Items where Subject is "M Music and Books on Music > Music History"

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Number of items at this level: 36.

B

Bower, B. (2016) The Crystal Palace Saturday Concerts, 1865-1879: a case study of the nineteenth-century programme note. Doctoral thesis, Royal College of Music.

Bower, B. and Meyn, N. and Curran, T. (2016) The Peter Gellhorn Edition: General Statement and 16 associated scores. RCM Editions, Royal College of Music.

C

Charlston, T. (2016) Playing from open score 1: Froberger’s Fantasia, FbWV 206. The British Clavichord Society Newsletter (66). pp. 3-9. ISSN 1359-5105

Charlston, T. (2017) Playing from open score 2: Kerll’s Ricercata for a barrel organ. The British Clavichord Society Newsletter (67). pp. 3-8. ISSN 1359-5105

Charlston, T. (2016) Searching fantasy: Froberger’s fantasias and ricercars four centuries on. Journal of the Royal College of Organists, 10. pp. 5-27. ISSN 0969-1642

Charlston, T. (2016) A four-stave transcription of Froberger’s Ricercar, FbWV 412: Why play contrapuntal music from open score notation? Clavichord International, 20 (2). p. 57. ISSN 978-90-73029-47-7

Christensen, A. M. (2018) The solo for a violin: a new perspective on the Italian violinists in London in the eighteenth century. Doctoral thesis, Royal College of Music.

G

Gibbs, F. J. (2018) The Royal Albert Hall: a case study of an evolving cultural venue. Doctoral thesis, Royal College of Music.

H

Herbert, T. and Barlow, H. (2013) Music and the British Military in the Long Nineteenth Century. Oxford University Press, New York. ISBN 978-0-19-989831-2

Herbert, T. and Myers, A. and Wallace, J. (2018) The Cambridge Encyclopedia of Brass Instruments. Cambridge University Press, Cambridge. ISBN 9781316841273

K

Kawabata, M. (2018) What does Paganini mean to us today? 'Paganini Rockstar' Exhibition Catalogue.

L

Lacombe, Herve and Southon, Nicolas and Smith, Richard Langham (2016) Poulenc et Edward Lockspeiser: Une Amitie Professionelle in 'Fortune de Francis Poulenc'. In: Fortune de Francis Poulenc. Presses Universitaires de Rennes, France, p. 197. ISBN 978-2-7535-5006-3

Lawson, c. and Stowell, R. (2018) The Cambridge Encyclopedia of Historical Performance in Music. Cambridge Encyclopedias . Cambridge University Press, Cambridge. ISBN 9781316257678

Loges, N. (2014) The limits of the lied: Brahms’s Magelone-Romanzen Op. 33 from 'Brahms in the Home and the Concert Hall Between Private and Public Performance'. In: Brahms in the Home and the Concert Hall Between Private and Public Performance. Cambridge University Press, Cambridge, UK, pp. 300-323. ISBN 9781107337404

M

McHugh, E. R. (2018) The vocality of the dramatic soprano voice in Richard Strauss's Salome and Elektra. Doctoral thesis, Royal College of Music.

Meyn, N. (2018) Engaging with Émigré Music in Britain. Arts of the Working Class (3). p. 9.

Meyn, N. and Charlston, T. and Bavington, Peter (2012) C.P.E. Bach Songs with Clavichord. The British Clavichord Society Newsletter (54). pp. 3-10. ISSN 13595105

N

Neergaard, B. (2018) Schumann as aspiring pianist: technique, sonority, and composition. Doctoral thesis, Royal College of Music.

Nuti, G. and Solomon, A. and Williamon, A. (2009) The Listening Gallery: integrating music with exhibitions and gallery displays. In: International Symposium on Performance Science 2009, 15-18 December 2009, New Zealand.

P

Pearson, I.E. (2017) Listening and performing: experiences of twentieth-century British wind players. In: he Listening Experience Database Project Conference 2015 Listening to music: people, practices and experiences, 24-25 October 2015, Royal College of Music.

R

Razumovskaya, M. (2014) Heinrich Neuhaus: aesthetics and philosophy of an interpretation. Doctoral thesis, Royal College of Music.

S

Scotting, R. (2018) Unknown Senesino: Francesco Bernardi’s vocal profile and dramatic portrayal, 1700-1740. Doctoral thesis, Royal College of Music.

Smith, Richard Langham (2017) ‘Le Paradis deux fois perdu’: Debussy, Watteau and the fête galante, in 'Historical Interplay in French Music' edited by Deborah Mawer, Routledge, forthcoming. In: Historical Interplay in French Music. Routledge, UK. ISBN 9781472474759 (In Press)

T

Thompson, T. D. (2016) The vocality of Sibyl Sanderson in Massenet’s Manon and Esclarmonde. Doctoral thesis, Royal College of Music.

Thormählen, W. (2018) Circulation. In: The Cambridge Haydn Encyclopedia. Cambridge University Press, Cambridge. ISBN 9781316422847 (In Press)

Thormählen, W. (2018) London and England. In: The Cambridge Haydn Encyclopedia. Cambridge University Press, Cambridge. ISBN 9781316422847 (In Press)

Thormählen, W. (2018) Music and dance. In: A Cultural History of the Emotions in the Modern and Post-Modern Age (1920-2000+). A Cultural History of the Emotions, 6 . Bloomsbury, London. ISBN 9781472515063 (In Press)

Thormählen, W. (2018) Music and dance. In: A Cultural History of the Emotions in the Age of Romanticism, Revolution and Empire (1780-1920). A Cultural History of the Emotions, 5 . Bloomsbury, London. ISBN 9781472515063 (In Press)

Thormählen, W. (2014) Physical distortion, emotion and subjectivity: musical virtuosity and body anxiety. In: Music and the Nerves, 1700 – 1900. Palgrave Macmillan, Houndmills, Basingstoke, UK, pp. 191-217. ISBN 978-1-137-33950-8

Thormählen, W. (2010) Playing with art: musical arrangements as educational tools in van Swieten's Vienna. Journal of Musicology, 27 (3). pp. 342-376. ISSN 0277-9269

W

Wistreich, R. (2015) High, Middle, and Low: Singing Monteverdi. In: Passaggio in Italia: Music on the Grand Tour in the Seventeenth Century. Brepols, Turnhout, pp. 65-83. ISBN 978-2-503-53568-5

Wistreich, R. (2009) Of Mars I Sing: Monteverdi Voicing Virility’. In: Masculinity and Western Musical Practice. Ashgate, Farnham, pp. 67-94. ISBN 9780754662396

Wistreich, R. (2013) ‘Real Basses, Real Men: Virtù and Virtuosity in the Construction of Noble Male Identity in Late Sixteenth-Century Italy'. In: Gesang zur Laute: TroJa Trossingen Jahrbuch für Renaissancemusik. Bärenreiter-Verlag, Kassel, pp. 59-80. ISBN 3-7618-1612-X

Wistreich, R. (2016) ‘Reconstructing Historical Singing: Reality or Fantasy?’. In: Diversity in Historically Informed Performance, 17 May 2016, King's Place, London. (Unpublished)

Wistreich, R. (2016) Warrior, Courtier, Singer: Giulio Cesare Brancaccio and the Performance of Identity in the Late Renaissance. Other. Routledge, Abingdon and New York.

Wistreich, R. (2013) „nach der jetzig Newen Italienischen Manier zur guten Art im singen sich gewehnen”: The Trillo and the Migration of Italian Noble Singing. In: Migration und Identität: Wanderbewegungen und Kulturkontakte in der Musikgeschichte. Analecta Musicologica (49). Bärenreiter, Kassel, pp. 138-150. ISBN 978-3-7618-2135-0

This list was generated on Mon Feb 18 03:03:24 2019 GMT.