Items where Subject is "Music History"

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Barlow, H. and Herbert, T. (2019) Listeners in music history: studying the evidence. Nineteenth-Century Music Review. ISSN 2044-8414 (In Press)

Barry, A. M. (2019) An opera singer’s Gothic fiction: the autobiographies of Sims Reeves. Journal of Musicological Research. ISSN 0141-1896 (print) 1547-7304 (online)

Charlston, T. (2019) David Evans 1936–2018: an appreciation. Harpsichord & Fortepiano, 23 (1). pp. 13-18.

Charlston, T. (2016) Playing from open score 1: Froberger’s Fantasia, FbWV 206. The British Clavichord Society Newsletter (66). pp. 3-9. ISSN 1359-5105

Charlston, T. (2017) Playing from open score 2: Kerll’s Ricercata for a barrel organ. The British Clavichord Society Newsletter (67). pp. 3-8. ISSN 1359-5105

Charlston, T. (2016) Searching fantasy: Froberger’s fantasias and ricercars four centuries on. Journal of the Royal College of Organists, 10. pp. 5-27. ISSN 0969-1642

Charlston, T. (2016) A four-stave transcription of Froberger’s Ricercar, FbWV 412: why play contrapuntal music from open score notation? Clavichord International, 20 (2). p. 57. ISSN 978-90-73029-47-7

Charlston, T. (2009) An instrument in search of its repertoire? The Theewes claviorgan and its use in the performance of sixteenth- and seventeenth-century keyboard music. Journal of the Royal College of Organists, 3. pp. 24-41. ISSN 0969-1642

Guillaumier, C. (2011) Ambiguous modernism: the early orchestral works of Sergei Prokofiev. Tempo, 65 (256). pp. 25-37. ISSN 0040-2982 (print) 1478-2286 (online)

Guillaumier, C. (2010) The Giant and other creatures: Prokofiev's childhood compositions. Three Oranges Journal, 20. pp. 29-35. ISSN 1472-9946

Guillaumier, C. (2010) Prokofiev, opera and theatre: a case study of The Gambler. Musicorum, 8. pp. 67-101.

Guillaumier, C. (2014) Review of 'Composing for the red screen: Prokofiev and Soviet film' by Kevin Bartig. Slavic and East European Journal, 58 (2). pp. 357-359. ISSN 0037-6752

Guillaumier, C. (2014) Review of 'Contemplating Shostakovich: life, music and film' edited by Alexander Ivashkin and Andrew Kirkman. Slavic and East European Journal, 58 (1). pp. 177-179. ISSN 0037-6752

Guillaumier, C. (2009) Review of 'Prokofiev's piano sonatas' by Boris Berman. Music & Letters, 90 (4). pp. 717-719. ISSN 0027-4224 (print) 1477-4631 (online)

Guillaumier, C. (2011) War and Peace and Prokofiev's late operatic aesthetic. Three Oranges Journal, 21. pp. 20-25. ISSN 1472-9946

Herbert, T. (2016) Adolphe Sax, his saxhorns and their international influence. Revue belge de musicologie/Belgisch tijdschrift voor muziekwetenschap, 70. pp. 65-76. ISSN 0771-6788

Herbert, T. (1996) Late Victorian Welsh bands: taste, virtuosity and Cymmrodorion attitudes/Bandiau Cymreig y cyfnod Fictoraidd diweddar: Chwaeth, pencampwriaeth ac agweddau'r Cymmrodorion. Welsh Music History/Hanes cerddoriaeth Cymru, 1. pp. 92-113.

Herbert, T. (2019) Public military music and the promotion of patriotism in the British provinces c.1780-c.1850. Nineteenth-Century Music Review. ISSN 2044-8414 (In Press)

Herbert, T. (2001) Review of 'A biographical dictionary of English court musicians (1485–1714)' by Peter Holman, Fiona Kisby, Andrew Ashbee, and David Lasocki. Historic Brass Society Newsletter, 14. p. 57. ISSN 1045-4594

Herbert, T. (2011) Review of 'A history of the trombone' by David M. Guion. American Musical Instrument Society Newsletter, 40 (2). pp. 12-14. ISSN 0160-2365

Herbert, T. (2004) Review of 'Bands at the St. Louis World's Fair of 1904: information, photographs, and database' by Richard I. Schwartz and Iris J. Schwartz. Historic Brass Society Newsletter, 17. p. 25. ISSN 1045-4594

Herbert, T. (2005) Review of 'Berlioz's orchestration treatise: a translation and commentary' by Hugh MacDonald. Historic Brass Society Newsletter, 18. p. 23. ISSN 1045-4594

Herbert, T. (1997) Review of 'First philharmonic: a history of the Royal Philharmonic Society' by Cyril Erhlich. Historic Brass Society Newsletter, 10. pp. 34-35. ISSN 1045-4594

Herbert, T. (1995) Review of 'French music for low brass: an annotated bibliography' by J. Mark Thompson and Jeffrey Jon Lemke. Historic Brass Society Newsletter, 8. p. 86. ISSN 1045-4594

Herbert, T. (2005) Review of 'Jazz in print (1856–1929): An anthology of selected early readings in jazz history' by Karl Koenig. Historic Brass Society Newsletter, 18. p. 22. ISSN 1045-4594

Herbert, T. (2003) Review of 'Military music & bandsmen of Adolf Hitler's Third Reich, 1933–1945' by Brian Matthews. Historic Brass Society Newsletter, 16. p. 23. ISSN 1045-4594

Herbert, T. (2013) Review of 'Music and theology in nineteenth-century Britain' ed. Martin V. Clarke (Ashgate 2012). Nineteenth-Century Music Review, 10 (2). pp. 323-356. ISSN 2044-8414

Herbert, T. (1996) Review of 'Nicholas Lanier: Master of the King's Musick' by Michael I. Wilson. Historic Brass Society Journal, 8. p. 124. ISSN 1045-4616 (print) 1943-5215 (online)

Herbert, T. (1988) Review of 'Popular music in England 1840–1914: a social history' by Dave Russell, Manchester University Press, 1987. Popular Music, 7 (1). pp. 114-115. ISSN 0261-1430 (print) 1474-0095 (online)

Herbert, T. (1995) Review of 'Records of English court music volume VII (1485-1558)' by Andrew Ashbee. The Galpin Society Journal, 48. pp. 220-221. ISSN 0072-0127

Herbert, T. (1993) Review of 'Records of English court music: volumes III, IV and V' by Andrew Ashbee. The Galpin Society Journal, 46. pp. 175-177. ISSN 0072-0127

Herbert, T. (1997) Review of 'Records of English court music: volumes VIII (1485-1714), and IX (index)' by Andrew Ashbee. The Galpin Society Journal, 50. p. 244. ISSN 0072-0127

Herbert, T. (1997) Review of 'Talks with bandsmen: a popular handbook for brass instrumentalists' by Algernon S. Rose with a new introduction by Arnold Myers. Historic Brass Society Journal, 9. pp. 199-201. ISSN 1045-4616 (print) 1943-5215 (online)

Herbert, T. (1996) Review of 'Text and act: essays on music and performance' by Richard Taruskin. Historic Brass Society Newsletter, 9. pp. 64-65. ISSN 1045-4594

Herbert, T. (1995) Review of 'The Bassanos: Venetian musicians and instrument makers in England, 1531–1665' by David Lasocki and Roger Prior. Historic Brass Society Journal, 7. pp. 207-209. ISSN 1045-4616 (print) 1943-5215 (online)

Herbert, T. (2002) Review of 'The cheque books of the Chapel Royal' transcribed and edited by Andrew Ashbee and John Harley. Historic Brass Society Newsletter, 15. pp. 32-33. ISSN 1045-4594

Herbert, T. (1999) Review of 'The civic muse: music and musicians in Siena during the Middle Ages and the Renaissance' by Frank A. D'Accone. Historic Brass Society Journal, 11. pp. 195-196. ISSN 1045-4616 (print) 1943-5215 (online)

Herbert, T. (2000) Review of 'The early horn: a practical guide' by John Humphries. Consort: The journal of The Dolmetsch Foundation, 56. pp. 70-71. ISSN 0268-9111 (print)

Herbert, T. (2003) Review of 'The musical society community bands of Valencia, Spain: A global study of their administration, instrumentation, repertoire, and performance activities' by Richard Scott Cohen. Historic Brass Society Newsletter, 16. pp. 23-24. ISSN 1045-4594

Herbert, T. (1997) Review of 'The wind ensemble and its repertoire: essays on the fortieth anniversary of the Eastman Wind Ensemble' edited by Frank J. Cipolla and Donald Hunsberger. Historic Brass Society Newsletter, 10. pp. 35-36. ISSN 1045-4594

Herbert, T. (2008) Reviews of 'Sigmund Romberg' by William A. Everett and 'Jerome Kern' by Stephen Banfield. Studies in Musical Theatre, 2 (3). pp. 295-297. ISSN 1750-3159 (print) 1750-3167 (online)

Herbert, T. (2004) Selling brass instruments: the commercial imaging of brass instruments (1830-1930) and its cultural messages. Music in Art: International Journal for Music Iconography,, 29 (1-2). pp. 213-226. ISSN 1522-7464 (print) 2169-9488 (online)

Herbert, T. (2010) Trombone glissando: a case study in continuity and change in brass instrument performance idioms. Historic Brass Society Journal, 22. pp. 1-18. ISSN 1045-4616 (print) 1943-5215 (online)

Herbert, T. (2016) Trumpets, drums and the sources for their symbolic authority in Britain. Music in Art: International Journal for Music Iconography,, 41 (1-2). pp. 65-81. ISSN 1522-7464 (print) 2169-9488 (online)

Herbert, T. (2016) A Tudor manuscript granting livery to the King’s ‘Shakbots’. Historic Brass Society Journal, 28. pp. 191-198. ISSN 1045-4616 (print) 1943-5215 (online)

Herbert, T. (1992) Victorian brass bands: the establishment of a 'working class musical tradition'. Historic Brass Society Journal, 4. pp. 1-11. ISSN 1045-4616 (print) 1943-5215 (online)

Herbert, T. (2007) William Waterhouse 1931–2007. Historic Brass Society Journal, 19. pp. 4-5. ISSN 1045-4616 (print) 1943-5215 (online)

Herbert, T. (1989) The history of the trombone [review article]. The Galpin Society Journal, 42. pp. 148-150.

Herbert, T. (2011) “…men of great perfection in their science…”: the trumpeter as musician and diplomat in England in the later fifteenth and sixteenth centuries. Historic Brass Society Journal, 23. pp. 1-23. ISSN 1045-4616 (print) 1943-5215 (online)

Herbert, T. (1997) The origin of the species/L'origine d'un genre/Ursprung einer Gattung. Brass bulletin: Magazine international de cuivres, 97. pp. 38-44. ISSN 0303-3848

Herbert, T. (1990) The repertory of a Victorian provincial brass band. Popular Music, 9 (1). pp. 117-132. ISSN 0261-1430 (print) 1474-0095 (online)

Herbert, T. (1993) The sackbut and pre-Reformation English church music. Historic Brass Society Journal, 5. pp. 146-158. ISSN 1045-4616 (print) 1943-5215 (online)

Herbert, T. (1990) The sackbut in England in the 17th and 18th centuries. Early Music, 18 (4). pp. 609-616. ISSN 0306-1078 (print) 1741-7260 (online)

Herbert, T. and Myers, A. (1988) Instruments of the Cyfarthfa band. The Galpin Society Journal, 41. pp. 2-10.

Herbert, T. and Myers, A. (2010) Music for the multitude: accounts of brass bands entering Enderby Jackson's Crystal Palace contests in the 1860s. Early Music, 38 (4). pp. 571-584. ISSN 0306-1078 (print) 1741-7260 (online)

Herbert, T. and Nussbaum, J. (1999) Public defender number one for the serpent: an interview with Douglas Yeo. Historic Brass Society Newsletter, 12. pp. 13-17. ISSN 1045-4594

Herbert, T. and Sarkissian, M. (1997) Victorian bands and their dissemination in the colonies. Popular Music, 16 (2). pp. 165-179. ISSN 0261-1430 (print) 1474-0095 (online)

Hewett, I. (1997) Closer encounters. Musical Times, 138 (1855). pp. 34-35. ISSN 0027-4666 (print) 2397-5318 (online)

Hewett, I. (1996) Crossing the bar. Musical Times, 137 (1842). pp. 27-29. ISSN 0027-4666 (print) 2397-5318 (online)

Hewett, I. (1994) Review of 'Music of the spheres: music, science and the natural order of the universe' by Jamie James. Musical Times, 135 (1817). pp. 454-455. ISSN 0027-4666 (print) 2397-5318 (online)

Hewett, I. (1995) Review of 'Pyramids at the Louvre: music, culture, and collage from Stravinsky to the postmodernists' by Glenn Watkins. Musical Times, 136 (1823). pp. 36-37. ISSN 0027-4666 (print) 2397-5318 (online)

Hewett, I. (2018) What the classical devotees get wrong about modern music. Prospect Magazine, 270. ISSN 1359-5024

Hickman, P. and Charlston, T. (2016) Interview with Terence Charlston. Harpsichord & Fortepiano Magazine, 21 (1). pp. 8-14.

Hoeprich, T. E. and Lawson, C. (1980) Chalumeau and clarinet. Early Music, 8 (3). pp. 366-368. ISSN 0306-1078 (print) 1741-7260 (online)

Kawabata, M. (2004) The Concerto that wasn't: Paganini, Urhan and Harold in Italy. Nineteenth-Century Music Review, 1 (1). pp. 67-114. ISSN 1479-4098 (print), 2044-8414 (online)

Kawabata, M. (2014) How Gilles Apap's new cadenza illuminates Mozart, via Bakhtin. ECHO: A Music-Centered Journal, 12 (1). ISSN 1535-1807 (online)

Kawabata, M. (2015) Playing the “unplayable”: Schoenberg, Heifetz, and the Violin Concerto, Op. 36. Journal of Musicological Research, 34 (1). pp. 31-50. ISSN 0141-1896 (print) 1547-7304 (online)

Kawabata, M. (2013) Recording review: Pierre Rode (1774–1830): 12 Etudes for Violin Solo; Duos for 2 Violins, performed by Nicolas Koeckert, Rudolf Koeckert (violins). Eighteenth-Century Music, 10 (1). pp. 149-151. ISSN 1478-5706 (print) 1478-5714 (online)

Kawabata, M. (2000) Schoenberg at UCLA: reminiscences from Leonard Stein [interview]. ECHO: A Music-Centered Journal, 2 (2). ISSN 1535-1807 (online)

Kawabata, M. (2007) Violinists 'singing': Paganini, operatic voices, and virtuosity. Ad Parnassum: A Journal of Eighteenth- and Nineteenth-Century Instrumental Music, 5 (9). pp. 7-39. ISSN 1722-3954 (print) 2421-6933 (online)

Kawabata, M. (2006) Virtuosity transfigured: in the shadow of Paganini. Journal of the American Liszt Society, 57. pp. 31-34. ISSN 0147-4413

Kawabata, M. (2007) Virtuosity, the violin, the devil…what really made Paganini “demonic”? Current Musicology, 83. pp. 85-108. ISSN 0011-3735 (print) 2640-883X (online)

Kawabata, M. (2004) Virtuoso codes of violin performance: power, military heroism, and gender (1789-1830). 19th-Century Music, 28 (2). pp. 89-107. ISSN 0148-2076 (print) 1533-8606 (online)

Kawabata, M. (2018) What does Paganini mean to us today? 'Paganini Rockstar' Exhibition Catalogue.

Kawabata, M. (2014) The aura of Stradivari's violins. Ad Parnassum: A Journal of Eighteenth- and Nineteenth-Century Instrumental Music, 12 (23). pp. 61-74. ISSN 1722-3954 (print) 2421-6933 (online)

Kawabata, M. (2000) The narrating voice in Rimsky-Korsakov's Shekherazade. Women and Music: A Journal of Gender and Culture, 4. pp. 18-39. ISSN 1090-7505 (print) 1553-0612 (online)

Lawson, C. (2008) "Attractively packaged but unripe fruit": the UK's commercialization of musical history in the 1980s. Performance Practice Review, 13 (1). ISSN 1044-1638 (print) 2166-8205 (online)

Lawson, C. (2012) Book review: 'Classical and Romantic music: the library of essays on music performance practice' edited by David Milsom. Performance Practice Review, 17 (1). pp. 37-40. ISSN 1044-1638 (print) 2166-8205 (online)

Lawson, C. (2017) Book review: 'Composers' intentions?: lost traditions of musical performance' by Andrew Parrott. Performance Practice Review, 21 (1). ISSN 1044-1638 (print) 2166-8205 (online)

Lawson, C. (1993) Book review: 'The Baroque clarinet' by Albert Rice. Music & Letters, 74 (1). pp. 73-75. ISSN 0027-4224 (print) 1477-4631 (online)

Lawson, C. (2008) Book review: 'The Clarinet' by Eric Hoeprich. Performance Practice Review, 13 (1). pp. 1-5. ISSN 1044-1638 (print) 2166-8205 (online)

Lawson, C. (2005) Book review: 'The birth of the orchestra: history of an institution, 1650–1815' by John Spitzer and Neal Zaslaw. Music & Letters, 86 (4). pp. 629-633. ISSN 0027-4224 (print) 1477-4631 (online)

Lawson, C. (2005) Book review: 'The clarinet in the classical period' by Albert R. Rice. Music & Letters, 86 (2). pp. 290-293. ISSN 0027-4224 (print) 1477-4631 (online)

Lawson, C. (2009) Book review: the Cambridge Mozart encyclopaedia, edited by Cliff Eisen and Simon P. Keefe. Journal for Eighteenth-Century Studies, 32 (1). pp. 128-131. ISSN 1754-0194 (print) 1754-0208 (online)

Lawson, C. (2017) Clarinet charms [review of Philipp Jakob Riotte, Clarinet Concerto in C minor, op.36, ed. Martin Harlow]. Early Music, 45 (3). pp. 480-481. ISSN 0306-1078 (print) 1741-7260 (online)

Lawson, C. (1980) Das Chalumeau-Repertoire: ein kurzer Uberblick [The chalumeau repertoire: a brief overview]. Tibia: Magazin für Freunde alter und neuer Bläsermusik, 5 (1). pp. 18-21.

Lawson, C. (2001) Die C-Klarinette [The clarinet in C]. Rohrblatt, 16 (3). pp. 116-118. ISSN 0944-0291

Lawson, C. (2015) Exploring Bach’s contemporaries: Fasch and Graupner [recording review]. Early Music, 43 (1). pp. 179-182. ISSN 0306-1078 (print) 1741-7260 (online)

Lawson, C. (2013) Historical accuracy versus practical expediency: early instruments in the digital age. Early Music, 41 (1). pp. 27-29. ISSN 0306-1078 (print) 1741-7260 (online)

Lawson, C. (1983) J.C. Graupner: Bach's rival for the Thomaskantorat. Musical Times, 124 (1679). pp. 17-19. ISSN 0027-4666 (print) 2397-5318 (online)

Lawson, C. (2001) Playing early clarinets: the lure of history and the myth of authenticity. Musical Performance: An International Journal, 3 (1). pp. 23-29. ISSN 1026-2687

Lawson, C. (2007) Practising research – researching practice. Tijdschrift voor Muziektheorie/Dutch Journal of Music Theory, 12 (1). pp. 58-65. ISSN 1385-3066

Lawson, C. (2016) Reminiscences of Christopher Hogwood. Early Music, 44 (1). pp. 3-5. ISSN 0306-1078

Lawson, C. (1989) Single-reed instruments in the music of Vivaldi. Chigiana: Rassegna annuale di studi musicologici, 41 (21). pp. 185-196. ISSN 0069-3391

Lawson, C. (1981) Telemann and the chalumeau. Early Music, 9 (3). pp. 312-319. ISSN 0306-1078 (print) 1741-7260 (online)

Lawson, C. (1983) The authentic clarinet: tone and tonality. Musical Times, 124 (1684). pp. 357-358. ISSN 0027-4666 (print) 2397-5318 (online)

Lawson, C. (1987) The basset clarinet revived. Early Music, 15 (4). pp. 487-502. ISSN 0306-1078 (print) 1741-7260 (online)

Lawson, C. (1979) The chalumeau: independent voice or poor relation? Early Music, 7 (3). pp. 351-354. ISSN 0306-1078 (print) 1741-7260 (online)

Lawson, C. (1974) The early chalumeau duets. The Galpin Society Journal, 27. pp. 125-129. ISSN 0072-0127

Lawson, C. (1995) The early clarinet in theory and practice. Leading Notes: Journal of the National Early Music Association, 10. pp. 6-9.

Lawson, C. and Pearson, I. E. (2012) Così fan tutte und der Charakter von E-Dur: Klangfarben der Klarinette. Acta Mozartiana, 59 (1). pp. 36-44. ISSN 0001-6233

Loges, N. (2017) Book review: 'The social worlds of nineteenth-century chamber music: composers, consumers, communities' by Marie Sumner Lott. Music & Letters, 98 (1). pp. 144-147. ISSN 0027-4224 (print) 1477-4631 (online)

Loges, N. (2019) Buying and selling music in the (very) long nineteenth century [review article]. Journal of the Royal Musical Association, 144 (1). pp. 223-232. ISSN 0269-0403 (print) 1471-6933 (online)

Loges, N. (2006) Exoticism, artifice and the supernatural in the Brahmsian Lied. Nineteenth-Century Music Review, 3 (2). pp. 137-168. ISSN 2044-8414

Loges, N. (2012) How to make a ‘Volkslied’: early models in the songs of Johannes Brahms. Music & Letters, 93 (3). pp. 316-349. ISSN 0027-4224 (print) 1477-4631 (online)

Loges, N. (2018) Julius Stockhausen’s early performances of Franz Schubert’s Die schöne Müllerin. 19th-Century Music, 41 (3). pp. 206-224. ISSN 0148-2076 (print) 1533-8606 (online)

Loges, N. (2016) Review of 'Brahms among friends: listening, performance and the rhetoric of allusion' by Paul Berry (OUP, 2014). Nineteenth-Century Music Review, 13 (2). pp. 316-320. ISSN 2044-8414

Loges, N. (2014) Review of 'Brahms beyond mastery: his Sarabande and Gavotte, and its recompositions' by Robert Pascall (Routledge, 2013). Ad Parnassum, 12 (23).

Loges, N. (2005) Singing Lieder with a foreign accent: Brahms's Slavic Songs. Indiana Theory Review, 26. pp. 73-103.

Meyn, N. (2018) Engaging with émigré music in Britain. Arts of the Working Class (3). p. 9.

Meyn, N. and Charlston, T. and Bavington, P. (2012) C.P.E. Bach Songs with Clavichord: a conversation with Norbert Meyn and Terence Charlston. The British Clavichord Society Newsletter (54). pp. 3-10. ISSN 13595105

Pearson, I. E. (2012) By word of mouth: historical performance comes of age. Performance Practice Review, 17 (1). pp. 21-36. ISSN 1044-1638 (print) 2166-8205 (online)

Pearson, I. E. (2018) CD review: Franz Danzi, Music for Piano and Winds. Nineteenth-Century Music Review, 15 (3). pp. 1-3. ISSN 2044-8414

Pearson, I. E. (1998) Delicacy, sentimentality and intimacy: the chalumeau as 'signifier'. ClarinetFest 1998.

Pearson, I. E. (2000) Eighteenth- and nineteenth-century iconographical representations of clarinet reed position. Music in Art: International Journal for Music Iconography,, 25. pp. 87-95. ISSN 1522-7464 (print) 2169-9488 (online)

Pearson, I. E. (2012) Engaging with the past: a practical manifesto. Musica Antiqua, 1 (1). pp. 34-38. ISSN 2049-1514

Pearson, I. E. (2007) Ferdinando Sebastiani, Gennaro Bosa and the clarinet in nineteenth-century Naples. The Galpin Society Journal, 60. pp. 203-214. ISSN 0072-0127

Pearson, I. E. (1999) 'Interest, individuality and an endless pleasantness': the chalumeau in 18th-century Vienna. The Clarinet, 26 (3). pp. 56-59. ISSN 0361-5553

Pearson, I. E. (2002) Lefévre's sonatas for clarinet: a historical perspective. Clarinet & Saxophone, 27 (2). pp. 20-22. ISSN 0260-390X

Pearson, I. E. (2009) Review of 'The Clarinet' by Eric Hoeprich. The Galpin Society Journal, 62. pp. 292-293. ISSN 0072-0127

Pearson, I. E. (2001) Thea King and Pamela Weston: a tribute, part I. The Clarinet, 28 (3). pp. 48-52. ISSN 0361-5553

Pearson, I. E. (2001) Thea King and Pamela Weston: a tribute, part II. The Clarinet, 28 (4). pp. 66-69. ISSN 0361-5553

Pearson, I. E. (1999) 'Verfolgt vom Klang der Klarinette seines Vaters': Über Blatt-Position, Ferruccio Busoni und die Klarinette im Italien des 19. Jahrhunderts ['Pursued by the sound of his father's clarinet': on reed position, Ferruccio Busoni, and the clarinet in 19th-century Italy]. Tibia: Magazin für Holzbläser, 24 (4). pp. 605-611. ISSN 0176-6511

Pearson, I. E. (1999) The reed-above embouchure: fact or fallacy? Australian Clarinet and Saxophone, 2 (2). pp. 8-13.

Pitfield, S. and Pearson, I. E. (1998) An interview with Colin Lawson. The Clarinet, 25 (3). pp. 56-59. ISSN 0361-5553

Rice, A. R. and Lawson, C. (1986) The clarinet and chalumeau revisited. Early Music, 14 (4). pp. 552-556. ISSN 0306-1078 (print) 1741-7260 (online)

Roper, J. (2016) Goldmark’s wild Amazons: drama and exoticism in the Penthesilea Overture. Studia Musicologica, 57 (1-2). pp. 295-324. ISSN 1788-6244

Rossi Rognoni, G. (2015) The virginals of Benedetto Floriani (Venice, fl.1568–1572) and a proposal for a new attribution. Galpin Society Journal, 68.

Schneider, M. and Solomon, A. (2019) Michael Schneider im Gespräch mit Ashley Solomon [Michael Schneider in conversation with Ashley Solomon]. Tibia: Magazin für Holzbläser (4). pp. 579-583. ISSN 0176-6511

Smith, R. L. (2016) Book review: 'Bizet' by Hugh Macdonald. Notes, 73 (1). pp. 98-100. ISSN 0027-4380 (print) 1534-150X (online)

Smith, R. L. (2017) Book review: 'Debussy’s Pelléas et Mélisande: the staging by Albert Carré' by Michela Niccolai, translated by Lesley Wright. H-France Review, 17 (169). ISSN 1553-9172

Smith, R. L. (2016) Book review: 'Erik Satie: a Parisian composer and his world' by Caroline Potter. H-France Review, 16 (210). ISSN 1553-9172

Smith, R. L. (2016) Book review: 'The Cambridge companion to French music' edited by Simon Trezise. H-France Review, 16 (68). ISSN 1553-9172

Smith, R. L. (2006) Elsewhere and erstwhile: review of 'Musical encounters at the 1889 Paris World's Fair' by Annegret Fauser and 'Interpreting the musical past: early music in nineteenth-century France' by Katherine Ellis. Musical Times, 147 (1896). pp. 93-101.

Thormählen, W. (2010) Playing with art: musical arrangements as educational tools in van Swieten's Vienna. Journal of Musicology, 27 (3). pp. 342-376. ISSN 0277-9269

Wistreich, R. (2002) Das Ausführen und Lehren historisch informierten Singens - wen kümmert es? [Teaching and practising historically informed singing: who cares?]. Basler Jahrbuch für Historische Musikpraxis, 26. pp. 17-29.

Wistreich, R. (1994) "La voce è grata assai, ma…”: Monteverdi on singing. Early Music, 22 (1). pp. 7-20. ISSN 0306-1078

Wistreich, R. (2011) Music books and sociability. Il Saggiatore Musicale: Rivista Semestrale di Musicologia, 18. pp. 230-246. ISSN 1123-8615 (print) 2035-6706 (online)

Wistreich, R. (2006) Philippe De Monte: new autobiographical documents. Early Music History, 25. pp. 257-308. ISSN 0261-1279 (Print), 1474-0559 (Online)

Wistreich, R. (2019) Singing Handel, then and now. Handel News, 76. pp. 5-8. ISSN 2517-7656

Book Section

UNSPECIFIED (2015) Musikalisches Denken im Labyrinth der Aufklarung: Wilhelm Heinses Hildegard von Hohenthal (Thinking Musically in the Labyrinth of Enlightenment: Wilhelm Heinse's Hildegard von Hohenthal). In: Irvine, T. and Thormählen, W. and Wiener, O., (eds.) UNSPECIFIED Southampton-Würzburg Studies in Eighteenth Century Musical Culture, 3 . Are Musik Verlag, Mainz. ISBN 978-3-924522-50-6

Charlston, T. (2013) A discourse of styles: contrasting gigue types in the A Minor Jig from the Purcell Partial Autograph, GB-Lbl, MS Mus. 1. In: Interpreting historical keyboard music: sources, contexts and performance. Ashgate Historical Keyboard Series . Routledge, London. ISBN 9781409464266 (hardback) 9781138271944 (paperback) 9781315589596 (e-book)

Fenlon, I. and Wistreich, R. (2019) Introduction. In: The Cambridge History of Sixteenth-Century Music. The Cambridge History of Music . Cambridge University Press, Cambridge, pp. 1-23. ISBN 9780511675874

Hamilton, K. and Loges, N. (2014) Brahms in the home: an introduction. In: Brahms in the Home and the Concert Hall: Between Private and Public Performance. Cambridge University Press, Cambridge, pp. 1-22. ISBN 9781107042704 (hardback) 9781108458085 (paperback) 9781316056585 (e-book)

Herbert, T. (2013) Brass and military bands in Britain - performance domains, the factors that construct them and their influence. In: Brass Bands of the World: Militarism, Colonial Legacies, and Local Music Making. SOAS Studies in Music Series . Ashgate, Farnham, UK. ISBN 9781409444220 (hardback) 9781138251212 (paperback) 9781315569895 (e-book)

Herbert, T. (1997) Brass bands and other vernacular brass traditions. In: The Cambridge Companion to Brass Instruments. Cambridge Companions to Music . Cambridge University Press, Cambridge, pp. 177-192. ISBN 9780521565226 (paperback) 9781139002035 (e-book)

Herbert, T. (2016) Carl Florian Mandel and the production, consumption and status of "military" brass-wind instruments in the nineteenth century. In: Instrumental Odyssey: A Tribute to Herbert Heyde. Bucina: The Historic Brass Society Series (9). Pendragon Press, New York. ISBN 978-1-57647-252-1

Herbert, T. (1999) Farmer's contribution to the study of military music. In: Henry George Farmer: a bibliography. Glasgow University Library Studies . Glasgow University Library, Glasgow. ISBN 978-0852616901

Herbert, T. (2000) God's perfect minstrels: the bands of the Salvation Army. In: The British Brass Band: A Musical and Social History. Oxford University Press, Oxford. ISBN 9780198166986

Herbert, T. (2000) Nineteenth-century bands: making a movement. In: The British Brass Band: A Musical and Social History. Oxford University Press, Oxford. ISBN 9780198166986

Herbert, T. (2000) Popular nationalism: Griffith Rhys Jones ('Caradog') and the Welsh choral tradition. In: Music and British culture, 1785-1914: essays in honor of Cyril Ehrlich. Oxford University Press, Oxford, pp. 255-274. ISBN 9780198167303 (hardback)

Herbert, T. (1997) 'Sackbut': the early trombone. In: The Cambridge Companion to Brass Instruments. Cambridge Companions to Music . Cambridge University Press, Cambridge, pp. 68-83. ISBN 9780521565226 (paper back) 9781139002035 (e-book)

Herbert, T. (2011) Social history and music history. In: The cultural study of music: a critical introduction [2nd Edition]. Routledge, Abingdon. ISBN 9780415881906 (hardback) 9780415881913 (paperback) 9780203149454 (e-book)

Herbert, T. (2005) Susato's colleagues: the trombonists of the Tudor court. In: Tielman Susato and the music of his time: Print culture, compositional technique, and instrumental music in the Renaissance. Bucina: the historic brass society series (5). Pendragon Press, New York, pp. 117-132. ISBN 978-1576471067 (hardback)

Herbert, T. (2000) Trombones and the English court c.1480 – c.1680. In: Posaunen und Trompeten: Geschichte, Akustik, Spieltechnik. Michaelsteiner Konferenzberichte . Kloster Michaelstein Musikakademie, Blankenburg, Germany, pp. 51-58. ISBN 978-3895121166

Herbert, T. (1998) Victorian brass bands: class, taste, and space. In: The place of music. Guilford Press, New York, pp. 104-128. ISBN 9781572303140 (paperback)

Herbert, T. (2002) Wind instruments. In: A performer's guide to music of the Romantic period. Performer's guides . Associated Board of the Royal Schools of Music, London, pp. 57-69. ISBN 9781860961946

Herbert, T. (1999) The practice and context of a private Victorian brass band. In: Nineteenth-century British music studies. Music in nineteenth-century Britain, 1 . Ashgate, Farnham, Surrey, pp. 105-118. ISBN 9780367146221 (hardback) 9780429052774 (e-book)

Herbert, T. (1997) The reconstruction of nineteenth-century band repertory: towards a protocol. In: Perspectives in brass scholarship: proceedings of the International Historic Brass Society Symposium Amherst 1995. Bucina: the Historic Brass Society Series (2). Pendragon Press, New York, pp. 193-222. ISBN 978-0945193975 (hardback)

Herbert, T. and Barlow, H. (2012) The British military as a musical institution, c.1780-c.1860. In: Music and Institutions in Nineteenth-Century Britain. Music in Nineteenth-Century Britain . Ashgate, Farnham, UK, pp. 247-266. ISBN 9781409405832 (hardback) 9781138268234 (paperback) 9781315596624 (e-book)

Herbert, T. and Wallace, J. (2000) Aspects of performance techniques: the brass band and its influence on other brass-playing. In: The British Brass Band: A Musical and Social History. Oxford University Press, Oxford. ISBN 9780198166986

Hewett, I. (2015) Europe. In: The other classical musics: fifteen great traditions. Boydell & Brewer, Martlesham, Suffolk, pp. 216-245. ISBN 9781843837268 (hardback) 9781782045359 (e-book)

Hexel, V. (2019) Johannes factotum: Jóhann Jóhannsson. In: Double Lives: Film Composers in the Concert Hall. Routledge, Abingdon. ISBN 9780367028879

Kawabata, M. (2010) Paganini’s legacy. In: Nicolò Paganini: diabolus in musica. Studies on Italian Music History (5). Brepols, Turnhout, pp. 353-358. ISBN 978-2-503-53533-3 (hardback)

Lacombe, H. and Southon, N. and Smith, R. L. (2016) Poulenc et Edward Lockspeiser: une amitie professionelle. In: Fortune de Francis Poulenc. Presses Universitaires de Rennes, France, p. 197. ISBN 978-2-7535-5006-3

Lawson, C. (1994) Beethoven and the development of wind instruments. In: Performing Beethoven. Cambridge Studies in Performance Practice (4). Cambridge University Press, Cambridge, pp. 70-88. ISBN 0521416442 (hardback) 9780521023740 (paperback)

Lawson, C. (2012) Case study: Mozart, Symphonies in E flat major K543, G minor K550 and C major K551. In: The Cambridge history of musical performance. The Cambridge history of music . Cambridge University Press, Cambridge, pp. 552-574. ISBN 9780521896115 (hardback) 9781316183229 (e-book)

Lawson, C. (2002) Performing through history. In: Musical Performance: A Guide to Understanding. Cambridge University Press, Cambridge, pp. 3-16. ISBN 9780521783002 (hardback) 9780521788625 (paperback) 9780511074691 (e-book)

Lawson, C. (1995) Playing historical clarinets. In: The Cambridge Companion to the Clarinet. Cambridge Companions to Music . Cambridge University Press, Cambridge, pp. 134-149. ISBN 9780521476683 (paperback) 9781139796620 (e-book)

Lawson, C. (2009) Recreating history: a clarinettist's retrospective. In: The Cambridge Companion to Recorded Music. Cambridge Companions to Music . Cambridge University Press, Cambridge, pp. 263-266. ISBN 9780521865821 (hardback) 9780521684613 (paperback) 9781139798372 (e-book)

Lawson, C. (1995) Single reeds before 1750. In: The Cambridge Companion to the Clarinet. Cambridge Companions to Music . Cambride University Press, Cambridge, pp. 1-15. ISBN 9780521476683 (paperback) 9781139796620 (e-book)

Lawson, C. (2002) Wind instruments. In: A performer's guide to music of the Classical period. Associated Board of the Royal Schools of Music, London, pp. 65-74. ISBN 978-1860961939 (paperback)

Lawson, C. (1992) The chalumeau in the works of Fux. In: Johann Joseph Fux and the Music of the Austro-Italian Baroque. Routledge, London, pp. 78-94. ISBN 9780859678322 (hardback) 9781138260498 (paperback) 9781315092287 (e-book)

Lawson, C. (1995) The clarinet family: introduction - clarinets in B♭ and A. In: The Cambridge Companion to the Clarinet. Cambridge Companions to Music . Cambridge University Press, Cambridge, pp. 33-38. ISBN 9780521476683 (paperback) 9781139796620 (e-book)

Lawson, C. (1995) The clarinet family: the C clarinet. In: The Cambridge Companion to the Clarinet. Cambridge Companions to Music . Cambridge University Press, Cambridge, pp. 40-42. ISBN 9780521476683 (paperback) 9781139796620 (e-book)

Lawson, C. (2005) The early clarinet: historical icon or postmodern invention? In: The versatile clarinet. Routledge, Abingdon, pp. 5-14. ISBN 9780415973175 (hardback) 9781138986701 (paperback) 9780203958728 (e-book)

Lawson, C. (2003) The revival of historical instruments. In: The Cambridge companion to the orchestra. Cambridge companions to music . Cambridge University Press, Cambridge, pp. 155-168. ISBN 9780521806589 (hardback) 9780521001328 (paperback) 9781139002066 (e-book)

Lawson, C. (2003) The string quartet as a foundation for larger ensembles. In: The Cambridge Companion to the String Quartet. Cambridge Companions to Music . Cambridge University Press, Cambridge, pp. 310-327. ISBN 9780521801942 (hardback) 9780521000420 (paperback) 9780511074790 (e-book)

Lawson, C. (2012) A winning strike: the miracle of Mozart's 'Kegelstatt'. In: Mozart's Chamber Music with Keyboard. Cambridge University Press, Cambridge, pp. 123-137. ISBN 9781107002487 (hardback) 9781107534285 (paperback) 9781139368582 (e-book)

Loges, N. (2019) Literature. In: Brahms in Context. Composers in Context . Cambridge University Press, Cambridge, pp. 269-276. ISBN 9781107163416 (print) 9781316681374 (online)

Loges, N. (2019) Reading, singing, becoming: the Mädchenlieder of Paul Heyse and Johannes Brahms. In: Musical Salon Culture in the Long Nineteenth Century. Boydell & Brewer, Martlesham, Suffolk. ISBN 9781783273904 (print) 9781787445345 (e-book)

Loges, N. (2019) Singers. In: Brahms in Context. Composers in Context . Cambridge University Press, Cambridge, pp. 187-195. ISBN 9781107163416 (print) 9781316681374 (online)

Loges, N. (2014) The limits of the Lied: Brahms’s Magelone-Romanzen Op. 33. In: Brahms in the Home and the Concert Hall: Between Private and Public Performance. Cambridge University Press, Cambridge, pp. 300-323. ISBN 9781107042704 (hardback) 9781108458085 (paperback) 9781316056585 (e-book)

Loges, N. (2004) The notion of personae in Brahms's "Bitteres zu sagen denkst du": op. 32, no. 7: a literary key to musical performance? In: Music and Literature in German Romanticism. Studies in German Literature, Linguistics, and Culture (85). Camden House, Rochester, NY, pp. 183-202. ISBN 9781571132581 (hardback) 9781571136459 (e-book)

Loges, N. and Hamilton, K. (2019) Mythmaking. In: Brahms in Context. Composers in Context . Cambridge University Press, Cambridge, pp. 384-392. ISBN 9781107163416 (print) 9781316681374 (online)

Loges, N. and Hamilton, K. (2016) Singer-songwriters of the German Lied. In: The Cambridge Companion to the Singer-Songwriter. Cambridge Companions to Music . Cambridge University Press, Cambridge, pp. 21-42. ISBN 9781107063648 (hardback) 9781107680913 (paperback) 9781316496664 (e-book)

Loges, N. and Lawson, C. (2012) The teaching of performance. In: The Cambridge history of musical performance. The Cambridge History of Music . Cambridge University Press, Cambridge, pp. 135-168. ISBN 9780521896115 (hardback) 9781316183229 (e-book)

Paskins, H. and Hamilton, K. and Loges, N. (2014) Brahms and his arrangers. In: Brahms in the Home and the Concert Hall: Between Private and Public Performance. Cambridge University Press, Cambridge, pp. 178-220. ISBN 9781107042704 (hardback) 9781108458085 (paperback) 9781316056585 (e-book)

Pearson, I. E. (2006) 18、19世纪美术作品中黑管哨片的位置 [18th- and 19th-century iconographical representations of clarinet reed position]. In: Music in Art: International Journal for Music Iconography: special Chinese edition. Changjiang Wenyi Chubanshe, Wuhan, pp. 143-154. ISBN 7-5354-3155-0

Pearson, I. E. (2018) Articulation. In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge, pp. 28-33. ISBN 9781107108080 (hardback) 9781316257678 (e-book)

Pearson, I. E. (2018) Iconography. In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge, pp. 317-319. ISBN 9781107108080 (hardback) 9781316257678 (e-book)

Pearson, I. E. (2012) In contemplation of the clarinets at the Royal College of Music, London. In: Proceedings of the Clarinet and Woodwind Colloquium 2007. Edinburgh University Collection of Historic Musical Instruments, Edinburgh, pp. 141-150. ISBN 978 0 907635 59 8

Pearson, I. E. (2018) Oral tradition. In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge, pp. 448-451. ISBN 9781107108080 (hardback) 9781316257678 (e-book)

Pearson, I. E. (2000) Playing historical clarinets. In: The early clarinet: a practical guide. Cambridge handbooks to the historical performance of music . Cambridge University Press, Cambridge, pp. 41-62. ISBN 9780521624596 (hardback) 9780521624664 (paperback) e-book (9780511059780)

Pearson, I. E. (2018) Übersichblasen-Untersichblasen [reed above/below]. In: Lexikon der Holzblasinstrumente: Oboe, Klarinette, Saxophon und Fagott – Baugeschichte und Spielpraxis – Komponisten und ihre Werke – Interpreten. Laaber, Laaber, Germany, pp. 747-748. ISBN 978-3-89007-866-3

Smith, R. L. (2018) Bordes, Charles. In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge, p. 80. ISBN 9781107108080 (hardback) 9781108698573 (e-book)

Smith, R. L. (2018) Casadesus, Henri. In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge, pp. 114-115. ISBN 9781107108080 (hardback) 9781108698573 (e-book)

Smith, R. L. (2018) Choron, Alexandre (-Étienne). In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge, pp. 127-128. ISBN 9781107108080 (hardback) 9781108698573 (e-book)

Smith, R. L. (2018) Debussy fifty years later: has the barrel run dry? In: Debussy's resonance. Eastman studies in music . University of Rochester Press, Rochester, NY, pp. 19-37. ISBN 9781580465250 (hardback) 9781787442528 (e-book)

Smith, R. L. (2006) French operatic spectacle in the twentieth century. In: French music since Berlioz. Routledge, Abingdon. ISBN 9780754602828 (hardback) 9781138273450 (paperback) 9781315093895 (e-book)

Smith, R. L. (2018) Gould, Glenn (Herbert). In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge, pp. 268-269. ISBN 9781107108080 (hardback) 9781108698573 (e-book)

Smith, R. L. (2018) Indy, (Paul-Marie-Théodore-) Vincent d’. In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge, p. 328. ISBN 9781107108080 (hardback) 9781108698573 (e-book)

Smith, R. L. (2013) L'art de préluder: quelques questions de taxonomie chez Debussy [The art of preluding: some questions of taxonomy in the works of Debussy]. In: Regards sur Debussy. Fayard, Paris, pp. 329-336. ISBN 9782213672588

Smith, R. L. (2017) ‘Le Paradis deux fois perdu’: Debussy, Watteau and the fête galante. In: Historical Interplay in French Music and Culture, 1860–1960. Routledge, Abingdon, UK. ISBN 9781472474759 (hardback) 9781315586847 (e-book)

Smith, R. L. (2018) Paris Conservatoire (Conservatoire de Paris). In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge, pp. 470-472. ISBN 9781107108080 (hardback) 9781108698573 (e-book)

Smith, R. L. (2018) Saint-Saëns, (Charles-) Camille. In: The Cambridge Encyclopedia of Historical Performance in Music. Cambridge University Press, Cambridge, pp. 560-561. ISBN 9781107108080 (hardback) 9781108698573 (e-book)

Smith, R. L. (2007) Taming two Spanish women: reflections on editing opera. In: Berlioz and Debussy: sources, contexts and legacies: essays in honour of François Lesure. Ashgate, Farnham, Surrey. ISBN 9780754653929 (hardback) 9781138262980 (paperback) 9781315096469 (e-book)

Thormählen, W. (2019) Circulation. In: The Cambridge Haydn Encyclopedia. Cambridge University Press, Cambridge. ISBN 9781316422847

Thormählen, W. (2018) Framing emotional responses to music: music-making and social well-being in early nineteenth-century England. In: The Routledge companion to music, mind, and well-being. Routledge music companions . Routledge, Abingdon, pp. 93-105. ISBN 9781138057760 (hardback) 9781315164717 (e-book)

Thormählen, W. (2014) Lamenting at the piano: domestic music-making and well-being in eighteenth-century Britain. In: Göttinger Händelbeiträge: the power of musick: music and politics in Georgian Britain. Vandenhoeck & Ruprecht, Göttingen, Germany, pp. 144-160. ISBN 978-3-525-27832-1

Thormählen, W. (2019) London and England. In: The Cambridge Haydn Encyclopedia. Cambridge University Press, Cambridge. ISBN 9781316422847

Thormählen, W. (2019) Music and dance. In: A Cultural History of the Emotions in the Age of Romanticism, Revolution and Empire (1780-1920). A Cultural History of the Emotions, 5 . Bloomsbury, London. ISBN 9781472515063

Thormählen, W. (2019) Music and dance. In: A Cultural History of the Emotions in the Modern and Post-Modern Age (1920-2000+). A Cultural History of the Emotions, 6 . Bloomsbury, London. ISBN 9781472515063

Thormählen, W. (2014) Physical distortion, emotion and subjectivity: musical virtuosity and body anxiety. In: Music and the Nerves, 1700 – 1900. Palgrave Macmillan, Houndmills, Basingstoke, UK, pp. 191-217. ISBN 978-1-137-33950-8

Vaughan, W. and Loges, N. (2019) Visual arts. In: Brahms in Context. Composers in Context . Cambridge University Press, Cambridge, pp. 286-295. ISBN 9781107163416 (print) 9781316681374 (online)

Wistreich, R. (2013) Ars militaria. In: Die Musik in der Kultur der Renaissance: Kontexte, Disziplinen, Diskurse. Handbuch der Musik der Renaissance (5). Laaber, Lilienthal, Germany. ISBN 9783890077055

Wistreich, R. (2015) High, middle, and low: singing Monteverdi. In: Passaggio in Italia: Music on the Grand Tour in the Seventeenth Century. Brepols, Turnhout, pp. 65-83. ISBN 978-2-503-53568-5

Wistreich, R. (2012) 'Il soprano […] è veramente l'ornamento di tutte l'altre parti': sopranos, castratos, falsettists and the performance of late Renaissance Italian secular music. In: Der Countertenor: Die männliche Falsettstimme vom Mittelalter zur Gegenwart. Schott Campus . Schott Music, Mainz, pp. 65-78. ISBN 9783795707934

Wistreich, R. (2019) Music and war. In: The Cambridge History of Sixteenth-Century Music. The Cambridge History of Music . Cambridge University Press, Cambridge, pp. 176-205. ISBN 9780511675874

Wistreich, R. (2013) 'Nach der jetzig Newen Italienischen Manier zur guten Art im singen sich gewehnen': the trillo and the migration of Italian noble singing. In: Migration und Identität: Wanderbewegungen und Kulturkontakte in der Musikgeschichte. Analecta Musicologica (49). Bärenreiter, Kassel, pp. 138-150. ISBN 978-3-7618-2135-0

Wistreich, R. (2009) Of mars I sing: Monteverdi voicing virility. In: Masculinity and Western Musical Practice. Ashgate, Farnham, pp. 67-94. ISBN 9780754662396

Wistreich, R. (2013) Real basses, real men: virtù and virtuosity in the construction of noble male identity in late sixteenth-century Italy. In: Gesang zur Laute: TroJa Trossingen Jahrbuch für Renaissancemusik. Bärenreiter-Verlag, Kassel, pp. 59-80. ISBN 3-7618-1612-X

Wistreich, R. (2000) Reconstructing pre-Romantic singing technique. In: The Cambridge Companion to Singing. Cambridge Companions to Music . Cambridge University Press, Cambridge, pp. 178-191. ISBN 9780521627092 (print) 9781139002073 (online)

Wistreich, R. (2011) ‘Thou & Ile sing to make these dull Shades merry’: Herrick’s Charon Dialogues. In: ‘Lords of Wine and Oile’: community and conviviality in the poetry of Robert Herrick. Oxford University Press, Oxford. ISBN 9780199604777

Wistreich, R. (2013) Using the music: musical materials and expert singers’ practices in Monteverdi’s time. In: Basler Jahrbuch für Historische Musikpraxis. Manz, Vienna. ISBN 978-3-905786-16-3

Wistreich, R. (2012) Vocal performance in the seventeenth century. In: The Cambridge History of Musical Performance. The Cambridge History of Music . Cambridge University Press, Cambridge, pp. 398-420. ISBN 9781139025966

Wistreich, R. (2019) The lives of musicians. In: The Cambridge History of Sixteenth-Century Music. The Cambridge History of Music . Cambridge University Press, Cambridge, pp. 288-334. ISBN 9780511675874

Report

Wistreich, R. (2016) Warrior, courtier, singer: Giulio Cesare Brancaccio and the performance of identity in the late Renaissance. Other. Routledge, Abingdon and New York.

Conference or Workshop Item

Lawson, C. (2011) The British clarinet school: legacy and legend. In: International Symposium on Performance Science 2011, 24-27 August 2011, Canada.

Lawson, C. and Tibbles, J. (2009) The art and science of historical performance. In: International Symposium on Performance Science 2009, 15-18 December 2009, New Zealand.

Loges, N. (2018) Detours and dead ends on a Winter’s journey: Schubert’s Winterreise, D.911, in public performance. In: 20th Biennial International Conference on Nineteenth-Century Music, 2-4 July 2018, Huddersfield. (Unpublished)

Loges, N. (2019) Femininity, fragments, and fingers: reconstructing Brahms's intellectual world. In: The Intellectual Worlds of Johannes Brahms, 1-3 February 2019, University of California, Irvine, USA.

Nuti, G. and Solomon, A. and Williamon, A. (2009) The Listening Gallery: integrating music with exhibitions and gallery displays. In: International Symposium on Performance Science 2009, 15-18 December 2009, New Zealand.

Pearson, I. E. (2017) Listening and performing: experiences of twentieth-century British wind players. In: The Listening Experience Database Project Conference 2015 Listening to music: people, practices and experiences, 24-25 October 2015, Royal College of Music.

Pearson, I. E. (2007) The voice of heroic love: historical clarinets at the Royal College of Music, London. In: The Clarinet and Woodwind Colloquium 2007, 22-24 June 2007, Edinburgh University. (Unpublished)

Wistreich, R. (2016) Reconstructing historical singing: reality or fantasy? In: Diversity in Historically Informed Performance, 17 May 2016, King's Place, London. (Unpublished)

Book

Wistreich, R. and Whenham, J., eds. (2011) The Cambridge Companion to Monteverdi. Cambridge University Press, Cambridge. ISBN 978-0-521-87525-7

Fenlon, I. and Wistreich, R., eds. (2019) The Cambridge history of sixteenth-century music. The Cambridge history of music . Cambridge University Press, Cambridge. ISBN 9780521195942 (hardback) 9781108630887 (e-book)

Rossi Rognoni, G. and Barry, A. M., eds. (2017) Effects of playing on early and modern musical instruments: proceedings. OmniaScience. ISBN 978-84-946352-5-0

Wistreich, R., ed. (2010) Monteverdi. The Baroque Composers . Routledge, Abingdon. ISBN 9780754629023

Wistreich, R., ed. (2012) Musical materials and cultural spaces. Society for Renaissance Studies. ISBN ISSN 026-1213

Gouk, P. and Kennaway, J. and Prins, J. and Thormählen, W., eds. (2018) The Routledge companion to music, mind, and well-being. Routledge Music Companions . Routledge, Abingdon. ISBN 9781138057760 (hardback) 9781315164717 (e-book)

Richards, J. and Wistreich, R., eds. (2019) Voicing text 1500-1700. Huntington Library Quarterly special issue, 82 (1). University of Pennsylvania Press. ISBN 1544-399X (online) 0018-7895 (print)

Belina, A. and Scott, D. B. (2016) The business of opera. Ashgate Interdisciplinary Studies in Opera . Routledge, UK. ISBN 9781315614267

Charlston, T. (2015) English keyboard music c.1650-c.1700: a series of facsimiles of manuscript sources, volume 1: London, Royal College of Music library, MS 2093. Norsk Musicforlag. ISBN 9788270937073

Herbert, T. (2012) Music in words: a guide to researching and writing about music, 2nd edition. Associated Board of the Royal Schools of Music, London. ISBN 9781848491007

Herbert, T. (2006) The trombone. The Yale Musical Instrument Series . Yale University Press, London. ISBN 9780300100952 (hardback) 9780300235753 (paperback)

Herbert, T. and Barlow, H. (2013) Music and the British military in the long nineteenth century. Oxford University Press, New York. ISBN 978-0-19-989831-2

Kawabata, M. (2013) Paganini: the 'demonic' virtuoso. Boydell & Brewer, Martlesham, Suffolk. ISBN 9781843837565 (hardback)

Lawson, C. (1998) Brahms: Clarinet Quintet. Cambridge music handbooks . Cambridge University Press, Cambridge. ISBN 9780521581936 (hardback) 9780521588317 (paperback)

Lawson, C. (1996) Mozart: Clarinet Concerto. Cambridge music handbooks . Cambridge University Press, Cambridge. ISBN 9780521473842 (hardback) 9780521479295 (paperback) 9781139166737 (e-book)

Lawson, C. (2000) The early clarinet: a practical guide. Cambridge handbooks to the historical performance of music . Cambridge University Press, Cambridge. ISBN 9780521624596 (hardback) 9780521624664 (paperback) 9780511059780 (e-book)

Lawson, C. and Stowell, R. (2005) La interpretación histórica de la música [The historical performance of music]. Alianza música, 97 . Alianza Editorial, Madrid. ISBN 978-84-206-8207-5

Lawson, C. and Stowell, R. (1999) The historical performance of music: an introduction. Cambridge handbooks to the historical performance of music . Cambridge University Press, Cambridge. ISBN 9780521621939 (hardback) 9780521627382 (paperback) 9780511481710 (e-book)

Loges, N. (2017) Brahms and his poets: a handbook. Boydell & Brewer, Martlesham, Suffolk. ISBN 9781783272365 (hardback) 9781787441552 (e-book)

Wright, D. C. H. (2019) The Royal College of Music and its contexts: an artistic and social history. Music since 1900 . Cambridge University Press, Cambridge. ISBN 9781107163386 (hardback) 9781316730294 (e-book)

Edited book

Bunzel, A. and Loges, N. (2019) Musical salon culture in the long nineteenth century. [Edited book]

Clayton, M. and Herbert, T. and Middleton, R. (2011) The cultural study of music: a critical introduction [2nd edition]. [Edited book]

Hamilton, K. and Loges, N. (2014) Brahms in the home and the concert hall: between private and public performance. [Edited book]

Herbert, T. (1991) Bands: the brass band movement in the 19th and 20th centuries. [Edited book]

Herbert, T. (2000) The British brass band: a musical and social history. [Edited book]

Herbert, T. and Myers, A. and Wallace, J. (2018) The Cambridge encyclopedia of brass instruments. [Edited book]

Herbert, T. and Wallace, J. (1997) The Cambridge Companion to brass instruments. [Edited book]

Hoppe, C. and von Goldbeck, M. and Kawabata, M. (2018) Exploring virtuosities: Heinrich Wilhelm Ernst, nineteenth-century musical practices and beyond. [Edited book]

Lawson, C. (1995) The Cambridge companion to the clarinet. [Edited book]

Lawson, C. (2003) The Cambridge companion to the orchestra. [Edited book]

Lawson, C. and Stowell, R. (2018) The Cambridge Encyclopedia of historical performance in music. [Edited book]

Lawson, C. and Stowell, R. (2012) The Cambridge history of musical performance. [Edited book]

Loges, N. and Hamilton, K. (2019) Brahms in context. [Edited book]

Smith, R. L. and Potter, C. (2006) French music since Berlioz. [Edited book]

Thesis

Bower, B. (2016) The Crystal Palace Saturday Concerts, 1865-1879: a case study of the nineteenth-century programme note. Doctoral thesis, Royal College of Music.

Christensen, A. M. (2018) The solo for a violin: a new perspective on the Italian violinists in London in the eighteenth century. Doctoral thesis, Royal College of Music.

Feshareki, S. (2019) A quest to find ‘real': September 2014 – February 2017. Doctoral thesis, Royal College of Music.

Gentili, B. (2019) The invention of the ‘modern’ voice: changing aesthetics of vocal registration in Italian opera singing 1870-1925. Doctoral thesis, Royal College of Music.

Gibbs, F. J. (2018) The Royal Albert Hall: a case study of an evolving cultural venue. Doctoral thesis, Royal College of Music.

Mannion, R. (2019) Mise en Abyme: immersive performance and composition practices through interdisciplinarity, collaboration and music technology. Doctoral thesis, Royal College of Music.

Mantovani, L. (2019) Ferdinand Rebay and the reinvention of guitar chamber music. Doctoral thesis, Royal College of Music.

McHugh, E. R. (2018) The vocality of the dramatic soprano voice in Richard Strauss's Salome and Elektra. Doctoral thesis, Royal College of Music.

Neergaard, B. (2018) Schumann as aspiring pianist: technique, sonority, and composition. Doctoral thesis, Royal College of Music.

Razumovskaya, M. (2014) Heinrich Neuhaus: aesthetics and philosophy of an interpretation. Doctoral thesis, Royal College of Music.

Scotting, R. (2018) Unknown Senesino: Francesco Bernardi’s vocal profile and dramatic portrayal, 1700-1740. Doctoral thesis, Royal College of Music.

Thompson, T. D. (2016) The vocality of Sibyl Sanderson in Massenet’s Manon and Esclarmonde. Doctoral thesis, Royal College of Music.

Video

Charlston, T. (2018) Curating counterpoint: the lyrical imagination and the performance of Johann Jacob Froberger's legacy. [Video]

Pearson, I. E. (2011) Celebrating the past: treasures from the RCM collections (Gresham College lecture). [Video]

Solomon, A. (2015) Rediscovering Bolivian baroque music. [Video]

Audio

Charlston, T. and Solomon, A. (2019) Bach Cantatas 106 and 182, Amici Voices and Amici Baroque Players. [Audio]

Charlston, T. and Solomon, A. (2017) Handel – German Arias & Trio Sonatas. [Audio]

Charlston, T. and Solomon, A. (2019) Music for a King – Chamber works at the Court of Frederick the Great. [Audio]

Guillaumier, C. (2010) Prokofiev's The Gambler (Music Matters, BBC Radio 3). [Audio]

Guillaumier, C. (2016) Stalin's music prize (Music Matters, BBC Radio 3). [Audio]

Hewett, I. (2017) All in a chord I: Beethoven: the Eroica Symphony. [Audio]

Hewett, I. (2017) All in a chord II: Wagner: Tristan und Isolde. [Audio]

Hewett, I. (2017) All in a chord III: Mahler: Symphony No. 10. [Audio]

Hewett, I. (2017) All in a chord IV: Stravinsky: The Rite of Spring. [Audio]

Hewett, I. (2017) All in a chord V: Terry Riley: In C. [Audio]

Loges, N. (2017) BBC Radio 3 record review: buiding a library: Schumann: Liederkreis Op.24. [Audio]

Loges, N. (2018) BBC Radio 3: Music Matters: Natasha Loges & Stephan Loges on 'Brahms and his Poets' book. [Audio]

Other

Bower, B. and Meyn, N. and Curran, T. (2016) The Peter Gellhorn Edition: General Statement and 16 associated scores. RCM Editions, Royal College of Music.

This list was generated on Fri Nov 22 03:03:58 2019 GMT.