Items where Subject is "M Music and Books on Music > Music History"

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Jump to: B | C | L | S | W
Number of items at this level: 14.

B

Bower, B. and Meyn, N. and Curran, T. (2016) The Peter Gellhorn Edition: General Statement and 16 associated scores. RCM Editions, Royal College of Music.

C

Charlston, T (2016) Playing from open score 1: Froberger’s Fantasia, FbWV 206. The British Clavichord Society Newsletter (66). pp. 3-9. ISSN 1359-5105

Charlston, T. (2017) Playing from open score 2: Kerll’s Ricercata for a barrel organ. The British Clavichord Society Newsletter (67). pp. 3-8. ISSN 1359-5105

Charlston, Terence (2016) Searching fantasy: Froberger’s fantasias and ricercars four centuries on. Journal of the Royal College of Organists, 10. pp. 5-27. ISSN 0969-1642

Charlston, Terence (2016) A four-stave transcription of Froberger’s Ricercar, FbWV 412: Why play contrapuntal music from open score notation? Clavichord International, 20 (2). p. 57. ISSN 978-90-73029-47-7

L

Lacombe, Herve and Southon, Nicolas and Smith, Richard Langham (2016) Poulenc et Edward Lockspeiser: Une Amitie Professionelle in 'Fortune de Francis Poulenc'. In: Fortune de Francis Poulenc. Presses Universitaires de Rennes, France, p. 197. ISBN 978-2-7535-5006-3

Loges, N. (2014) The limits of the lied: Brahms’s Magelone-Romanzen Op. 33 from 'Brahms in the Home and the Concert Hall Between Private and Public Performance'. In: Brahms in the Home and the Concert Hall Between Private and Public Performance. Cambridge University Press, Cambridge, UK, pp. 300-323. ISBN 9781107337404

S

Smith, Richard Langham (2017) ‘Le Paradis deux fois perdu’: Debussy, Watteau and the fête galante, in 'Historical Interplay in French Music' edited by Deborah Mawer, Routledge, forthcoming. In: Historical Interplay in French Music. Routledge, UK. ISBN 9781472474759 (In Press)

W

Wistreich, R. (2015) High, Middle, and Low: Singing Monteverdi. In: Passaggio in Italia: Music on the Grand Tour in the Seventeenth Century. Brepols, Turnhout, pp. 65-83. ISBN 978-2-503-53568-5

Wistreich, R. (2009) Of Mars I Sing: Monteverdi Voicing Virility’. In: Masculinity and Western Musical Practice. Ashgate, Farnham, pp. 67-94. ISBN 9780754662396

Wistreich, R. (2013) ‘Real Basses, Real Men: Virtù and Virtuosity in the Construction of Noble Male Identity in Late Sixteenth-Century Italy'. In: Gesang zur Laute: TroJa Trossingen Jahrbuch für Renaissancemusik. Bärenreiter-Verlag, Kassel, pp. 59-80. ISBN 3-7618-1612-X

Wistreich, R. (2016) ‘Reconstructing Historical Singing: Reality or Fantasy?’. In: Diversity in Historically Informed Performance, 17 May 2016, King's Place, London. (Unpublished)

Wistreich, R. (2016) Warrior, Courtier, Singer: Giulio Cesare Brancaccio and the Performance of Identity in the Late Renaissance. Other. Routledge, Abingdon and New York.

Wistreich, R. (2013) „nach der jetzig Newen Italienischen Manier zur guten Art im singen sich gewehnen”: The Trillo and the Migration of Italian Noble Singing. In: Migration und Identität: Wanderbewegungen und Kulturkontakte in der Musikgeschichte. Analecta Musicologica (49). Bärenreiter, Kassel, pp. 138-150. ISBN 978-3-7618-2135-0

This list was generated on Thu Oct 19 03:03:18 2017 BST.