, Ferruccio Busoni und die Klarinette im Italien des 19. Jahrhunderts ['Pursued by the sound of his father's clarinet': on reed position, Ferruccio Busoni, and the clarinet in 19th-century Italy]. Tibia: Magazin für Holzbläser, 24 (4) pp. 605-611. ISSN 0176-6511

Pearson, I. E. (2018) Übersichblasen-Untersichblasen [reed above/below]. In: Lexikon der Holzblasinstrumente: Oboe, Klarinette, Saxophon und Fagott – Baugeschichte und Spielpraxis – Komponisten und ihre Werke – Interpreten. Laaber, Laaber, Germany, pp. 747-748. ISBN 978-3-89007-866-3

Pearson, I. E. (2021) The clarinet in opera before 1830: instrument and genre come of age. In: The Clarinet. Eastman Studies in Music . University of Rochester Press, pp. 93-119. ISBN 9781648250170 (hardback) 9781800103498 (e-book) 9781800103504 (e-book) ISSN 1071-9989, v. 179

Pearson, I. E. (2020) The growing repute of the clarinet: interrogating traditional tunes and popular airs in late eighteenth-century tutors. In: Traditional Tunes and Popular Airs Conference: Exploring Musical Resemblance, 10-11 October 2020, Cecil Sharp House, London. (Unpublished)

Pearson, I. E. (1999) The reed-above embouchure: fact or fallacy? Australian Clarinet and Saxophone, 2 (2) pp. 8-13.

Pearson, I. E. (2007) The voice of heroic love: historical clarinets at the Royal College of Music, London. In: The Clarinet and Woodwind Colloquium 2007, 22-24 June 2007, Edinburgh University. (Unpublished)

Pearson, I. E. and Rice, A. R. (2024) Instructions for the clarinet: an illumination of musical taste in Georgian London. Ad Parnassum: A Journal of Eighteenth- and Nineteenth-Century Instrumental Music, 22 (43) ISSN 1722-3954 (print) 2421-6933 (online) (In Press)

Pitfield, S. and Pearson, I. E. (1998) An interview with Colin Lawson. The Clarinet, 25 (3) pp. 56-59. ISSN 0361-5553

Q

Querns Langley, K. E. (2021) Reconstructing the tenor ‘pharyngeal voice’: a historical and practical investigation. Doctoral thesis, Royal College of Music.

R

Razumovskaya, M. (2014) Heinrich Neuhaus: aesthetics and philosophy of an interpretation. Doctoral thesis, Royal College of Music.

Rice, A. R. and Lawson, C. (1986) The clarinet and chalumeau revisited. Early Music, 14 (4) pp. 552-556. ISSN 0306-1078 (print) 1741-7260 (online)

Robson, B. (2021) Howells revisited. Clarinet & Saxophone, 46 (3) pp. 22-25. ISSN 0260-390X

Roper, J. (2017) Goldmark’s wild Amazons: drama and exoticism in the Penthesilea Overture. Studia Musicologica, 57 (3-4) pp. 295-324. ISSN 1788-6244

Rossi Rognoni, G. (2004) Alcune fonti sulla produzione liutaria in Toscana nel XIX secolo [Some sources relating to violin making in Tuscany in the 19th century]. In: Liuteria in Toscana. I liutai del Novecento. Cremonabooks, Cremona, pp. 33-45. ISBN 9788883590559

Rossi Rognoni, G. (2002) Bartolomeo Cristofori: la spinette ovali del 1690/Bartolomeo Cristofori's 1690 oval spinet. In: Bartolomeo Cristofori: la spinetta ovale del 1690 - studi e ricerche/The 1690 oval spinet - study and research. Sillabe, Livorno, pp. 10-31. ISBN 9788883471438

Rossi Rognoni, G. (2006) Catalogue entry. In: Il DNA degli Amati: una dinastia di liutai a Cremona/The Amati's DNA: a dynasty of stringed instrument makers in Cremona. Consorzio Liutai Antonio Stradivari, Cremona, p. 161. ISBN 9788889839102

Rossi Rognoni, G. (2005) Catalogue entry. In: Maria de' Medici: una principessa fiorentina sul trono di Francia [Maria de' Medici: a Florentine princess on the throne of France]. Sillabe, Florence, pp. 200-201. ISBN 978888347729-4

Rossi Rognoni, G. (2000) Catalogue entry. In: Dipingere la musica: strumenti in posa nell'arte del Cinque e Seicento [Painting music: musical instruments in the art of the sixteenth and seventeenth centuries]. Skira, Milan, p. 261. ISBN 9788881188536

Rossi Rognoni, G. (2000) Catalogue entry. In: Lo 'spettacolo maraviglioso': Il Teatro della Pergola, l'opera a Firenze. Ufficio Centrale per i Beni Archivistici, Florence, pp. 156-158. ISBN 978-88-8304-240-9

Rossi Rognoni, G. (2001) Gli strumenti granducali: storia di una collezione/The grand-ducal instruments: the history of a collection. In: La musica alla corte dei granduchi: guida alla mostra/Music at the grand-ducal court: guide to the exhibition. Giunti, Florence, pp. 19-25. ISBN 9788809021853

Rossi Rognoni, G. (2000) Gli strumenti musicali [Musical instruments]. In: Per un regale evento: spettacoli nuziali e opera in musica alla corte dei Medici [For a royal event: wedding shows and opera in music at the Medici court]. Centro Di/Biblioteca Nazionale Centrale, Florence, pp. 193-201. ISBN 9788883660993

Rossi Rognoni, G. (1999) Il Conservatorio e gli strumenti innovati di Rampone e Orsi [The Conservatorio and the innovative instruments of Rampone and Orsi]. In: Milano musicale: 1861-1897. Libreria Musicale Italiana, Lucca, pp. 373-391. ISBN 9788870962390

Rossi Rognoni, G. (2013) Il Gran Principe Ferdinando e la musica. In: Il Gran Principe Ferdinando de’ Medici (1663-1713), catalogue of the exhibition June-November 2013. Giunti, Florence, pp. 115-125.

Rossi Rognoni, G. (2004) Il Museo degli Strumenti Musicali della Galleria dell'Accademia di Firenze [The Museo degli Strumenti Musicali of the Galleria dell'Accademia in Florence]. Hortus Musicus, 5 (18) pp. 124-127.

Rossi Rognoni, G. (2001) La musica alla corte granducale/Music at the grand-ducal court. In: La musica alla corte dei granduchi: guida alla mostra/Music at the grand-ducal court: guide to the exhibition. Giunti, Florence, pp. 33-103. ISBN 9788809021853

Rossi Rognoni, G. (2002) La spinetta ovale di Bartolomeo Cristofori del 1690: un progetto di ricerca su uno strumento recentemente riscoperto [Bartolomeo Cristofori's oval spinet from 1690: a research project on a recently rediscovered instrument]. Hortus Musicus pp. 10-12.

Rossi Rognoni, G. (2003) Le botteghe fiorentine di strumenti musicali [Florentine musical instrument workshops]. In: Arti fiorentine: La grande storia dell'Artigianato. Giunti, Florence, pp. 132-149. ISBN 9788809029231

Rossi Rognoni, G. (2000) Per la lettura della schede [Toward a reading of files]. In: La collezione granducale del Conservatorio Cherubini. La musica e i suoi strumenti (1). Giunti, Florence. ISBN 9788809021846

Rossi Rognoni, G. (2006) Produzione, commercio e diffusione di strumenti musicali a Firenze intorno al 1770 [Production, trade and diffusion of musical instruments in Florence around 1770]. In: Mozart a Firenze: qui si deve vivere o morire (catalogue of the exhibition, Florence, Biblioteca Nazionale Centrale, 22 September – 21 October 2006). Vallecchi, Florence, pp. 46-50.

Rossi Rognoni, G. (2007) The origins of the Tuscan school of "liutai" in the sixteenth and seventeenth centuries. In: Musikinstrumentenbau-Zentren im 16. Jahrhundert [Musical instrument making centers in the 16th century]. Musikalische Aufführungspraxis in nationalen Dialogen (2). Kloster Michaelstein, Germany, pp. 105-113. ISBN 978-3-89512-133-3

Rossi Rognoni, G. (2015) The virginals of Benedetto Floriani (Venice, fl.1568–1572) and a proposal for a new attribution. Galpin Society Journal, 68 pp. 5-20. ISSN 0072-0127 (print) 2397-5369 (online)

Rossi Rognoni, G. and Martin, R. (2018) MINIM-UK. [Video]

Rossi Rognoni, G. and Rocchetti, G. (1998) Gli strumenti musicali premiati dall'Istituto Lombardo di Scienze, Lettere e Arti nel XIX secolo [Musical instruments awarded by the Lombard Institute of Sciences, Letters and Arts in the 19th century]. In: Liuteria musica e cultura. Associazione Liutaria Italiana, Cremona, pp. 5-21. ISBN 9788870962116

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Schneider, M. and Solomon, A. (2019) Michael Schneider im Gespräch mit Ashley Solomon [Michael Schneider in conversation with Ashley Solomon]. Tibia: Magazin für Holzbläser (4) pp. 579-583. ISSN 0176-6511

Scotting, R. (2018) Unknown Senesino: Francesco Bernardi’s vocal profile and dramatic portrayal, 1700-1740. Doctoral thesis, Royal College of Music.

Smith, R. L. (2015) Behind Ravel’s Boléro: the repercussions of Wellington’s Victory. In: City of Light: Paris 1900-1950: International Conference, 27-29 May 2015, French Cultural Institute, London. (Unpublished)

Smith, R. L. (2021) Bizet's Carmen uncovered. Boydell & Brewer, Martlesham, Suffolk. ISBN 9781783275250 (hardback) 9781787449213 (e-book) 9781800100466 (e-book)

Smith, R. L. (2016) Book review: 'Bizet' by Hugh Macdonald. Notes: Quarterly Journal of the Music Library Association, 73 (1) pp. 98-100. ISSN 0027-4380 (print) 1534-150X (online)

Smith, R. L. (2017) Book review: 'Debussy’s Pelléas et Mélisande: the staging by Albert Carré' by Michela Niccolai, translated by Lesley Wright. H-France Review, 17 (169) ISSN 1553-9172

Smith, R. L. (2016) Book review: 'Erik Satie: a Parisian composer and his world' by Caroline Potter. H-France Review, 16 (210) ISSN 1553-9172

Smith, R. L. (2016) Book review: 'The Cambridge companion to French music' edited by Simon Trezise. H-France Review, 16 (68) ISSN 1553-9172

Smith, R. L. (2023) Book review: Denis Herlin: Claude Debussy: Portraits et Études, George Olms Verlag (Hildesheim 2021). The Musical Times ISSN 0027-4666 (print) 2397-5318 (online)

Smith, R. L. (2018) Bordes, Charles. In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge, p. 80. ISBN 9781107108080 (hardback) 9781107518476 (paperback) 9781108698573 (e-book)

Smith, R. L. (2018) Casadesus, Henri. In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge, pp. 114-115. ISBN 9781107108080 (hardback) 9781107518476 (paperback) 9781108698573 (e-book)

Smith, R. L. (2018) Choron, Alexandre (-Étienne). In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge, pp. 127-128. ISBN 9781107108080 (hardback) 9781107518476 (paperback) 9781108698573 (e-book)

Smith, R. L. (2018) Debussy fifty years later: has the barrel run dry? In: Debussy's Resonance. Eastman Studies in Music . University of Rochester Press, Rochester, NY, pp. 19-37. ISBN 9781580465250 (hardback) 9781787442528 (e-book)

Smith, R. L. (2024) Debussy’s Impressionism interrogated. In: Debussy in Context. Composers in Context . Cambridge University Press, Cambridge, pp. 59-68. ISBN 9781108472067 (hardback) 9781108561334 (e-book)

Smith, R. L. (2006) Elsewhere and erstwhile: review of 'Musical encounters at the 1889 Paris World's Fair' by Annegret Fauser and 'Interpreting the musical past: early music in nineteenth-century France' by Katherine Ellis. The Musical Times, 147 (1896) pp. 93-101. ISSN 0027-4666 (print) 2397-5318 (online)

Smith, R. L. (2006) French operatic spectacle in the twentieth century. In: French Music Since Berlioz. Routledge, Abingdon. ISBN 9780754602828 (hardback) 9781138273450 (paperback) 9781315093895 (e-book)

Smith, R. L. (2018) Gould, Glenn (Herbert). In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge, pp. 268-269. ISBN 9781107108080 (hardback) 9781107518476 (paperback) 9781108698573 (e-book)

Smith, R. L. (2018) Indy, (Paul-Marie-Théodore-) Vincent d’. In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge, p. 328. ISBN 9781107108080 (hardback) 9781107518476 (paperback) 9781108698573 (e-book)

Smith, R. L. (2013) L'art de préluder: quelques questions de taxonomie chez Debussy [The art of preluding: some questions of taxonomy in the works of Debussy]. In: Regards sur Debussy. Fayard, Paris, pp. 329-336. ISBN 9782213672588

Smith, R. L. (2017) ‘Le Paradis deux fois perdu’: Debussy, Watteau and the fête galante. In: Historical Interplay in French Music and Culture, 1860–1960. Routledge, Abingdon, UK. ISBN 9781472474759 (hardback) 9781315586847 (e-book)

Smith, R. L. (2020) Le cas Debussy: layers of resonance from literature into music. In: The Edinburgh Companion to Literature and Music. Edinburgh University Press, Edinburgh, pp. 624-631. ISBN 9780748693122 (hardback) 9780748693146 (e-book: ePub) 9780748693139 (e-book: PDF)

Smith, R. L. (2020) Marketing Madame Chaminade: soap, smells and sheet music. In: Conference: Musical Women in Europe in the Long Nineteenth Century, 24-26 February 2020, Royal Northern College of Music, Manchester. (Unpublished)

Smith, R. L. (2019) O Camponês cultivado em Paris. Chabrier: L’Étoile, Teatro Nacional de São Carlos, Lisbon pp. 17-25.

Smith, R. L. (2018) Paris Conservatoire (Conservatoire de Paris). In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge, pp. 470-472. ISBN 9781107108080 (hardback) 9781107518476 (paperback) 9781108698573 (e-book)

Smith, R. L. (2015) Pushing the boundaries of the French mélodie: 20 years of Debussy (1882–1902). In: Words into Music: Poets, Composers & Songs: Study Day, 16 October 2015, Wadham College, Oxford. (Unpublished)

Smith, R. L. (2024) Review: Parody, promotion, Paris. The Musical Times, 165 (1966) pp. 103-108. ISSN 0027-4666 (print) 2397-5318 (online)

Smith, R. L. (2018) Saint-Saëns, (Charles-) Camille. In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge, pp. 560-561. ISBN 9781107108080 (hardback) 9781107518476 (paperback) 9781108698573 (e-book)

Smith, R. L. (2007) Taming two Spanish women: reflections on editing opera. In: Berlioz and Debussy: Sources, Contexts and Legacies: Essays in Honour of François Lesure. Ashgate, Farnham, Surrey. ISBN 9780754653929 (hardback) 9781138262980 (paperback) 9781315096469 (e-book)

Snyder, B. (2022) The Anglo-Austrian Music Society. Music, Migration and Mobility Online Resource: Émigré Musicians from Nazi Europe

Snyder, B. (2021) Mátyás Seiber - traveller between worlds. Music, Migration and Mobility Online Resource: Émigré Musicians from Nazi Europe

Solomon, A. (2018) Altès, Joseph Henry; Brüggen, Franciscus Jozef; Delusse, Charles; Freillon-Poncein, Jean-Pierre; Ganassi dal Fontego, Sylvestro di; Herreweghe, Philippe; Kirkby, Dame Emma. In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge. ISBN 9781107108080 (hardback) 9781107518476 (paperback) 9781108698573 (e-book)

Solomon, A. (2007) Bach Cantatas. [Audio]

Solomon, A. (2008) Bach: Cantata 'Non Sa Che Sia Dolore', Triple Concerto in A minor, and Telemann: Concerto in A major. [Audio]

Solomon, A. (2012) Bach: Organ Trio Sonatas (arranged for multiple instruments). [Audio]

Solomon, A. (1998) Bach: a musical offering: the complete instrumental Trio Sonatas. [Audio]

Solomon, A. (2005) Bolivian Baroque. [Audio]

Solomon, A. (2006) Bolivian Baroque vol. 2. [Audio]

Solomon, A. (2009) Bolivian Baroque vol. 3. [Audio]

Solomon, A. (2000) Fatale flame: music from 18th century France. [Audio]

Solomon, A. (1995) Haydn Cello Concertos in C and D. [Audio]

Solomon, A. (2003) Haydn: London Symphonies arr. Salomon. [Audio]

Solomon, A. (2018) Hotteterre family. In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge, pp. 313-314. ISBN 9781107108080 (hardback) 9781107518476 (paperback) 9781108698573 (e-book)

Solomon, A. (1996) In the name of Bach. [Audio]

Solomon, A. (1995) Le Roi s'amuse: music for the King's pleasure. [Audio]

Solomon, A. (2018) Mahaut, Antoine; Majer, Joseph Friedrich Bernhard Caspar; Neumann, Frederick; Nicholson, Charles; Rockstro, Richard Shepherd; Tromlitz, Johann George; Vandenbroek, Othon-Joseph. In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge. ISBN 9781107108080 (hardback) 9781107518476 (paperback) 9781108698573 (e-book)

Solomon, A. (2019) New discoveries from the archives of the Mission Churches in the Amazon. In: Frankfurt Hochschule public lecture, 30-31 January 2019, Frankfurt Hochschule. (Unpublished)

Solomon, A. (2010) Pergolesi: Stabat Mater. [Audio]

Solomon, A. (2018) Quantz, Joseph Joachim. In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge, pp. 516-517. ISBN 9781107108080 (hardback) 9781107518476 (paperback) 9781108698573 (e-book)

Solomon, A. (2018) Recorder. In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge, pp. 526-528. ISBN 9781107108080 (hardback) 9781107518476 (paperback) 9781108698573 (e-book)

Solomon, A. (2015) Rediscovering Bolivian Baroque music. University of Sidney, Sidney, Australia.

Solomon, A. (1997) Sanguineus & melancholicus: C. P. E. Bach Sonatas. [Audio]

Solomon, A. (2023) The Spohr Collection vol. 2. [Audio]

Solomon, A. (2020) The Spohr Collection: historical flutes. [Audio]

Solomon, A. (2017) Telemann and the Baroque flute: a true synthesis explored through his solo flute fantasias. In: Nanyang Academy of Fine Arts, 20 October 2017, Singapore. (Unpublished)

Solomon, A. (1993) Telemann: Concerti da Camera. [Audio]

Solomon, A. (2018) Telemann: Essercizii Musici. [Audio]

Solomon, A. (1999) Telemann: Paris Quartets. [Audio]

Solomon, A. (2004) Telemann: Paris Quartets vol. 2. [Audio]

Solomon, A. (2005) Telemann: Paris Quartets vol. 3. [Audio]

Solomon, A. (2002) Telemann: Tafelmusik. [Audio]

Solomon, A. (2017) Telemann: prolífico compositor, sagaz editor [Telemann: prolific composer, shrewd editor]. Scherzo (334) pp. 76-79. ISSN 0213-4802 (print) 2387-0257 (online)

Solomon, A. (2017) Telemann: twelve Fantasias for solo flute. [Audio]

Solomon, A. (2017) Telemann’s collection of instrumental works. Scherzo, 334 ISSN 0213-4802 (print) 2387-0257 (online)

Solomon, A. (2017) Twelve fantasias in 7 questions: Ashley Solomon’s new Telemann disc. Revoice Magazine (5)

Solomon, A. (1997) Vivaldi Concerti. [Audio]

Solomon, A. (1995) Vivaldi Concerti. [Audio]

Solomon, A. (2011) Vivaldi: sacred works for soprano and concertos. [Audio]

Solomon, A. (2018) The extraordinary ‘royal flute’ – a musical instrument or work of art? In: Musical Instruments Unwrapped: Joint Conference of the Social History Curators Group and the Musical Instruments Resource Network, 12 November 2018, University of Edinburgh. (Unpublished)

Solomon, A. and Charlston, T. (2014) Bach: Brandenburg Concertos. [Audio]

Solomon, A. and Charlston, T. (2000) Bach: Flute Sonatas vol. 1. [Audio]

Solomon, A. and Charlston, T. (2003) Bach: Flute and Harpsichord Sonatas vol. 2. [Audio]

Solomon, A. and Charlston, T. (2013) Couperin: Les Nations and Rebel: Caractères de la Danse. [Audio]

Solomon, A. and Charlston, T. (2016) Telemann: Concertos & Cantata Ihr Völker Hört. [Audio]

Solomon, A. and Nagasawa, M. (2002) Music for flute and harp. [Audio]

Stakelum, M. (2010) Assessment practices at primary school: lessons from the past. In: 18th EAS Congress, 26-29 April 2010, Abant Ýzzet Baysal University, Turkey. (Unpublished)

Stakelum, M. (2014) Boundaries and bridges: the influence of James Cooksey Culwick on the development of the teaching and learning of music in 19th-century Ireland. International Journal of Music Education, 32 (4) pp. 409-421. ISSN 0255-7614 (print) 1744-795X (online)

Stakelum, M. (2012) James Cooksey Culwick and the development of the teaching and learning of music in nineteenth-century Ireland. In: Documents of Irish Music History in the Long Nineteenth Century: National and International Contexts, 27 April 2012, University of Limerick, Ireland. (Unpublished)

Stakelum, M. (2019) James Cooksey Culwick: the rudiments of music (1882). In: Documents of Irish Music History in the Long Nineteenth Century. Irish Musical Studies (12). Four Courts Press, Dublin, pp. 75-84. ISBN 9781846827242

Stakelum, M. (2013) 'James Culwick', 'Victor Herbert', 'Kodály Method', 'Suzuki Method', 'Association of Irish Choirs', 'Culwick Choral Society' and 'St James Gate Choir'. In: The Encyclopaedia of Music in Ireland. University College Dublin Press, Dublin. ISBN 9781906359782 (hardback)

Stakelum, M. (2008) Primary music education: the misrepresentation of the ideals of curricula in research. Irish Educational Studies, 27 (3) pp. 281-293. ISSN 0332-3315 (print) 1747-4965 (online)

Stakelum, M. (2010) A commentary on assessment practices in music education at primary level in England: are there lessons to learn from the past? In: Music and Music Education within the Context of Socio-Cultural Changes. Series of Cultural Books (5). Müsik Eğitimi Publications, Ankara, pp. 443-450. ISBN 9786056155727

Stirling, C. (2021) Night cubes: revisiting UK sound art’s popular and club histories. Flash Art

Stirling, C. (2020) Sonic methodologies in urban studies. In: The Bloomsbury Handbook of Sonic Methodologies. Bloomsbury, London, pp. 115-139. ISBN 9781501338755 (hardback)

Stowell, R. and Lawson, C. (2018) Vibrato. In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge, pp. 650-658. ISBN 9781107108080 (hardback) 9781107518476 (paperback) 9781108698573 (e-book)

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Thompson, T. D. (2016) The vocality of Sibyl Sanderson in Massenet’s Manon and Esclarmonde. Doctoral thesis, Royal College of Music.

Thormählen, W. (2008) Book review: 'Mozart's Viennese instrumental music: a study of stylistic re-invention' by Simon P. Keefe. Notes: Quarterly Journal of the Music Library Association, 64 (4) pp. 729-731. ISSN 0027-4380 (print) 1534-150X (online)

Thormählen, W. (2018) Callcott, John Wall [encyclopaedia article in Die Musik in Geschichte und Gegenwart]. Bärenreiter, J. B. Metzler, Répertoire International de Littérature Musicale.

Thormählen, W. (2019) Circulation. In: The Cambridge Haydn Encyclopedia. Cambridge University Press, Cambridge. ISBN 9781316422847

Thormählen, W. (2008) Edition review: C. P. E. Bach: the complete works series V, vol. 5.1, works for special occasions I ed. Ulrich Leisinger. Eighteenth-Century Music, 5 (1) pp. 123-125. ISSN 1478-5706 (print) 1478-5714 (online)

Thormählen, W. (2008) Edition review: Franz Clement: Violin Concerto in D major (1805) ed. Clive Brown. Eighteenth-Century Music, 5 (2) pp. 255-257. ISSN 1478-5706 (print) 1478-5714 (online)

Thormählen, W. (2004) Edition review: Pierre Gaviniès, Sonatas for violin and basso continuo, op. 3, ed. Anthony F. Ginter. Eighteenth-Century Music, 1 (1) pp. 105-107. ISSN 1478-5706 (print) 1478-5714 (online)

Thormählen, W. (2020) Feel-good tunes: music aesthetics, performance and well-being in the eighteenth century. In: Lifestyle and Medicine in the Enlightenment: The Six Non-Naturals in the Long Eighteenth Century. Routledge Studies in the History of Science, Technology and Medicine . Routledge, Abingdon. ISBN 9781138610705 (hardback) 9780429465642 (e-book)

Thormählen, W. (2018) Framing emotional responses to music: music-making and social well-being in early nineteenth-century England. In: The Routledge Companion to Music, Mind, and Well-Being. Routledge music companions . Routledge, Abingdon, pp. 93-105. ISBN 9781138057760 (hardback) 9781315164717 (e-book)

Thormählen, W. (2003) Georg Muffat—a document for the French manner? Early Music, 31 (1) pp. 110-116. ISSN 0306-1078 (print) 1741-7260 (online)

Thormählen, W. (2003) Konvention als Kritik? Mozarts 'klavier sonate mit begleitung einer Violin' KV 526 [Convention as criticism? Mozart’s piano sonata with violin accompaniment K.526]. Acta Mozartiana, 50 (1-2) pp. 23-36. ISSN 0001-6233

Thormählen, W. (2006) Kritik zum Vergnügen: Mozarts Spiel mit kompositorischen Konventionen in seiner Klavier sonata mit begleitung einer Violin KV 526 [Criticism for fun: Mozart's play with compositional conventions in his Piano sonata accompanied by a violin, K.526]. In: Neues musikwissenschaftliches Jahrbuch. Wißner-Verlag, Augsburg, pp. 147-167. ISBN 978-3896395511

Thormählen, W. (2014) Lamenting at the piano: domestic music-making and well-being in eighteenth-century Britain. Göttingen Händel-Beiträge, 15 pp. 144-160. ISSN 0177-7319 (print) 2197-330X (online)

Thormählen, W. (2019) London and England. In: The Cambridge Haydn Encyclopedia. Cambridge University Press, Cambridge. ISBN 9781316422847

Thormählen, W. (2019) Music and dance. In: A Cultural History of the Emotions in the Modern and Post-Modern Age (1920-2000+). A Cultural History of the Emotions, 6 . Bloomsbury, London, pp. 53-72. ISBN 9781472515063

Thormählen, W. (2019) Music and dance. In: A Cultural History of the Emotions in the Age of Romanticism, Revolution and Empire (1780-1920). A Cultural History of the Emotions, 5 . Bloomsbury, London. ISBN 9781472515063

Thormählen, W. (2022) Music and emotions. In: The Routledge History of Emotions in the Modern World. Routledge Histories . Routledge, Abingdon, pp. 345-359. ISBN 9780367902438 (hardback) 9781003023326 (e-book)

Thormählen, W. (2014) Physical distortion, emotion and subjectivity: musical virtuosity and body anxiety. In: Music and the Nerves, 1700 – 1900. Palgrave Macmillan, Houndmills, Basingstoke, UK, pp. 191-217. ISBN 978-1-137-33950-8

Thormählen, W. (2010) Playing with art: musical arrangements as educational tools in van Swieten's Vienna. Journal of Musicology, 27 (3) pp. 342-376. ISSN 0277-9269 (print) 1533-8347 (online)

Thormählen, W. (2011) Recording review article: ‘Kleinmeister’ music—a conflict of interests? Early Music, 39 (4) pp. 655-658. ISSN 0306-1078 (print) 1741-7260 (online)

Thormählen, W. (2021) Telling stories, sounding faith: exhibiting religion in historic house museums. In: Sound Heritage: Making Music Matter in Historic Houses. Routledge Research in Music . Routledge, Abingdon and New York. ISBN 9780367237165 (hardback) 9780429281327 (e-book)

Thormählen, W. (2015) Vom Hören und Singen: Musik als Medium der Sensibilisierung. In: Emotionen, Wissen und Aufklärung: Gefühlskulturen im Großbritannien des 18. Jahrhunderts. Deutsche Gesellschaft für die Erforschung des Achtzehnten Jahrhunderts (39 (2)). Wallstein Verlag, Göttingen, pp. 221-232. ISBN 978-3-8353-1697-3

Thormählen, W. (2015) The muse as hero(ine): gender and creative process in Hildegard von Hohenthal. In: Musikalisches Denken im Labyrinth der Aufklarung: Wilhelm Heinses Hildegard von Hohenthal [Thinking Musically in the Labyrinth of Enlightenment: Wilhelm Heinse's Hildegard von Hohenthal]. Southampton-Würzburg Studies in Eighteenth Century Musical Culture . Are Musik Verlag, Mainz, pp. 187-206. ISBN 978-3-924522-50-6

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Vaughan, W. and Loges, N. (2019) Visual arts. In: Brahms in Context. Composers in Context . Cambridge University Press, Cambridge, pp. 286-295. ISBN 9781107163416 (hardback) 9781316730317 (e-book)

van Allen-Russell, A. (2023) ‘Not like Pyrates’: borrowing, copyright and creativity in the eighteenth century. In: Music Borrowing and Copyright Law: A Genre-by-Genre Analysis. Bloomsbury, London, pp. 191-206. ISBN 9781509949380 (hardback) 9781509949397 (Epub & Mobi) 9781509949403 (PDF)

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Whitfield, S. K. (2018) Book review: Elizabeth L. Wollman, A Critical Companion to the American Stage Musical (London: Bloomsbury, 2017). New Theatre Quarterly, 34 (2) pp. 196-197. ISSN 0266-464X (print) 1474-0613 (online)

Whitfield, S. K. (2023) Líza Fuchsová. Music, Migration and Mobility Online Resource: Émigré Musicians from Nazi Europe

Whitfield, S. K. (2023) Musical migrants at Wigmore Hall in the 1940s. Music, Migration and Mobility Online Resource: Émigré Musicians from Nazi Europe

Whitfield, S. K. (2023) Oda Slobodskaya. Music, Migration and Mobility Online Resource: Émigré Musicians from Nazi Europe

Whitfield, S. K. (2024) Understanding the history of 1930s musical migrants to Britain through minimal computing-led digital humanities. Royal Musical Association Research Chronicle pp. 1-15. ISSN 1472-3808 (print), 2167-4027 (online)

Whitfield, S. K. (2023) Understanding the history of 1930s musical migrants to Britain through minimal computing-led digital humanities: the Hamburger-Lidka-Fuchsová Database and Datasets. [Dataset]

Windram, H. F. and Charlston, T. (2015) English keyboard music c.1650-1700: a series of facsimiles of manuscript sources vol. 1: London, Royal College of Music Library, MS 2093. Norsk Musikforlag, Oslo. ISBN 9788270937073

Windram, H. F. and Charlston, T. and Tomita, Y. and Howe, C. J. (2022) A phylogenetic analysis of two Preludes from J. S. Bach’s Well-Tempered Clavier II. Early Music, 50 (3) pp. 373-393. ISSN 0306-1078 (print) 1741-7260 (online)

Wistreich, R. (2018) Agricola, Johann Friedrich; Bernhard, Christoph; Brunelli, Antonio; Caccini, Giulio; Conforti, Giovanni Luca; Corri, Domenico; Hiller, Johann Adam; Maffei, Giovanni Camillo; Mancini, Giovanni Battista; Monteverdi, Claudio; Zacconi, Lodovico; Zenobi, Luigi. In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge. ISBN 9781107108080 (hardback) 9781107518476 (paperback) 9781108698573 (e-book)

Wistreich, R. (2013) Ars militaria. In: Die Musik in der Kultur der Renaissance: Kontexte, Disziplinen, Diskurse. Handbuch der Musik der Renaissance (5). Laaber, Lilienthal, Germany. ISBN 9783890077055

Wistreich, R. (2021) Colonialism, capitalism, and the invention of Early Music. In: Forum für Aufführungspraxis, 1 December 2021, Staatliche Hochschule für Musik, Trossingen, Germany. (Unpublished)

Wistreich, R. (2023) Colonialism, late capitalism, and the invention of Early Music. In: ‘The Revival of Heritage’: in memoriam Richard Taruskin (1945–2022), 28–29 August 2023, STIMU Symposium, Utrecht Festival Oude Muziek. (Unpublished)

Wistreich, R. (2015) High, middle, and low: singing Monteverdi. In: Passaggio in Italia: Music on the Grand Tour in the Seventeenth Century. Brepols, Turnhout, pp. 65-83. ISBN 978-2-503-53568-5

Wistreich, R. (2018) Historically informed singing: fantasy, reality - or an irrelevance? In: National Early Music Forum, 21 October 2018, Brighton. (Unpublished)

Wistreich, R. (2012) 'Il soprano e veramente l’ornamento di tutte l’altre parti': soprani, castrati, falsettisti and the performance of late Renaissance Italian secular music. In: Der Countertenor: Die männliche Falsettstimme vom Mittelalter zur Gegenwart. Schott Campus . Schott Music, Mainz, pp. 71-85. ISBN 9783795707934

Wistreich, R. (2021) ‘Il vero modo di cantar’: the international transmission of the sound of Italian singing in early modern Europe. In: Early Modern Soundscapes, 7 July 2021, Online (Liverpool John Moores University). (Unpublished)

Wistreich, R. (1994) "La voce è grata assai, ma…”: Monteverdi on singing. Early Music, 22 (1) pp. 7-20. ISSN 0306-1078 (print) 1741-7260 (online)

Wistreich, R. (2019) Music and war. In: The Cambridge History of Sixteenth-Century Music. The Cambridge History of Music . Cambridge University Press, Cambridge, pp. 176-205. ISBN 9780511675874

Wistreich, R. (2011) Music books and sociability. Il Saggiatore Musicale: Rivista Semestrale di Musicologia, 18 pp. 230-246. ISSN 1123-8615 (print) 2035-6706 (online)

Wistreich, R. (2022) Music, history, materiality: where we are coming from. In: Materialising Musical Instruments, 8-9 December 2022, Royal College of Music. (Unpublished)

Wistreich, R. (2013) 'Nach der jetzig Newen Italienischen Manier zur guten Art im singen sich gewehnen': the trillo and the migration of Italian noble singing. Analecta Musicologica, 49 pp. 138-150. ISSN 0569-9827

Wistreich, R. (2009) Of mars I sing: Monteverdi voicing virility. In: Masculinity and Western Musical Practice. Ashgate, Farnham, pp. 67-94. ISBN 9780754662396

Wistreich, R. (2018) Performance practice scholarship. In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge, pp. 476-482. ISBN 9781107108080 (hardback) 9781107518476 (paperback) 9781108698573 (e-book)

Wistreich, R. (2023) Performing social relationships: the materialism of collective music-making. In: University of Birmingham Centre for Reformation and Early Modern Studies, 25 October 2023, Shakespeare Institute, Stratford-upon-Avon. (Unpublished)

Wistreich, R. (2006) Philippe De Monte: new autobiographical documents. Early Music History, 25 pp. 257-308. ISSN 0261-1279 (print) 1474-0559 (online)

Wistreich, R. (2002) Practising and teaching historically informed singing - who cares? Basler Jahrbuch für Historische Musikpraxis, 26 pp. 17-29.

Wistreich, R. (2002) Real basses, real men: virtù and virtuosity in the construction of noble male identity in late sixteenth-century Italy. TroJa. Jahrbuch für Renaissancemusik, 2 pp. 59-77. ISSN 2513-1028

Wistreich, R. (2016) Reconstructing historical singing: reality or fantasy? In: Diversity in Historically Informed Performance, 17 May 2016, King's Place, London. (Unpublished)

Wistreich, R. (2000) Reconstructing pre-Romantic singing technique. In: The Cambridge Companion to Singing. Cambridge Companions to Music . Cambridge University Press, Cambridge, pp. 178-191. ISBN 9780521627092 (print) 9781139002073 (online)

Wistreich, R. (2018) Singing. In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge, pp. 576-580. ISBN 9781107108080 (hardback) 9781107518476 (paperback) 9781108698573 (e-book)

Wistreich, R. (2019) Singing Handel, then and now. Handel News, 76 pp. 5-8. ISSN 2517-7656

Wistreich, R. (2011) ‘Thou & Ile sing to make these dull Shades merry’: Herrick’s Charon Dialogues. In: ‘Lords of Wine and Oile’: Community and Conviviality in the Poetry of Robert Herrick. Oxford University Press, Oxford. ISBN 9780199604777

Wistreich, R. (2010) Using the music: musical materials and expert singers’ practices in Monteverdi’s time. Basler Jahrbuch für Historische Musikpraxis, 34 pp. 61-72.

Wistreich, R. (2018) Vocal performance. In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge, pp. 676-681. ISBN 9781107108080 (hardback) 9781107518476 (paperback) 9781108698573 (e-book)

Wistreich, R. (2012) Vocal performance in the seventeenth century. In: The Cambridge History of Musical Performance. The Cambridge History of Music . Cambridge University Press, Cambridge, pp. 398-420. ISBN 9781139025966

Wistreich, R. (2007) Warrior, courtier, singer: Giulio Cesare Brancaccio and the performance of identity in the late Renaissance. Routledge, Abingdon. ISBN 9780754654148 (hardback) 9781138263000 (paperback) 9781315547657 (e-book)

Wistreich, R. (2011) Who sings the cantus? Children as performers of secular music in the early modern period. TroJa. Jahrbuch für Renaissancemusik, 10 pp. 157-176. ISSN 2513-1028

Wistreich, R. (2023) The elite singing voice. In: The Museum of Renaissance Music: A History in 100 Exhibits. Brepols, Turnhout, pp. 423-425. ISBN 978-2-503-58856-8 (paperback) 978-2-503-58857-5 (e-book)

Wistreich, R. (2019) The lives of musicians. In: The Cambridge History of Sixteenth-Century Music. The Cambridge History of Music . Cambridge University Press, Cambridge, pp. 288-334. ISBN 9780511675874

Wistreich, R. (2022) The materiality of Early Modern ensemble music making. In: Royal Musical Association Annual Conference, 7-10 September 2022, Durham. (Unpublished)

Wistreich, R. and Rossi Rognoni, G. (2024) Expanding perspectives: materialising musical instruments. Journal of Musicological Research pp. 1-19. ISSN 0141-1896 (print) 1547-7304 (online)

Wright, D. C. H. (2001) Altered states: review of 'Making music modern: New York in the 1920s' by Carol J. Oja; 'America's musical life: a history' by Richard Crawford. The Musical Times, 142 (1877) pp. 62-63. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (2013) The Associated Board of the Royal Schools of Music: a social and cultural history. Associated Board of the Royal Schools of Music, London. ISBN 9781848495791

Wright, D. C. H. (1992) Book review: 'Charles Ives: my father's song' by Stuart Feder. The Musical Times, 133 (1798) p. 628. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (1993) Book review: 'Charles Seeger: a life in American music' by Ann M. Pescatello. The Musical Times, 134 (1803) p. 270. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (2023) Book review: 'Child composers in the old conservatories: how orphans became elite musicians' by Robert O. Gjerdingen (OUP 2020). The Musical Times ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (2023) Book review: 'Debating English Music in the Long Nineteenth Century' by John Ling (Boydell & Brewer, 2021). NABMSA Reviews, 10 (2) pp. 8-11. ISSN 2377-2573

Wright, D. C. H. (1994) Book review: 'Francis Poulenc' by Wilfrid Mellers. Tempo (189) pp. 33-35. ISSN 0040-2982 (print) 1478-2286 (online)

Wright, D. C. H. (1993) Book review: 'Harvard composers: Walter Piston and his students, from Elliott Carter to Frederic Rzewski' by Howard Pollack. The Musical Times, 134 (1804) p. 340. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (2020) Book review: 'Mary Gladstone and the Victorian salon: music, literature, liberalism' by Phyllis Weliver. Journal of the American Musicological Society, 73 (2) pp. 420-425. ISSN 0003-0139 (print) 1547-3848 (online)

Wright, D. C. H. (2014) Book review: 'Music and performance culture in nineteenth-century Britain: essays in honour of Nicholas Temperley' by Bennett Zon; 'Music and theology in nineteenth-century Britain' by Martin V. Clarke. Victorian Studies, 57 (1) pp. 173-176. ISSN 0042-5222 (print) 1527-2052 (online)

Wright, D. C. H. (2010) Book review: 'Music and the making of middle-class culture: a comparative history of nineteenth-century Leipzig and Birmingham' by Antje Pieper; 'Thomas Tallis and his music in Victorian England' by Suzanne Cole. Victorian Studies, 52 (2) pp. 329-332. ISSN 0042-5222 (print) 1527-2052 (online)

Wright, D. C. H. (2024) Book review: 'Music in Twentieth-Century Oxford: New Directions' edited by Robin Darwall-Smith and Susan Wollenberg (Boydell Press, 2023). Music & Letters ISSN 0027-4224 (print) 1477-4631 (online)

Wright, D. C. H. (2020) Book review: 'Music in their time: the memoirs and letters of Dora and Hubert Foss' ed. Stephen Lloyd, Diana Sparkes, & Brian Sparkes. The Musical Times ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (1993) Book review: 'Samuel Barber: the composer and his music' by Barbara B. Heyman. The Musical Times, 134 (1800) p. 91. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (2021) Book review: 'Sir Henry Wood: champion of J. S. Bach' by Hannah French. Bach: Journal of the Riemenschneider Bach Institute, 52 (1) pp. 104-109. ISSN 0005-3600 (print) 2767-4843 (online)

Wright, D. C. H. (1993) Book review: 'Sorabji: a critical celebration' ed. Paul Rapoport. The Musical Times, 134 (1805) p. 397. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (1992) Book review: 'The correspondence of Roger Sessions' ed. Andrea Olmstead. The Musical Times, 133 (1798) p. 635. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (2015) Business studies: review of 'Michael Costa: England's first conductor: the revolution in musical performance in England, 1830–1880' by John Goulden. The Musical Times, 156 (1932) pp. 107-109. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (2019) Canterbury males: review of ‘The Canterbury Catch Club 1826: music in the frame’ by Chris Price. The Musical Times, 160 (1948) pp. 117-120. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (2009) Catalyst for change: review of 'The triumph of music: composers, musicians and their audiences, 1700 to the present' by Tim Blanning. The Musical Times, 150 (1909) pp. 103-107. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (2008) Concerts for coteries, or music for all? Glock's Proms reconsidered. The Musical Times, 149 (1904) pp. 3-34. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (1994) Coups de tête: review article. The Musical Times, 135 (1813) pp. 153-155. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (2014) Covalent bond: review of 'Sir George Dyson: his life and music' by Paul Spicer. The Musical Times, 155 (1929) pp. 91-97. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (1992) Critical challenge: review of 'Stocktakings from an apprenticeship' by Pierre Boulez, translated by Stephen Walsh. The Musical Times, 133 (1795) pp. 464-465. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (2001) Dead and gone? Review of 'The music of John Ireland' by Fiona Richards. The Musical Times, 142 (1874) pp. 58-59. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (2003) Death's bright angels: review article. The Musical Times, 144 (1882) pp. 44-47. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (2002) Going for green: review of 'The English musical Renaissance 1840-1940: constructing a national music' by Merion Hughes and Robert Stradling. The Musical Times, 143 (1879) pp. 47-50. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (2001) Grove Music Online article: London (i) VII: Musical life since 1945: 1. Introduction; 3. Concert life: (i) Postwar consolidation 1945–60, (ii) New repertories, 1960–mid-1980s, (iii) Diversity and marketing initiatives from the mid-1980s; 4: Contemporary music. Oxford University Press, Oxford.

Wright, D. C. H. (2003) Grove's role in the founding of the RCM. In: George Grove, Music and Victorian Culture. Palgrave Macmillan, London, pp. 219-244. ISBN 978-0-333-94804-0 (hardback)

Wright, D. C. H. (2017) Hailing Hurlstone: review of ‘William Hurlstone: Croydon’s forgotten musical genius’ by Christopher Redwood. The Musical Times, 158 (1938) pp. 112-113. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (2001) In the doll's house: review of 'Sviatoslav Richter: notebooks and conversations' by Bruno Monsaingeon, translated by Stewart Spencer. The Musical Times, 142 (1875) pp. 77-78. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (2005) The London Sinfonietta 1968–2004: a perspective. Twentieth-Century Music, 2 (1) pp. 109-136. ISSN 1478-5722 (print) 1478-5730 (online)

Wright, D. C. H. (2017) Mancunian mods: review of ‘British musical modernism: the Manchester Group and their contemporaries’ by Philip Rupprecht. The Musical Times, 158 (1939) pp. 109-114. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (2014) 'Middle-classing' the music profession in Victorian Britain. Journal of the Royal College of Organists, 8 pp. 31-39. ISSN 0969-1642

Wright, D. C. H. (2013) Minding the gap: review of 'Music and Soviet power 1917–1932' by Marina Frolova-Walker, Jonathan Walker. The Musical Times, 154 (1923) pp. 119-120. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (2012) Music and musical performance: histories in disjunction? In: The Cambridge History of Musical Performance. The Cambridge History of Music . Cambridge University Press, Cambridge, pp. 169-206. ISBN 9780521896115 (hardback) 9781316183229 (e-book)

Wright, D. C. H. (2003) Networking: review article. The Musical Times, 144 (1883) pp. 67-69. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (1992) Opening windows: review of 'American experimental music, 1890-1940' by David Nicholls. The Musical Times, 133 (1789) p. 130. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (2013) Pay check: review of 'Elgar's earnings' by John Drysdale. The Musical Times, 154 (1925) pp. 91-99. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (2006) Post factum: review of 'The collected letters of Peter Warlock (Philip Heseltine)' edited by Barry Smith. The Musical Times, 147 (1895) pp. 103-107. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (2009) Reaping Tom: review of 'Thomas Beecham: an obsession with music' by John Lucas. The Musical Times, 150 (1907) pp. 119-120. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (2018) Review of 'Players’ work time: a history of the British Musicians’ Union, 1893–2013' by John Williamson and Martin Cloonan. Popular Music, 37 (1) pp. 134-136. ISSN 0261-1430 (print) 1474-0095 (online)

Wright, D. C. H. (2018) Royal Academy of Music (London). In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge, pp. 554-555. ISBN 9781107108080 (hardback) 9781107518476 (paperback) 9781108698573 (e-book)

Wright, D. C. H. (2018) Royal College of Music (London). In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge, pp. 555-556. ISBN 9781107108080 (hardback) 9781107518476 (paperback) 9781108698573 (e-book)

Wright, D. C. H. (2019) The Royal College of Music and its contexts: an artistic and social history. Music since 1900 . Cambridge University Press, Cambridge. ISBN 9781107163386 (hardback) 9781316730294 (e-book)

Wright, D. C. H. (2008) Sacred and profane: review of 'Edmund Rubbra: symphonist' by Leo Black and 'The innumerable dance: the life and work of William Alwyn' by Adrian Wright. The Musical Times, 149 (1905) pp. 103-106. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (2006) Sir Frederick Bridge and the musical furtherance of the 1902 imperial project. In: Europe, Empire, and Spectacle in Nineteenth-Century British Music. Music in Nineteenth-Century Britain . Routledge, Abingdon, pp. 115-130. ISBN 9780754652083 (hardback) 9781315094281 (e-book)

Wright, D. C. H. (2008) Situating Stainer: review of 'John Stainer: a life in music' by Jeremy Dibble. The Musical Times, 149 (1903) pp. 95-103. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (2005) The South Kensington music schools and the development of the British conservatoire in the late nineteenth century. Journal of the Royal Musical Association, 130 (2) pp. 236-282. ISSN 0269-0403 (print) 1471-6933 (online)

Wright, D. C. H. (2004) Take two: review of 'Performing music in the age of recording' by Robert Philip. The Musical Times, 145 (1889) pp. 98-100. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (1996) Unscrambling myths: review of 'Shostakovitch studies' ed. David Fanning. The Musical Times, 137 (1846) p. 29. ISSN 0027-4666 (print) 2397-5318 (online)

Wright, D. C. H. (2012) The music exams of the Society for the Encouragement of Arts, Manufactures and Commerce, 1859–1919. In: Music and Institutions in Nineteenth-Century Britain. Music in Nineteenth-Century Britain . Routledge, Abingdon, pp. 161-180. ISBN 9781409405832 (hardback) 9781138268234 (paperback) 9781315596624 (e-book)

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Štšura, M. (2021) Translating twenty-first-century orchestral scores for the piano: transcription, reduction and performability. Doctoral thesis, Royal College of Music.